Question: I think I understand the idea of the dance set, but could you elaborate on the subject. My understanding is that in balls, dances were done in sets of two different style dances. If that’s true, were they the same kind of dance, or two different kinds of dances, such a country dance and then a quadrille? Also, did people follow that same format in less formal settings such as a country ball or dancing after a dinner party or during a house party?
The general custom was to have dances in sets of two. They were usually the same type of dances. After every two sets there would be a fast single dance like a boulanger, jig, etc. Local assemblies could be more informal.
Either the Master of Ceremony in the local assemblies or one of the women decided which kind of dances would be included.
Formal balls and court balls still opened with the minuet, but that was otherwise forgotten by the end of the Regency.
I think dancing at a house party would be noticeably more informal than anything held in a public assembly room, even a very small assembly room like that in Jane Austen’s “The Watsons.” One must consider how large is the house party? If it is small enough, and the folks all know each other, I think you can do anything you want there; ditto with impromptu dancing after a dinner party (again, if it is small and the people all pretty much know each other.)
Here is an excerpt from a period source showing that the “paired dances” thing existed outside public dances. It is a passage from Jane Austen’s “Emma,” in which Frank Churchill tells Emma that the small dance party he has been planning (which is to be hosted by his father, Mr Weston) has been moved to an inn because of its larger rooms:
Before the middle of the next day, he [Frank Churchill] was at Hartfield; and he entered the room with such an agreeable smile as certified the continuance of the scheme. It soon appeared that he came to announce an improvement.
“Well, Miss Woodhouse,” he almost immediately began, “your inclination for dancing has not been quite frightened away, I hope, by the terrors of my father’s little rooms. I bring a new proposal on the subject: — a thought of my father’s, which waits only your approbation to be acted upon. May I hope for the honour of your hand for the two first dances of this little projected ball, to be given, not at Randalls, but at the Crown Inn?”
So there it is — a pair of dances, at a private ball!
I will note, though, that it’s clear that the entire time that no one is dancing anything but country dances. So my other suspicion, that the “paired dances” thing only applies to country dances, is still in effect.
Oh, and if anyone is interested, chapters 28-29 of Emma have quite a nice lot of details about planning a small private ball (particularly in regard to the dancing).
Regency Dance, the Late 18th and Early Nineteenth Century tells us, “British social dancing of the 1770s had been greatly influenced by France. The Allemande and Cotillion dances were introduced to England from the late 1760s, the French Cotillion proved particularly popular, especially amongst visitors to the spa town of Bath. The Cotillion was arranged in a square format for four couples to dance a sequence of choreographed figures. A new Cotillion dancing vocabulary was absorbed into English Country Dancing from around this date; figure names such as the “Allemande”, “Pousette” and “Promenade” became common in English dances of the mid to late 1770s. A renewed interest in steps and timing accompanied this shift, dancing masters of the 1810s wrote of the perfection of the “science” of country dancing as though it was a recent phenomenon. The 1790s saw the rise of the Reel as a dance form in London, and the 1800s saw the introduction of the Waltz, especially at the Royal party town of Brighton.
“The Regency was a period of diverse dancing experiences. Strict etiquette rules were used to coordinate the dancing at the elite Assembly Rooms patronised by the rich, but riotous dancing parties might be enjoyed by a different class of dancer at a Tavern next door. Controversial dances such as the Waltz might be danced in a very different style at one such venue compared to the other.
“Cotillion dancing fell out of fashion in the early 19th century, but returned in the form of the Quadrille from the mid 1810s. The Quadrille was typically danced by four couples to a memorised sequence of figures; a great variety of choreographed routines were published from the late 1810s, but only a few major sequences survived beyond the mid 1820s: namely the First Set, the Lancers and the Caledonians.
“English Country Dancing fell out of favour with Britain’s elite social dancers towards the end of the 1810s, it was the Waltz and the Quadrille that became the preferred dances into the 1820s and beyond. A medley of minor dance formats were also invented and promoted, including Waltz Country Dances, Circular dances (Sicillian, Chivonian, etc.), Sixdrilles, and the like. The next major dancing trend to sweep the British ballrooms arrived from around the year 1830 in the form of the Gallopade and Mazurka dances; the Polka then arrived in the 1840s, a dance closely associated with the reign of Queen Victoria.”

What we refer to as “false” teeth are not false, for most dentures in history contained real teeth, either from another human or from an animal. Some of the oldest finding regarding false teeth come to us from Mexico. They date to around 2500 BC, and excavators confirm the use of wolf molars in the denture. Original dentures had difficulties with fit, attachment, comfort, and durability, but became a necessary evil as tooth decay became more prevalent with dietary changes, especially the consumption of sugar. 












“In early 1756 Paine visited his father in Halifax, Nova Scotia, in August went to Connecticut on family business, and by the fall moved to Boston to resume study of the law under Benjamin Prat, later chief justice in New York. In 1757, Paine was admitted to the Massachusetts Bar, the same month that his father died, leaving behind debts to collect from Nova Scotia and the West Indies and heavy family responsibilities. At first he considered establishing his law practice in Portland, Maine (then Massachusetts), but settled in Boston. He frequently rode the circuit attending court sessions in Cambridge, Plymouth, Barnstable and Worcester, York and Portsmouth. Pushing himself at some cost to his health, Paine qualified for practicing before the Superior Court in 1758. He and fellow lawyer John Adams were already keen rivals.
“In 1768 he was a delegate to the provincial convention which was called to meet in Boston and along with Samuel Quincy conducted the prosecution of Captain Thomas Preston and his British soldiers following the Boston Massacre of March 5, 1770. John Adams was opposing counsel, and his arguments won the jury’s sway, and most of the troops were let off.” (
(Statue of Robert Treat Paine (1904), Taunton, Massachusetts ~ Public Domain) “He returned to Massachusetts at the end of December 1776 and was speaker of the Massachusetts House of Representatives in 1777, a member of the executive council in 1779, a member of the committee that drafted the state constitution in 1780. He was Massachusetts Attorney General from 1777 to 1790 and prosecuted the treason trials following Shay’s Rebellion. In 1780, He was a charter member of the American Academy of Arts and Sciences. He later served as a justice of the state supreme court from 1790 to 1804 when he retired. When he died at the age of 83 in 1814 he was buried in Boston’s Granary Burying Ground. A statue to commemorate him was erected in the Church Green area of Taunton.” (
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During the last day of the First Continental Congress, several members of the body refused to sign the memorial of rights and grievances. McKean rose to ask President, Timothy Ruggles why the man refused to sign the document. In the ensuing debate, Ruggles said, “… it was against his conscious.” McKean argued against Ruggles’ use of the word ‘conscious’. McKean then issued a challenge to Ruggles, and a duel was accepted and witnessed by the whole body. However, no duel ever took place as Ruggles left early the next morning. A disgraced Ruggles fled to Massachusetts where he became a leading Tory. He later moved to Nova Scotia.
“My name is not in the printed journals of congress, as a party to the Declaration of Independence, as this, like an error in the first concoction, has vitiated most of the subsequent publications; and yet the fact is, that I was a member of congress for the state of Delaware, was personally present in congress, and voted in favor of independence on the 4th of July 1776, and signed the declaration after it had been engrossed on parchment, where my name, in my own hand writing, still appears. 





