When Was a Presentation of a “Living” Not for Life? + Release of “The Mistress of Rosings Park” + a Giveaway

One of my editors for The Mistress of Rosings Park presented me a question that I thought I should address to all, not just to her. In my story, Mr. Darcy assumes control of Rosings Park after the death of his wife, the former Anne de Bourgh. I understood what I planned to happen to Mr. Collins’s “living,” the one presented to him by Lady Catherine, but still my editor pointed out that she understood that a living was for life and could not be rescinded. That is a common belief, but there were means around the situation.

First, we must acknowledge that to hold a living, meaning retain it for life, the man had to be a rector as in residing in the rectory, vicarage, or parsonage, the “free” home presented to him along with his employment and his duties. A rector had the legal right to the living and could not be forced out unless he had acted in some manner against the church or his duties to his parishioners. Do recall there were NO pension plans upon which an elderly rector could hang his hat. For a variety of reasons, it was important to keep the living as a life term. The rector had the right to lay claim all the money associated with the living.

The income allotted to the rector came from two sources: (1) glebe land, meaning a small farm, a tradition carried forward from mediaeval times when the parish priest was responsible for growing his own food. By the Regency era, the rector would customarily made an arrangement with a local farmer to manage the land in return for part of the crop produced thereon or he let it out to a farmer and used the rent money to purchase the food he required for his household. Naturally, any extra produce could be sold to others, resulting in more income. (2) Tithes, a church tax in the amount of 10% charged against certain land holdings, different properties in the parish, and the crops produced. The rector was expected to collect these tithes himself, meaning he was a “tax collector” who often had to deal with those who defaulted on their payments. These taxes were paid on specific days each year—usually two days, but sometimes quarterly payments were arranged. The person owing the tax would bring it to the rector’s home, where he was served a good meal and plenty to drink in return.

A vicar, on the other hand, could only lay claim to the income allowed him by the rector. A vicar was a “deputy” for the rector, usually meaning a rector was not willing to serve the parish himself. This usually happened if the rectorship was owned by a college or other institution or by a lay-person.

A rector and a vicar could be considered curates for that particular word referred to the ordained person who “cured” the souls of the parish, but, by the Regency era, it had come to a different definition. A curate was a salaried assistant, deputy or locum, who was paid a stipend or salary by the rector or vicar to whom he reported. One might recall in Jane Austen’s “Persuasion,” Captain Wentworth’s brother was a curate. A perpetual curate, a term also found during the Regency was a curate with no allegiance to a rector or vicar. He was employed through an endowment or a charity. He received a salary, but nothing from the tithes.

In Austen’s Pride and Prejudice, we learn: ” Mr. Collins was not a sensible man, and the deficiency of nature had been but little assisted by education or society; the greatest part of his life having been spent under the guidance of an illiterate and miserly father; and though he belonged to one of the universities, he had merely kept the necessary terms, without forming at it any useful acquaintance. The subjection in which his father had brought him up had given him originally great humility of manner; but it was now a good deal counteracted by the self-conceit of a weak head, living in retirement, and the consequential feelings of early and unexpected prosperity. A fortunate chance had recommended him to Lady Catherine de Bourgh when the living of Hunsford was vacant; and the respect which he felt for her high rank, and his veneration for her as his patroness, mingling with a very good opinion of himself, of his authority as a clergyman, and his rights as a rector, made him altogether a mixture of pride and obsequiousness, self-importance and humility.”

Austen’s father was a rector of Deane and of Steventon in Hampshire. Orphaned at the age of nine, George Austen (and his sister Philadelphia) were taken in my Uncle Francis Austen, a rich man. After attending Tonbridge School and St John’s College, his uncle purchased the living at Deane for him. His cousin presented him the living at Steventon, which was turned over to his son James when he retired.

The point is, Jane Austen understood the legality of a “living.”

So, how do I remove Mr. Collins if he has been presented a living, for a living is for life?

During the Georgian era, receiving a living depended upon patronage or influence. The patron or patroness, in this instance, “presented” the living to a clergyman. HOWEVER, it was still up to the diocesan bishop to accept or deny the presentation. The only exception would be a “gift” of the living from the bishop himself. Remember the right of presentation could be bought or sold. The rich and influential would use this “loophole” as a means to hold the living for younger sons. Granting patronage occurred where there was the most advantage. The livings held by Oxford and Cambridge were reserved to provide a career for fellows of the university or alumni. Landed gentry presented their holdings to family members or favorites of the family.

So, I ask you: What if Lady Catherine who likely has no right to Rosings Park (unless Sir Lewis left it to her in his will, rather than to leave it to his daughter Anne or have it pass to another person in the male line of succession) presents Mr. Collins with a living, but the diocesan bishop never approved of the presentation? Lions and Tigers and Bears, Oh my!!!

For additional reading on the Clergy during Austen’s time, you might find this piece from Elaine Owen on the Austen Authors’ blog valuable. I certainly did.

Enjoy this short excerpt from The Mistress of Rosings Park, currently on preorder and available on 8 January 2021.

Late June 1813

“That dreadful man will arrive tomorrow,” Lady Catherine de Bourgh bemoaned. “And I have had no opportunity to remove to the dower house.” 

“There. There,” Mr. Collins commiserated. “Mrs. Collins and I will assist you. Your situation, if I may be so bold to say, is a true travesty, my lady. A travesty indeed.” 

From her position in a chair in the corner of the room, Elizabeth Bennet watched in mild amusement as her father’s cousin attempted to calm the latest round of hysterics displayed by the grand dame of Rosings Park. Mr. Collins, who continually genuflected before his patroness, was a comical creature without even attempting to be so. Elizabeth said a silent prayer of blessing that the man had not become her husband; yet, she again pitied her long-time friend, Charlotte Lucas, who had readily accepted the man’s proposal out of fear of becoming a burden to her family. 

In truth, Elizabeth had been surprised to receive an invitation for a visit to Kent from the Collinses. She suspected Mr. Collins had agreed in order to prove to Elizabeth she had made a mistake in refusing him. The situation had been poorly played by all, and her relationship with Charlotte had suffered greatly. Their bond had been badly shaken by her friend’s acceptance of Mr. Collins’s hand, a man who had proposed to Elizabeth and been rejected fewer than two hours prior to his proposal to Charlotte.

The scene of the man’s insolent superiority played through Elizabeth’s head as she watched Mr. Collins attempt to soothe Lady Catherine’s vexations. 

“I am not now to learn,” replied Mr. Collins with a formal wave of his hand, “that it is usual with young ladies to reject the addresses of the man whom they secretly mean to accept, when he first applies for their favor; and that sometimes the refusal is repeated a second or even a third time. I am, therefore, by no means discouraged by what you have just said, and shall hope to lead you to the altar ere long.” 

“Upon my word, sir,” Elizabeth had cried, “your hope is rather an extraordinary one after my declaration. I do assure you that I am not one of those young ladies, if such young ladies there are, who are so daring as to risk their happiness on the chance of being asked a second time. I am perfectly serious in my refusal. You could not make me happy, and I am convinced that I am the last woman in the world to make you so. Nay, were your friend, Lady Catherine, to know me, I am perfectly persuaded she would find me in every respect ill-qualified for the situation.” 

Elizabeth had been correct. At home, it was Jane and Mary who tended to their mother’s “nerves.” Elizabeth would certainly not be as solicitous to Lady Catherine’s vapors as were the Collinses. She was more likely to tell the woman to “saddle up.” Even so, she understood the Collinses’ position in this melodrama.

Earlier, Charlotte had explained that Rosings Park had passed to Lady Catherine’s daughter when the young woman reached her majority, although it appeared to Elizabeth as if her ladyship had continued to run the estate. Miss Anne de Bourgh had married and had removed to her new husband’s estate. Much to the chagrin of all concerned, reportedly, Miss de Bourgh had passed within months of her marriage, and the property now belonged to the lady’s husband. However, Lady Catherine had yet to abdicate her rule over the estate, which was none of Elizabeth’s business, but, if anyone had been foolish enough to ask, she would agree the estate could use a different hand on the helm. Despite the manor house being a true showcase, on her short walk of the grounds yesterday after services, she had noted how the parkland and the formal gardens did not reflect the same style of care as did the house. 

Elizabeth instinctively glanced to the window which overlooked the undulating lawn. She would love to claim a long walk in the park, but, if Mr. Collins meant to tend to Lady Catherine’s hysterics, the possibility of doing so was slim. It was not as if she could simply pardon herself and leave for a stroll about the grounds while her cousin was thus engaged. She realized this was an important moment in Mr. Collins’s life, for, if Lady Catherine was no longer in control of Rosings Park, what became of Mr. Collins’s living? Obviously, Lady Catherine had presented Mr. Collins the Hunsford living, but had the diocesan bishop accepted the presentation? If not, Mr. Collins’s position could be called in question. 

And what would become of Charlotte’s future? Elizabeth would not like to view Charlotte living in poverty. She could not help but to wonder how much was the living Lady Catherine presented to Mr. Collins worth? Elizabeth knew some vicars lived on as little as thirty pounds per year. She suspected Mr. Collins received more, but how much more? It would take somewhere around one hundred pounds per year for the illusion of a modest lifestyle, which was what Elizabeth observed at Hunsford Cottage. However, it was well understood that the right of presentation could be bought and sold. Was her father’s cousin receiving any of the tithes?  She would write to her father and ask him what he knew of Mr. Collins’s position. Like her mother, Elizabeth had made some assumptions regarding Lady Catherine’s presentation of the living; none of the Bennets, perhaps with the exception of her father had thought to question Mr. Collins’s constant praise of Lady Catherine’s generosity. After viewing her ladyship’s lack of care of parts of the estate, Elizabeth thought perhaps having her ladyship as Mr. Collins’s patroness might not be such a blessing, after all. She could not image her father’s cousin had come away his days at Oxford with glowing reports. Perhaps he was acting in the place of another, more in the role of curate, and had not told anyone of the fragility of his position. Elizabeth made a silent promise to remain at Rosings to determine if she might be of service to her friend and mend the gap that had split their friendship nearly a year prior and to learn the truth of Mr. Collins’s role in Hunsford’s future. 

Her thoughts were thusly engaged on what she might do to assist Charlotte beyond taking over some of her friend’s duties at Hunsford Cottage when the “play” before her shifted with the entrance of new character. 

“The Earl of Matlock, my lady,” the butler announced unexpectedly. 

_____________________________________

THE MISTRESS OF ROSINGS PARK: A PRIDE AND PREJUDICE VAGARY

ARRIVING FRIDAY, JANUARY 8, 2021

I much prefer the sharp criticism of a single intelligent man to the thoughtless approval of the masses. – Johannes Kepler 

When she arrives at Hunsford Cottage for a visit with her long-time friend Charlotte Collins, Elizabeth Bennet does not expect the melodrama awaiting her at Rosings Park. 

Mrs. Anne Darcy, nee de Bourgh, has passed, and Rosings Park is, by law, the property of the woman’s husband, Mr. Fitzwilliam Darcy; yet, Lady Catherine de Bourgh is not ready to abandon the mansion over which she has served as mistress for thirty years. Elizabeth holds sympathy for her ladyship’s situation. After all, Elizabeth’s mother will eventually be banished from Longbourn when Mr. Bennet passes without male issue. She inherently understands Lady Catherine’s “hysterics,” while not necessarily condoning them, for her ladyship will have the luxury of the right to the estate’s dower house, and, moreover, it is obvious Rosings Park requires the hand of a more knowledgeable overseer. Therefore, Elizabeth takes on the task of easing Lady Catherine’s transition to dowager baronetess, but doing so places Elizabeth often in the company of the “odious” Mr. Darcy, a man Lady Catherine claims poisoned her daughter Anne in order to claim Rosings Park as his own.

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BookBub https://www.bookbub.com/books/the-mistress-of-rosings-park-a-pride-and-prejudice-vagary-by-regina-jeffers

GIVEAWAY: I HAVE 2 eBOOK COPIES OF THE MISTRESS OF ROSINGS PARK AVAILABLE TO THOSE WHO COMMENT BELOW. THE GIVEAWAY WILL END AT MIDNIGHT ON THURSDAY, JANUARY 7, 2021. THE WINNERS WILL BE CONTACTED BY EMAIL, AND THE PRIZES DELIVERED ON FRIDAY, JANUARY 8.

Posted in Austen Authors, book excerpts, book release, British history, Church of England, customs and tradiitons, excerpt, Georgian England, Georgian Era, historical fiction, history, Jane Austen, Living in the Regency, Pride and Prejudice, publishing, Regency era, Regency romance, Vagary, writing | Tagged , , , , , , , , , , , , , , | 10 Comments

Celebrating the Release of “Fated Hearts, A Love After All Retelling of the Scottish Play” and the Gift of a Happily Ever After for Shakespeare’s “Macbeth”

Fated Hearts, A Love After All Retelling of the Scottish Play

Release Day: December 29, 2020

Thank you so much for having me as a guest today, Regina! 

My contribution to the Tragic Characters in Classic Literature Series is a retelling of Macbeth. The real Macbeth had a fairly successful (though of course, bloody) reign in eleventh century Scotland, even making a pilgrimage to Rome. 

More dramatic are Shakespeare’s hero and his lady, characters truly unfit to star in a Regency romance novel. Heavens! Not only do they not have a Happily-Ever-After, they both die! 

And so, with the complete artistic license and abundance of hubris we series authors are claiming, I set about bringing Lord and Lady Macbeth back from the dead and setting them in Regency England.

Resurrected 

Fated Hearts takes place twenty years after Macbeth’s and his lady’s “demise”, i.e., the failure of a disastrous lawsuit, allegations of infidelity, and a divorce that sent Macbeth off to fight in the wars with France and his wife into a hole of depression that has taken years to climb out of. 

With Napoleon vanquished, Macbeth is on half-pay in London, seeking employment. His ex-wife has traveled there also, on the chance of confronting him and introducing him to the daughter he disavowed. Meanwhile, an old villain has also appeared to plague them. Older and wiser, they meet again in London in March 1815 during the worst of the Corn Riots, in a week that ends with the arrival of news that Bonaparte has escaped from Elba. 

While the hero and heroine were easy to identify, lining up the rest of the characters for my retelling was harder. I decided to dispense with Duncan’s second son, as well as the entire MacDuff family, and, to lighten the tone, I added the characters of their daughter Lucie, and Macbeth’s servant. 

Here are the main characters:  

Major Finnley Macbeth, Baron of Calder, late of the Highland Regiment that served in the Peninsular War. 

Greer Douglas, the former Greer Macbeth, Baroness of Calder. The real Lady Macbeth’s name was believed to be Gruoch.

Lucie Macbeth, their feisty daughter. The real Macbeth had a stepson named Lulach. 

Duncan, in my story, is the late Earl of Menteith, who Macbeth sued unsuccessfully twenty years earlier. His son, Malcolm, now holds the title, and is being threatened by the villain. 

Giles Banquo, is a cousin to both Duncan and Macbeth. 

What about the witches? 

Shakespeare’s Scottish play revolves around the characters’ bloody thirst for power incited by the strong paranormal element, the prophesying of the witches. A Romance Hero wouldn’t go about killing people to get his hands on a title—so I decided to give that task over to the villain. 

To add in the paranormal element, the backstory includes a “witch” whose prophecy incites the villain, plus our hero has enough of the Sight to sense when the people he loves are in danger. 

Those Men in Kilts and other Scottish Issues

Developing the story required some research into the deployment of the Highland regiments and uniforms, an enjoyable rabbit hole with men in kilts! Here’s a link to my blog post on this subject. In short, in Wellington’s Peninsular campaign, the rank-and-file wore kilts but the officers wore trousers. 

In my first draft, I referred to the hero and heroine as “lord and lady”. But, I stumbled across some information about the Lord Lyon and Scottish titles and realized I’d better do a bit more research. My discoveries required some revising, but on the plus side, the ways in which Scottish baronial titles can be conveyed worked very well into the story. Wikimedia has a fascinating article on this subject. 

Fated Hearts, A Love After All Retelling of the Scottish Play

Blurb:

Plagued by hellish memories and rattling visions of battle to come, a Scottish Baron returning from two decades at war meets the daughter he denied was his, and the wife he divorced, and learns that everything he’d believed to be true was a lie. What he can’t deny is that she’s the only woman he’s ever loved. They’re not the young lovers they once were, but when passion flares, it burns more hotly than ever it did in their youth.

They soon discover, it wasn’t fate that drove them apart, but a jealous enemy, who played on his youthful arrogance and her vulnerability. Now that old enemy has resurfaced, more treacherous than ever. When his lady falls into a trap, can he reach her in time to rescue this love that never died? 

Excerpt: 

A crush was what they called these suffocating occasions, and the term was apt. 

Major Finnley Macbeth, Scottish baron and late of his majesty’s Highland Brigade, shifted his weight from the leg that still ached like the devil, and scanned the room for his quarry, an undersecretary in the Home Office who he’d met at the army’s winter quarters in Frenada. 

From his spot near a damask covered wall, he measured each breath, trying to calm his rising unease. The heavy scent of perfume mixed with fine beeswax and hothouse florals unsettled more than his stomach. The shimmering silks and waving plumes threatened to stir the disquieting visions plaguing him lately. 

Fire, explosions, rain, the screams of men and horse. 

He squeezed his hands into fists. These were not the hellish memories of the recent past, dammit, but rattling visions of some battle yet to come. 

Or not. Foretelling the future was for Travellers and crones, wasn’t it? Not battle-hardened men like himself.

He inhaled slowly, holding the breath for a count, and then eased the air out. Best keep his purpose in mind—he was here to track down Sir Thomas Abernathy, lately arrived in London, and rumored to be attending this rout. 

His gaze swept the room, seeking the distinctive bald pate. In spite of his own forty-three years, his eyesight was still keen enough to make out a sniper or spot the dust of a fleeing stag. Keen enough as well to relish the deep décolletages and clinging, delicate, almost transparent skirts on display this night, a vision far more cheering than the one the Sight was showing him. 

A more modestly clad woman stood alone halfway across the ballroom, her back turned to him, surveying the room as he was doing. 

A memory stabbed him, laced with an old shame. He’d once known a lass with hair like this, so abundant, so near to black. The lady tonight had crowned all the loveliness with dark feathers, like a glorious cormorant. His hand itched to pull out those feathers and rake his hands through the tumble of hair, as he’d once done…

He caught a steadying breath. It couldn’t be her. He’d simply been without a woman too long.

And these visions plaguing him of he knew not what? That foolishness grew from naught but fatigue, the wages of war, and the steady company of too much death. Napoleon had been defeated. He must put the memories of battle and that more distant passion aside. The lovely lady with feathers atop her head was only a stranger wondering where her man had got to. 

Yet he couldn’t turn away. As he watched, she pivoted one way, and then the other, allowing a glimpse of dangling earbobs and a firm chin. 

Drawn to her, he stepped out on his bad leg just as she turned. 

Pain shot through his hip. The room threatened to fall away but he held onto the pain, let it shore him up whilst he swore a silent curse. 

It was her.

Buy Links:

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Meet Alina K. Field:

Award winning and USA Today bestselling author Alina K. Field earned a Bachelor of Arts Degree in English and German literature, but prefers the much happier world of romance fiction. Though her roots are in the Midwestern U.S., after six very, very, very cold years in Chicago, she moved to Southern California, where she shares a midcentury home with her husband and a spunky, blond rescued terrier. She is the author of several Regency romances, including the 2014 Book Buyer’s Best winner, Rosalyn’s Ring. Though hard at work on her next series of romantic adventures, she loves to hear from readers!

Website: https://alinakfield.com/ 

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The Books in the Tragic Characters in Classic Lit Series:

The Monster Within, the Monster Without by Lindsay Downs – November 7, 2020 (Frankenstein)

I Shot the Sheriff by Regina Jeffers – November 30, 2020 (Robin Hood and the Sheriff of Nottingham)

The Colonel’s Spinster by Audrey Harrison – December 8, 2020 (Pride and Prejudice)

Fated Hearts by Alina K. Field – December 29, 2020 (Macbeth)

The Redemption of Heathcliff by Alanna Lucas – January 1, 2021 (Wuthering Heights)

The Company She Keeps by Nancy Lawrence – January 11, 2021 (Madame Bovary)

Captain Stanwick’s Bride by Regina Jeffers – February 19, 2021 (The Courtship of Miles Standish)

Glorious Obsession by Louisa Cornell – February 26, 2021 (Orpheus and Eurydice)

Posted in book excerpts, book release, British history, customs and tradiitons, England, excerpt, Georgian England, Georgian Era, Great Britain, Guest Post, heroines, historical fiction, history, legends and myths, literature, military, reading habits, real life tales, Regency romance, Scotland, suspense, writing | Tagged , , , , , , , , , , , , , , | 10 Comments

December 24, 1814, the Treaty of Ghent, Ending the Last War Between the United States and the UK

On December 24, 1814, British and American diplomates signed the Treaty of Ghent, bringing about an end to the War of 1812, the only war in which America and the United Kingdom took aim at each other. In the War of 1812, caused by British restrictions on U.S. trade and America’s desire to expand its territory, the United States took on the greatest naval power in the world, Great Britain. By terms of the treaty, all conquered territory was to be returned, and commissions were planned to settle the boundary of the United States and Canada.

This event plays a role in my current Work in Progress, Captain Stanwick’s Bride, which will release February 19, 2021.

The United States declared war on the United Kingdom on June 12, 1812. The issues included the British economic blockade of France, the impressment of thousands of neutral American seamen into the British Royal Navy against their will, and the British support of hostile Indian tribes along the Great Lakes frontier.

The Western and Southern states were more inclined for war. They believed they should take advantage of the UK being preoccupied with Napoleon on the European Continent, they could claim territory in both Canada and British-protected Florida.

My new novel begins with the Battle of Thames in October 1813. With the U.S. navy’s victory at the Battle of Lake Erie in September 1813, Brigadier General Henry A. Procter, the British commander at Detroit, ordered a hasty retreat across the Ontario peninsula. Major General William Henry Harrison and 3,500 U.S. troops and militia pursued the retreating British forces. They were supported by the U.S. fleet, which held command over Lake Erie. The forces met early on October 5, the British having abandoned their breakfast, near Moraviantown on the Thames River. The British were outnumbered more than 2 to 1. They had 600 regulars and 1,000 Indian allies under Tecumseh, the Shawnee leader, and the war chief Roundhead of the Wyandott tribe. The American infantry and cavalry drove off the the British and then defeated the Indians, who were demoralized by the deaths of Tecumseh and Roundhead in action. American control was re-established in the Detroit area, the tribal confederacy collapsed, and Procter was court-martialled for his poor leadership. Many British troops were captured, including the hero of my tale. The defeat destroyed the Indian alliance and broke the power the tribes had over the Ohio and Indiana territories. Many of the tribes abandoned their association with the British forces after this defeat.

Battle of the Thames and the death of Tecumseh, by the Kentucky mounted volunteers led by Colonel Richard M. Johnson, 5th Oct. 1813. Lithograph, hand coloured. ~ Public Domain ~ https://en.wikipedia.org/wiki/Battle_of_the_Thames#/media/File:Battle_of_the_Thames.PNG

In the months following the American success on Lake Erie, the U.S. launched a three-point invasion of Canada, none of which were successful. Yet, for a time, they were more successful on the lakes marking the Canadian border and a series of victories along the coast, but, eventually, Britain regained control of the sea and blockaded the Eastern seaboard of the U.S.

With Napoleonic initial capture in 1814, the British were able to allocate more military resources to the American war, and they meant to be done with the “nasty little fly in the ointment.” British troops marched on the U.S. capital of Washington City on August 24, 1814. The British troops, under Major General Robert Ross, knew success at the Battle of Bladensburg and marched on the U.S. capital. They set fire to multiple government and military buildings, including the Presidential Mansion and the Capitol building. President James Madison and other government officials had already fled the city after the British defeat at Bladensburg.

On the day following the attack, a sudden, exceedingly heavy thunderstorm, some say, possibly a hurricane, arrived, putting out the fires. It also spun off a tornado that passed through the center of Washington City, supposedly setting down along what is now called Constitution Avenue and lifting two cannons into the air before dropping them several years away. After the storm, the British returned to their ships, many of which now required repairs due to the storm. The occupation of Washington lasted 26 hours.

On September 11, 1814, the British forces were driven back by the American naval forces under Thomas Macdonough at the Battle of Plattsburg in New York on Lake Champlain. Sir George Prevost and his troops were forced to abandon its part of the British invasion of the United States and retreat into Canada.

“On the morning of September 12, 1814, a British force of 9,000 men landed at North Point, Maryland, with the intention of marching inland and capturing Baltimore. Brig. Gen. John Stricker, commander of the 3d Brigade of the Maryland militia, was ordered to delay the British advance so that the defense entrenchments around the city could be completed. The 5th regiment was assigned the task of holding the American right flank. Despite two hours of artillery and rocket fire, the 5th Maryland stood their ground. After inflicting some 300 casualties, the 5th was order to fall back to a new position in front of the Baltimore trenches. The British army, exhausted by the fighting and surprised by the stubborn defense of the Maryland militia, withdrew, while the British navy failed to silence the guns of Fort McHenry in Baltimore Harbor.” (National Guard)

lithograph reproduction based on the 1814/15 painting of the battle of North Point, by militia man Thomas Ruckle ~ Public Domain ~ https://en.wikipedia.org/wiki/Battle_of_North_Point#/media/File:Lithograph_of_painting_byThomas_Ruckle.jpg

The fall of Fort McHenry, the battle taking place on September 13-14, 1814, was vital to the British plan, as the British Navy could not properly assist the land forces. However, Fort McHenry withstood the twenty-seven hours of bombardment, an event that would inspire Francis Scott Key to write the poem that would eventually become “The Star-Spangled Banner.” The British fleet soon withdrew, ending their invasion of the Chesapeake Bay.

“The American victory on Lake Champlain led to the conclusion of U.S.-British peace negotiations in Belgium, and on December 24, 1814, the Treaty of Ghent was signed, ending the war. Although the treaty said nothing about two of the key issues that started the war–the rights of neutral U.S. vessels and the impressment of U.S. sailors–it did open up the Great Lakes region to American expansion and was hailed as a diplomatic victory in the United States.

“News of the treaty took almost two months to cross the Atlantic, and British forces were not informed of the end of hostilities in time to end their drive against the mouth of the Mississippi River. On January 8, 1815, a large British army attacked New Orleans and was decimated by an inferior American force under General Andrew Jackson in the most spectacular U.S. victory of the war. The American public heard of the Battle of New Orleans and the Treaty of Ghent at approximately the same time, fostering a greater sentiment of self-confidence and shared identity throughout the young republic.” [Treaty of Ghent]

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The Significance of Birth Order in Jane Austen’s Novels, a Guest Post from Eliza Shearer

Jane Austen was born on December 16, 1775, “the seventh of eight children of a clergyman in a country village in Hampshire, England. Jane was very close to her older sister, Cassandra, who remained her faithful editor and critic throughout her life. The girls had five years of formal schooling, then studied with their father. Jane read voraciously and began writing stories as early as age 12, completing a novella at age 14.” (This Day in History)

This post originally appeared on Austen Authors on June 25, 2019. Let us determine whether Austen herself fits the mold. Enjoy! 

Birth order has an impact on your personality and behaviour, according to many psychologists. Some of the stereotypes related to sibling birth order have primarily been confirmed by scientific studies, but at Jane Austen’s time, such observations would have remained anecdotal only.

Whether you trust said studies or not, it is worth checking out what this observant writer, so talented at describing human emotions, behaviours and interactions, made of the supposed characteristics of children born in the same family, depending on their birth order.

Firstborns, the Responsible Ones?

When it comes to firstborns, stereotypes abound. Because they enjoy the attention of both parents, firstborns are supposedly born leaders, conscientious and responsible achievers, and at the same time tend to be overly cautious, perfectionists and even controlling.

Some of Jane Austen’s characters who are firstborns neatly fit in this category, and you need not look further than collected Elinor Dashwood of Sense and Sensibility, always so organised and responsible (Mrs Dashwood definitely wasn’t a firstborn!). Charlotte Lucas of Pride and Prejudice, who opts for financial security in the shape of a marriage of convenience rather than becoming a burden for her family, is another sensible older sibling.

Mr Darcy in Pride and Prejudice and Mr Knightley in Emma are further examples of firstborn children whose diligence and sense of responsibility for the lives of others are acute, and who respect their elders and want to be the best at everything they do. But this attitude is not always laudable, in Jane Austen’s opinion: Sense and Sensibility‘s Edward Ferrars has such a warped sense of honour that he is prepared to marry a silly woman simply because he promised to do so as a bored young man.

Not all firstborns fit the idealistic picture of duty and respectability. Elizabeth Elliot, Anne’s eldest sister in Persuasion, is selfish, hedonistic, snobby and full of her own firstborn privilege as the eldest Elliot daughter. Tommy Bertram of Mansfield Park is charming and fun, but also thoughtless, even callous, to the point that his spending habits put his brother Edmund’s inheritance and future happiness in jeopardy.

Free-spirited Last Borns

At the other end of the spectrum, we find the baby of the family. Youngest children are supposed to have benefited from their parents’ increasingly lax approach to parenting, especially if there are several siblings between them and the firstborn. They are often accused of being attention-seekers, but on the plus side, they tend to behave in uncomplicated, spontaneous ways.

Lydia Bennet, Elizabeth’s baby sister in Pride and Prejudice, is the Austen character that most closely fits the stereotype. She is fun-loving and outgoing, but also self-centred and manipulative. Lydia elopes with the man she wants without thinking of the consequences. Marrying without parental consent was a severe affront to the family, and therefore a rare occurrence, but interestingly, Mansfield Park’s Julia Bertram, who also elopes, happens to be the youngest Bertram sibling.

To find out what happens when freedom-loving youngest children acquire responsibilities, look no further than Mary Musgrove, the youngest Elliot sister in Persuasion. Mary has a knack for getting others (particularly her sister Anne) to stand in for her when it comes to dealing with the less unpleasant aspects of being a grown-up, such as having to miss out on social occasions on account of sick children.

Amongst the men, there is perhaps a no better example of a spoilt youngest child in Austen’s novels than the foolish Robert Ferrars, Edward Ferrars’ younger brother in Sense and Sensibility. The first time Elinor meets him, at a jeweller’s, he is buying a fancy and ridiculously expensive toothpick case. Need I say more?

Middle Children, the Great Question Mark

What about the children who fall in the middle in sibling birth order? It turns out that they are a bit of a mystery and can turn out either way. In some cases, their behaviour is close to what one might expect from the stereotypical older sibling. Mansfield Park’s Edmund Bertram is a man of honour who cares about those less privileged than himself and is prepared to forfeit their future happiness because of a higher sense of morality. He will not contemplate not going into the church, as is his vocation, even if this means renouncing the woman he loves.

Anne Elliot of Persuasion is another example of a middle child behaving in a far more sensible way than her elder siblings. She is also a bit of a loner, a trait that she shares with Mary Bennet, the middle child in Pride and Prejudice. Poor Mary is definitely the odd one out amongst the Bennet sisters, not just because she isn’t as pretty as the rest of them, but also because the other four are so clearly paired off from the beginning.

There are also instances of middle children who refuse to blend into the familial background and stand out to find a place within the family. In Sense and Sensibility, Marianne Dashwood is not exactly a wallflower, drawing attention to herself at every possible occasion. In Pride and Prejudice, spirited Elizabeth Bennet is her father’s favourite and the most magnetic of all five sisters.

All in all, I am sure that Austen would have agreed with Dr Kevin Leman, a psychologist who has studied birth order for decades, who said that “the one thing you can bet your paycheck on is the firstborn and second-born in any given family are going to be different.”

What do you make of Austen’s depiction of birth order and the impact it has on the personalities of her characters? Do you identify as one character in particular?

Posted in Austen Authors, British history, customs and tradiitons, family, Georgian England, Georgian Era, Guest Post, Jane Austen, Living in the Regency, Mansfield Park, Northanger Abbey, Persuasion, Pride and Prejudice, reading, real life tales, writing | Tagged , , , , , , , , , , | Comments Off on The Significance of Birth Order in Jane Austen’s Novels, a Guest Post from Eliza Shearer

Christmas Carols Jane Austen Might Have Known, a Guest Post from Jann Rowland

This post originally appeared on Austen Authors in December 2016. I thought you might enjoy it, given the time of the year. 

As anyone who knows me will attest, I love music, and I also love Christmas. But while do enjoy Santa Claus and Jingle Bells, I am more partial to sacred music which has, at its heart, a message of the birth of the Savior of the world.

Thus, for my post this month, I thought it might be an interesting idea to talk about Christmas carols, but with a twist. Singing Christmas carols and wassailing was not a custom of Regency times; most of the information I uncovered suggests it was more prominent in Victorian times. But our favorite Regency author still would have been familiar with Christmas carols, and would have sung them with her family, at church, and during events of the neighborhood in which she lived.

If I was creating a comprehensive list of favorite Christmas carols, I would include many that do not fit in this list. O Holy Night is a personal favorite, but it was not written until the 1850s. The Huron Carol is beloved in Canada and it is certainly old enough, dating back to the 17th century in the original Native language. But it was not translated into English until the 20th century, and I doubt it made its way across the ocean to the old world until fairly recently. I love I Heard the Bells on Christmas Day, the hopeless “And in despair I bowed my head, ‘There is no peace on earth,’ I said” to the transcendent “Till, ringing, singing, on its way, the world revolved from night to day, A Song, a chime, a chant sublime, Of peace on earth, good will to men!” which is one of my favorite lines in any Christmas song. But again, it was composed much later than the Regency period. Even Silent Night, which most historians think was written in 1818, was a year after Jane Austen’s death, and was written in Germany, not to be translated until later.

Still, there are lots of good hymns to choose from. Here then, in ascending order, are my five favorite hymns that Jane Austen likely would have known and sung:

5. While Shepherd Watched Their Flocks By Night

This hymn, which tells the story of the angel’s appearance to the shepherds, has long been a stable of sacred Christmas carols. The original version dates to the 18th century, and in researching it, I was surprised how many tunes it has been set to. The most popular and well-known version is the Winchester version, which Jane Austen would have known, but personally, I like the one sung by the Mormon Tabernacle Choir, which is known as the Yorkshire Carol version, which you can find if you search YouTube.

4. Greensleeves

Greensleeves is the first entrant which boasts a minor key, which I have always loved. Minor keys often convey a slightly mournful tone, and are often beautifully haunting melodies. Greensleeves has existed as a ballad since the late 16th century, and the lyrics have been adapted to Christmas, New Years, and many other occasions. Any of my readers who have read My Brother’s Keeper will note that I used the song in that story. Since then, the immensely popular What Child is This? was written to the same tune, and now it is almost impossible to find a recording of any other version. No Christmas list can be complete without Greensleeves somewhere on it. I have included a link to the Mannheim Steamroller version which, though instrumental, is a beautiful rendition.

3. Adeste Fideles

Today this hymn is better known as O Come, All Ye Faithful, and though the English version of the hymn was not written until the mid-19th century, the earliest surviving versions of the Latin version bear the signature of John Francis Wade, who was an English hymnist. Other authors have been suggested and the true origin is uncertain, but it would certainly have been known in Jane Austen’s time. A hymn with beautiful harmony, there is nothing quite like an entire congregation standing and belting out this traditional favorite. This version, by Bing Crosby, is also an especial favorite.

2. Bring a Torch, Jeanette, Isabella

I had a difficult time choosing between putting this one or the next at number one, and either would be marvelous choice. On any given day, I might change the order. With Bring a Torch we get into hymns that are a little more obscure today. It can be difficult to find a version of it on most Christmas collections as it has largely fallen from our common repertoire of hymns. But the beautiful music, exhorting the maidens to visit the babe Jesus’s stall is a true masterpiece of Christmas music, and of music in general. This hymn originated in France in the 16th century, was translated into English in the 18th. I like to imagine Jane Austen, sitting around the pianoforte with her brothers and sisters, and singing this beautiful hymn on Christmas Eve. This is a version by Robert Shaw Chorale, though the instrumental version by Mannheim Steamroller is also gorgeous.

1. Coventry Carol

This last hymn might be a bit of a stretch, though it is still possible that Jane Austen might have heard it. The Coventry Carol dates to the 16th century, and was performed in the city of Coventry as part of a Christmas play entitled The Pageant of the Shearmen and the Tailors, which was a depiction of the Christmas story from the gospel of Matthew. The song itself refers to the massacre of the innocents, ordered by king Herod to try and kill the Christ child when his trickery with the wise men did not work. A haunting, minor key melody, the words evoke the despair of the mothers of Bethlehem, and it depicts Mary singing her lament to the Christ child before she and Joseph were told to flee to Egypt. The harmony in this hymn is sublime, and it is almost impossible to listen to without emotion. It is usually sung a cappella, which is another point in its favor. The words do not refer to Christ’s birth, but it is still used as a Christmas hymn, and is a beautiful melody and an essential part of any Christmas collection.

Honorable mention for this list goes to God Rest Ye Merry Gentlemen (which I almost included in place of While Shepherd Watched Their Flocks By Night), Joy to the World, and I Saw Three Ships Come Sailing In. There are many others such as Hark the Herald Angels Sing and The First Noel and so on. I hope you enjoyed this journey into Regency Christmas carols as much as I enjoyed researching them!

Now, let’s have some fun. What is your favorite Christmas song? Regency, before, or after, it doesn’t matter. Please reply with your favorite carol!

Posted in Anglo-Saxons, British history, customs and tradiitons, Georgian England, Georgian Era, Guest Post, Living in the Regency, music | Tagged , , , , , , , | Comments Off on Christmas Carols Jane Austen Might Have Known, a Guest Post from Jann Rowland

Celebrating the Release of “The Colonel’s Spinster: A Tragic Characters in Classic Lit Series Novel” from Author, Audrey Harrison

Today, I welcome another of the authors involved in the Tragic Characters in Classic Lit Series. Where I took up the tale of the Sheriff of Nottingham in I Shot the Sheriff and Lindsay Downs “transformed” Frankenstein in his The Monster Within, the Monster Without, Audrey Harrison has brought happiness to one of my favorite characters: Colonel Fitzwilliam from Jane Austen’s Pride and Prejudice.

The Colonel’s Spinster

He needs a rich wife. A pity he’s falling for the wrong woman.


She’s looking to find out about her past. She wasn’t expecting to find her future.


Colonel Fitzwilliam is a second son, often overshadowed by his titled, older brother and his cousin, Mr Darcy. Returning from Waterloo, he knows it is time to find a wife with a healthy dowry, but he longs for a love match. Unfortunately for Fitzwilliam, love doesn’t put food on the table.


Miss Prudence Bamber has never known her mother’s family. A woman with her own mind and full life, she indulges her father’s wish to visit her long-lost relations. Mr Bamber hopes his daughter will find a husband; she wishes nothing more than to find out more about her mother’s history. It turns out to be a journey she won’t forget in a hurry.


The Colonel’s Spinster is part of the Tragic Characters in Classic Literature Series, giving Pride and Prejudice’s Colonel Fitzwilliam, the story he deserves.

Excerpt:

Prologue

Netherfield, Hertfordshire, 1813

With his ready smile on his face, Colonel Richard Fitzwilliam entered the bedchamber of his cousin. Darcy frowned at him, at which Fitzwilliam’s smile broadened.

“The nerves getting to you?” he asked, as Darcy’s valet fussed around his cousin.

“Why am I so nervous? I want this wedding to take place, but my stomach is behaving like I’m some sort of callow youth on his first adventure,” Darcy said, with a nod dismissing his valet. He looked resplendent in a blue frock coat and cream breeches; his boots had been polished until they shone in the sunlight.

“It is good to be nervous,” Fitzwilliam reassured his relation. “But I’m convinced they are unnecessary doubts.”

Darcy finished fiddling with his neckcloth. He normally spent an age perfecting the gentle folds, but today he was even more inclined than usual for it to look impeccable. “I know you speak the truth. But it does not help that I’d rather not be the centre of attention for the morning.”

“I have some bad news to break to you, Darcy. No one is interested in you. They all want to see your bride in her wedding dress. All the women will be wondering if there will be lace or if she will wear flowers in her hair or a bonnet, or even a feather! You, my friend, are so low down in everyone’s interest, you are virtually not needed to attend,” Fitzwilliam said.

Darcy laughed. Those who did not know him well, would wonder at the uncommon occurrence, but to the few people who were dear to him, it was a regular, natural sound. “Good! Thank you, Fitzwilliam. I needed to be brought to the reality of the day. I too often allow myself to overthink a simple situation.”

“You? My dear cousin, I don’t know what you could possibly mean!”

Darcy shook his head at his cousin but then became serious. “Fitzwilliam, can I ask you a question in which I need your reply to be very honest?”

“Sounds ominous.”

“It is something I should have raised before now. I know I’m a blockhead for needing to ask, but the niggle will not go away. You and Elizabeth — at Rosings, you were…”

Fitzwilliam looked at his cousin with sympathy. He was a man with ten thousand pounds a year, a capable landlord of one of the largest estates in Derbyshire, and yet he could be so unsure of himself. It endeared him further with the cousin who, in many ways, was more like a brother.

“Darcy, I promise you this. I was never in love with Elizabeth, nor she, me. I admit, I think her handsome, funny, and one of the best people I will soon have the pleasure to call cousin, but there are no other feelings towards her. And never have been,” Fitzwilliam said honestly.

“I can see why she would be drawn to you,” Darcy said, still looking uncomfortable.

Moving over to put his hands on his cousin’s shoulders, Fitzwilliam shook him gently. “She turned your first proposal down because she did not truly know you at that time. Plus the fact that the blackguard, Wickham, had been whispering poison into her ear and the general locality of her town.”

It had been a hard time for Darcy, blundering in and causing what had appeared to be a permanent breach with the woman he’d asked to marry him. He had only confessed the whole situation afterwards to his cousin, after he’d actually secured Elizabeth’s affection.

“I could understand if there had been an attraction…”

“No! There was mild flirtation. You know my character and hers. Neither of us can resist being playful, but she is yours Darcy. I am certain she always was. Your good opinion mattered too much to her to be disinterested. Look how she was with the buffoon, Collins — civil but cool. She was never that with you. From the start, there was something between you. Call it a spark if you like. But you were drawn to each other and teased and tormented one another from the beginning. That evening in Rosings in which she played the pianoforte was a prime example. She was far more playful towards you than at any other time with anyone else. We had been speaking. When you arrived, she started to tease you. Trust me on this. You have always been the only man for her.”

Darcy sighed. “Thank you. Again. It’s just the emotions of today. I am doubting everything that is poor in my character and all that I have known. I feel very unsure, and it is causing me some strange thoughts. I will relax. I will.”

“Good. This uncertainty does you no credit, especially towards Elizabeth. You should be convinced of her regard. We can all see it. She is besotted with you and rightly so. It is time, for once, that you relax and enjoy yourself, Darcy. You deserve happiness,” Fitzwilliam pointed out. “And, you know me. I won’t look at any young woman with serious consideration unless she has at least five thousand a year and three properties, one in London, a hunting lodge in Leicester, and a grand mansion in the country, preferably somewhere near Derbyshire.”

“You tell a good Banbury tale, cousin. You would never be so shallow.”

“I’m the second son. I cannot afford to be anything but particular about what a wife brings to the marriage. Otherwise, we will starve.”

Smiling, Darcy picked up his stove top and placed it on his head. “Come. Let’s go and get this over with. The sooner I make Elizabeth Mrs. Darcy, the better.”

“That’s the spirit,” Fitzwilliam laughed, but inside he felt a little jealous of his cousin. Oh, he had spoken the truth when he confessed that he’d never had feelings for Elizabeth. He had enjoyed her company but hadn’t been anywhere near falling in love with her. He was envious of a couple so perfectly suited setting out on their future life together.

They would have hurdles to overcome, mainly because of the family on both sides, but they were a strong couple who would support and love each other. Fitzwilliam was sure and was glad of it. Darcy had lost his father and mother when he was young and yet had to be brother and parent to his younger sister. He had taken on the role without complaint, but it was now time for him to have his own family.

Fitzwilliam longed to have that connection with someone, but his pocket and birth dictated that he was forced to look for a wife who brought a comfortable dowry to the marriage. His income as a colonel barely covered the costs of his uniform and the horseflesh he needed. His allowance from his father made sure his officer’s mess bill was paid each quarter with a little left over, but without the occasional monetary gifts from his Aunt Catherine and Darcy, he would struggle to keep out of dun territory. That was not conducive when hoping to set-up home or start a family.

Yet those were the two things he longed for.

Purchase Link:

US https://www.amazon.com/dp/B08N1K9Y4H

Also available on Amazon UK, Canada, and Australia.

Meet Author Audrey Harrison

I have had the fortune to live a dream. I’ve always wanted to write, but life got in the way as it so often does until a few years ago. Then a hospital visit and redundancy enabled me to do what I loved: sit down to write. Now writing has taken over my life, holidays being based around research, so much so that no matter where we go, my long-suffering husband says, ‘And what connection to the Regency period has this building/town/garden got?’


That dream became a little more surreal when in 2018, I became an Amazon StorytellerUK Finalist with Lord Livesey’s Bluestocking. A Regency Romance in the top five of an all-genre competition! It was a truly wonderful experience, I didn’t expect to win, but I had a ball at the awards ceremony.

I can be found in the North West of England (a Lancashire Lass), married with two grown-up children, a granddaughter, a mad springer spaniel and two granddogs, who come around to get spoiled (they know exactly where the treat cupboard is at Grandma’s and that a mournful gaze will get it open!)


Oh, and I have a husband who is the most unromantic man ever to walk the earth, so much so, that he inspired me to write my own romances to fill the gap! He does supply me with lots of cups of tea though, so he isn’t that bad.

Social Media Links:

Website www.audreyharrison.co.uk – there is a sign-up for my email, which is only sent out when there is something to say! You also receive a free copy of The Unwilling Earl in mobi format for signing up.


Facebook www.facebook.com/AudreyHarrisonAuthor


Amazon Author Page UK https://www.amazon.co.uk/Audrey-Harrison/e/B009SO2EYO

Amazon US https://www.amazon.com/Books-Audrey-Harrison/s?rh=n%3A283155%2Cp_27%3AAudrey+Harrison

The Books in the Tragic Characters in Classic Lit Series:

The Monster Within, the Monster Without by Lindsay Downs – November 7, 2020 (Frankenstein)

I Shot the Sheriff by Regina Jeffers – November 30, 2020 (Robin Hood and the Sheriff of Nottingham)

The Colonel’s Spinster by Audrey Harrison – December 8, 2020 (Pride and Prejudice)

Fated Hearts by Alina K. Field – December 29, 2020 (Macbeth)

The Redemption of Heathcliff by Alanna Lucas – January 1, 2021 (Wuthering Heights)

The Company She Keeps by Nancy Lawrence – January 11, 2021 (Madame Bovary)

Captain Stanwick’s Bride by Regina Jeffers – February 19, 2021 (The Courtship of Miles Standish)

Glorious Obsession by Louisa Cornell – February 26, 2021 (Orpheus and Eurydice)

Posted in Austen Authors, blog hop, book release, books, Georgian England, Georgian Era, Guest Post, historical fiction, Jane Austen, Living in the Regency, military, Pride and Prejudice, publishing, reading habits, Regency era, Regency romance, romance, Vagary, writing | Tagged , , , , , , , , , , , , , , | 4 Comments

Yorkshire Christmas Traditions Playing Out in “Letters from Home” and “Lady Joy and the Earl”

Christmas traditions in Yorkshire date back to the time of the Roman invasion. For example, documentation shows that a celebration dedicated to Saturn, the god of harvest and agriculture, took place somewhere between December 17 and December 25 in York each year. During this time the Romans suspended the court proceedings, gambling was permitted, instead of frowned upon, those committing crimes, other than murder, were often given a lesser sentence, and masters ordered elaborate banquets served to their servants. 

Saturnalia was characterized by role reversals and behavioral license. Slaves were treated to a banquet of the kind usually enjoyed by their masters. Ancient sources differ on the circumstances: some suggest that master and slave dined together, while others indicate that the slaves feasted first, or that the masters actually served the food. The practice might have varied over time.

Saturnalian license also permitted slaves to disrespect their masters without the threat of a punishment. Everyone knew, however, that the leveling of the social hierarchy was temporary and had limits; no social norms were ultimately threatened, because the holiday would end. Gambling and dice-playing, normally prohibited or at least frowned upon, were permitted for all, even slaves. Coins and nuts were the stakes.  The Sigillaria on 19 December was a day of gift-giving. Because gifts of value would mark social status contrary to the spirit of the season, these were often the pottery or wax figurines called sigillaria made specially for the day, candles, or “gag gifts.” Children received toys as gifts.

Escultura_Saturnalia_de_Ernesto_Biondi

Saturnalia (1909) by Ernesto Biondi, in the Buenos Aires Botanical Gardens ~ https://en.wikipedia.org/wiki/Saturnalia#/media/File:Escultura_Saturnalia_de_Ernesto_Biondi.jpg

These winter celebrations gradually converted from a pagan ritual to a Christian one as the religion spread throughout the Roman Empire during the 4th Century. The idea that the final day of Saturnalia, the 25th December also marked the day of Jesus’ birth was first recognised by Pope Julius I when Christian ideology began to take hold towards the early middle Ages. The Anglo-Saxon influence marked the winter solstice on December 21. Yuletide came to last for twelve days, thus we eventually have “The 12 Days of Christmas.”

This establishment of a celebration in the third week of December swung heavily back toward religious purposes after the Norman invasion. The word “Christes Maesse” (Festival of Christ) was first used as a description for the festival around 1038. William the Conqueror declared himself King of England on Christmas Day 1066, which in his eyes was a further reason to celebrate.

turkey-crest_3500276a.jpgSince the 1400s a tradition called “The Devil’s knell” has taken place in the town of Dewsbury. On Christmas Eve the parish church bells toll once for every year since the birth of Christ. The peel is timed so the last bell is rung exactly at midnight on Christmas Day. Yorkshire has also made several contributions to the food we eat around Christmas time. The first turkeys were brought over to England from the Americas by Yorkshire explorer William Strickland in 1526. Originally from Marske on the North Yorkshire coast, he built estates at both Wintringham in Ryedale and Boynton Hall near Bridlington with the profits he made from selling these exotic creatures. The Strickland family crest, which adorns both of these residencies, is in the shape of a turkey, something which is widely acknowledged as the first ever depiction of the bird in Europe. Boynton village church lectern, a stand that supports the bible, is carved in the shape of a turkey instead of a traditional eagle in honour of Strickland. The custom of eating turkey on Christmas day would only become popular centuries after Strickland’s death in 1598, during the Victorian Period.

During advent in Haworth, around the time of the Bronte’ sisters, vessel maids would call from door to door carrying a box, called the “Wassail bob,” which contained nativity figures wrapped in a sacred cloth. The maids would unveil the figures at the cost of a penny to the household. It was considered unlucky if the vessel maids did not call round to your house during the run up to Christmas.

Sources: 

I’m From Yorkshire 

Saturnalia 

All of the above, except for the Saturnalia celebration, show up in either “Letters from Home” or “Lady Joy and the Earl,” for they are both set in Yorkshire in December 1815. The estates of Major Lord Simon Lanford in “Letters from Home” and James Highcliffe, Earl of Hough, in “Lady Joy and the Earl,” are only a few miles apart. In fact, Hough mentions one of the minor characters in “Letters…” to Lady Jocelyn Lathrop, his love interest in the novella. 

MDP eBook Cover

“Letters from Home”

She is the woman whose letters to another man kept Simon alive during the war. He is the English officer her late Scottish husband praised as being incomparable. Even without the assistance of the spirit of Christmas attempting to bring them together, she stirs his soul; in her, his heart whispers of being “home.” In him, she discovers a man who truly stirs her soul. Unfortunately for both, the lady fears no longer being invisible to the world and assuming a place at his side.

However, the lady wishes to remain invisible and in her place as her cousin’s companion. Can Major Lord Simon Lanford claim Mrs. Faith Lamont as his wife or will his rise to the earldom and his family’s expectations keep them apart?

“This was both a heart-breaking and heart-warming second chance love story, made all the more satisfying by the Christmas setting.”

Read Reviews:
 Meditative Meanderings

Second Place in Short Historical Category ~ 2019 International Digital Awards 

Kindle https://www.amazon.com/Letters-Home-Regina-Jeffers-ebook/dp/B07SJXDZK7/ref=sr_1_2?crid=2KAFCVZZ6VWUD&keywords=letters+from+home+by+regina+jeffers&qid=1564770214&s=gateway&sprefix=letters+from+home+by+r,aps,135&sr=8-2

 Kindle Unlimited https://www.amazon.com/kindle-dbs/hz/subscribe/ku?passThroughAsin=B07SJXDZK7&_encoding=UTF8&shoppingPortalEnabled=true

MDP eBook Cover

“Lady Joy and the Earl”

They have loved each other since childhood, but life has not been kind to either of them. James Highcliffe’s arranged marriage had been everything but loving, and Lady Joy’s late husband believed a woman’s spirit was meant to be broken. Therefore, convincing Lady Jocelyn Lathrop to abandon her freedom and consider marriage to him after twenty plus years apart may be more than the Earl of Hough can manage. Only the spirit of Christmas can bring these two together when secrets mean to keep them apart.

Kindle   https://www.amazon.com/dp/B07HNMR9LY

Read for Free on Kindle Unlimited https://www.amazon.com/kindle-dbs/hz/subscribe/ku?passThroughAsin=B07HNMR9LY&_encoding=UTF8&shoppingPortalEnabled=true

If you prefer a print copy of the stories, you may find both, along with a bonus story in Beautified by Love. 

“Letters from Home”

She is the woman whose letters to another man kept Simon alive during the war. He is the English officer her late Scottish husband praised as being incomparable. Even without the spirit of Christmas, she stirs his soul; in her, his heart whispers of being “home.” However, the lady wishes to remain invisible and in her place as her cousin’s companion. Can Major Lord Simon Lanford claim Mrs. Faith Lamont as his wife or will his rise to the earldom and his family’s expectations keep them apart?

“Lady Joy and the Earl”

They have loved each other since childhood, but life has not been kind to either of them. James Highcliffe’s arranged marriage had been everything but loving, and Lady Joy’s late husband believed a woman’s spirit was meant to be broken. Therefore, convincing Lady Jocelyn Lathrop to abandon her freedom and consider marriage to him after twenty plus years apart may be more than the Earl of Hough can manage.

Bonus Story: “One Minute Past Christmas” (from George T. Arnold and Regina Jeffers) An Appalachian grandfather and his granddaughter are blessed with a special ability—a gift that enables them briefly to witness a miraculous gathering in the sky each year at exactly one minute past Christmas. The experience fills them with wonder, but they worry their secret “gift” will end with them because, in forty-four years, no other relative has displayed an inclination to carry it on to a new generation.

Amazon https://www.amazon.com/Beautified-Love-Regency-Christmas-Novellas/dp/1724004840?keywords=beautified+by+love&qid=1538138770&sr=8-2&ref=sr_1_2

Posted in book release, books, British history, customs and tradiitons, eBooks, Georgian England, Georgian Era, historical fiction, history, holidays, legends and myths, Living in the Regency, publishing, reading habits, Regency era, Regency romance, research, writing | Tagged , , , , , , , , , , , , , , , , | 4 Comments

Pride and Prejudice and Nuance, a Guest Post from Leila Eye

Photo courtesy of https://www.bl.uk/collection-items/jane-austens-writing-desk

Whenever you start to become a fan of something, that’s when you tend to pay attention to the nuances and all of the details involved. You start placing more importance on what makes something different rather than just what you like about it. Stories about King Arthur aren’t just interesting because they involve swords and wizards; they are interesting because of the way that swords like Excalibur are used and the way that Merlin is presented as a mentor figure rather than just some deus ex machina of a wizard.

As a writer of Pride and Prejudice adaptations, I want to achieve a little of the flavor of Jane Austen, even if I know I will never have her comedic gift or her ability for social commentary. As such, I try to pay attention to more than just the historical aspects of whatever story I am writing. Avoiding contractions and using more formal language isn’t enough for me; I try to go a little further than that.

While trying to analyze the text as a text (rather than as a wonderful work of literature), I have noticed a few things. Here they are in no particular order:

Austen never uses “matter” as a verb. The replacement word used is “signify,” as is seen here:

“[Lydia] was sure they should be married some time or other, and it did not much signify when.”

When it comes to the word “admit,” it is generally used in the sense of letting something or someone in; “own” tends to be used as the replacement word in other instances, such as in this sentence spoken by Elizabeth:

Follies and nonsense, whims and inconsistencies, do divert me, I own, and I laugh at them whenever I can.

Another observation I have made is that Austen never uses “as though” in Pride and Prejudice; she uses “as if” instead.

When describing speech, Austen typically uses a reverse construction where the verb comes before the noun:

“What can be the meaning of that emphatic exclamation?” cried he.

There are a few occasions where she uses other constructions, such as “he replied” or “she added,” but by and large, she uses the reverse construction.

For this post, I decided to quickly look at speech descriptors in the first 20 chapters in Pride and Prejudice.

I found that the most often used speech descriptors are “said” and “cried” and “replied.” A search of the full text for the word “cried” reveals more than 90 instances, “said” has more than 400, and “replied” has more than 100. In contrast, the word “exclaimed,” which modern audiences are more likely to use, only has 8 instances.

Some other speech descriptors I saw in the first 20 chapters were:

  • Returned
  • Continued
  • Added
  • Observed
  • Began
  • Repeated
  • Answered

Less frequently, there were other constructions, such as:

  • The subject elevated him to more than usual solemnity of manner, and with a most important aspect he protested that “he had never in his life witnessed such behaviour in a person of rank—such affability and condescension, as he had himself experienced from Lady Catherine.[“]
  • Lydia gaped as he opened the volume, and before he had, with very monotonous solemnity, read three pages, she interrupted him with:”Do you know, mamma, that my uncle Phillips talks of turning away Richard; and if he does, Colonel Forster will hire him.[“]
  • After a pause of some minutes, she addressed him a second time with:—”It is your turn to say something now, Mr. Darcy.[“]

We don’t see “yelled” or “shouted” at all, the words that modern writers might be more likely to use.

Furthermore, the speech descriptors are typically in the middle of a spoken sentence in Pride and Prejudice:

“My dear Mr. Bennet,” said his lady to him one day, “have you heard that Netherfield Park is let at last?”

Or they come after the end of a spoken sentence:

“I am sick of Mr. Bingley,” cried his wife.

When that is not the case, Austen often sets off the speech with a colon and a new paragraph:

After amusing himself some time with their curiosity, he thus explained:

“About a month ago I received this letter; and about a fortnight ago I answered it, for I thought it a case of some delicacy, and requiring early attention. It is from my cousin, Mr. Collins, who, when I am dead, may turn you all out of this house as soon as he pleases.”

Those are some items of language I’ve noted. But the more I study the text, the more other items catch my attention.

For instance, if you search out Lydia’s name, you will find that she often does not speak directly at all; rather, there will frequently be a description of her speech instead of the direct language. When she does speak, I would say at least half the time there is an exclamation mark somewhere in what she says, like in the below:

She was met in the vestibule by Lydia, who, flying to her, cried in a half whisper, “I am glad you are come, for there is such fun here! What do you think has happened this morning? Mr. Collins has made an offer to Lizzy, and she will not have him.”

Such extremity of emotions helps characterize Lydia as a foolish girl who cares more for fun than propriety, which makes her decision to run off with Wickham make more sense.

In an attempt to further get a feel for the general sense of relationships, I have taken an in-depth look at the phrase “my dear.” That is a phrase that occurs 131 times in Pride and Prejudice, and it often occurs between Mr. and Mrs. Bennet. I feel their relationship deserves a little more attention than we are typically inclined to give. It is easy to say that they have scarcely any relationship at all considering Mr. Bennet’s teasing of his wife, but seeing as they have five daughters together and call each other “my dear” so frequently, I think their relationship is a little deeper than most might think. Certainly, there is a slight distance seen between them when they call each other “Mr. Bennet” and “Mrs. Bennet” as opposed to using their first names, but I believe that to be more of a reflection of their times than anything.

The phrase “my dear” (which is often placed in front of someone’s name) is usually used to indicate affection in Pride and Prejudice. Note that nobody uses that phrase with Mary, who is scarcely appreciated by anyone in the book. The phrase is used affectionately by:

  • Mrs. Bennet to refer to her husband; to her daughters, except for Mary (note that Mr. Bennet calls her “child” when trying to get her to stop playing the pianoforte); to her housekeeper (“My dear Hill” is used when Mrs. Bennet is excited that Lydia is getting married); and to Mr. Gardiner (“my dear brother”)
  • Mr. Bennet to refer to Elizabeth (and none of his other daughters) and his wife
  • Sir William to refer to Elizabeth (“My dear Miss Eliza”) and to refer to Mr. Darcy (“my dear sir”)
  • Jane to refer to Elizabeth, her mother (“my dear mother”), her father (“my dear father”), and the Gardiners (“my dear uncle and aunt”)
  • Elizabeth to refer to Jane and Charlotte as well as Mrs. Gardiner (“my dear aunt”) and her father (“my dear father”)
  • Mary to refer to Lydia (note: Mary has little dialogue)
  • Lydia to refer to Wickham and to Harriet in a letter (note: Lydia does not have a lot of dialogue)
  • Charlotte to refer to Elizabeth
  • Caroline and Charles Bingley to refer to each other (arguably, there could be some condescension in Caroline’s use of “My dear Charles”)
  • Mr. Collins to refer to Elizabeth (“my dear cousin,” for instance), Mrs. Bennet (“my dear madam”), Mr. Bennet (“my dear sir”), and Charlotte
  • Maria Lucas to refer to Elizabeth
  • Mrs. Gardiner to refer to Elizabeth and Jane
  • Mr. Gardiner to refer to Mr. Bennet (“my dear brother”) in a letter

There are also instances that seem less affectionate:

  • When trying to get Charlotte’s assistance, Mrs. Bennet uses “my dear Miss Lucas” (note the distance of her using “Miss Lucas” instead of “Charlotte”).
  • Caroline Bingley uses “my dear friend,” “my dearest friend,” and “my dearest Jane,” but one of the instances is inviting her to dine when her brother is not at home, and the other is in a letter expressing hopes for Bingley to have a union with Georgiana. These seem to be less than sincere, but the fact that Caroline even ventures to invite Jane to come to Netherfield seems to speak volumes about Caroline’s opinion of Jane. She does not think her well off enough to be united with Charles, but she cannot seem to deny that Jane’s character is sound.
  • After marrying Lydia, Wickham says “my dear sister” to Elizabeth more than once. I can only imagine how she must have wished to punch him in the jaw – though of course, Austen would never be so coarse as to write that in there!

I think the use of “my dear” serves as a good illustrator of the relationships among the different characters. For instance, scarcely anyone cares for Mary and Lydia, and Mr. Bennet’s primary concerns are his wife and Elizabeth.

Another minute detail that interests me is the occurrence of “Mr. Darcy” versus “Darcy.” The phrase “Mr. Darcy” occurs approximately 270 times. The name “Darcy” by itself (excluding things such as “Miss Darcy”) occurs approximately 100 times. While “Darcy” is used alone when Bingley refers to him, it is also to be found elsewhere in the text in places that are not speech. I have not determined a particular pattern, except that I have noted that when it is used alone, there is often a reference nearby of “Mr. Darcy” as well. I think this lack of consistency may not have been particularly intended or unintended; I think it probably simply worked out that way. But I do think that the fact that “Mr. Darcy” occurs so many times more is part of why many people prefer to use that as his name when initially talking about him – rather than using “Fitzwilliam Darcy” or simply “Darcy.”

These are just some of the minutiae that have caught my eye. What are some details about the text that you have noticed and found interesting? Is there anything about the characters or the language that you like to ponder? Do you have any opinions about a relationship between certain characters that you think might sometimes be misunderstood?

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The Ins and Outs of a Marriage of Convenience During the Regency Era

I am more than certain many of you have read stories about a “marriage of convenience” in Regency romances, but what does that mean exactly? 

First, such a marriage did not mean “NO” sex forever, not simply no sex for a brief period of time. Remember a marriage without sex is referred to as “mariage blanc.” Mariage blanc “(from the French, literally “white marriage”) is a marriage that is without consummation. The expression may derive from the absence of hymenal blood on the couple’s (white) wedding-night bedsheets; however, the French word blanc also means blank in the sense of empty, e.g. cartouche à blanc = a blank cartridge, one lacking a bullet. Another example is a lavender marriage, one undertaken to disguise the homosexuality of one or both partners. A sexless marriage, on the other hand, may have begun with the standard expectations. he marriages of Thomas Caryle, John Ruskin, Freya Stark, and Max Beerbohm are alleged to have not been consummated through impotence.  The brief marriage of Tchaikovsky might be described as a ‘lavender marriage’.”

A marriage of convenience simply means it is not a love match. It is usually entered into in order to aid or rescue one of the spouses from persecution or harm; or for economic, social or visa advantage. Such plot lines are favorites among Regency romance writers, as love after marriage, or love that is only one-sided at the time of marriage, makes for lots of romantic development and high drama.

Whether or not she chose to sleep with a man or not would have no baring on the contract. Such an arrangement was not likely discussed openly, for no cleric would perform such a ceremony.

From a logical perspective, a woman would usually have very little power in this issue.  If she wanted to avoid a marriage badly enough, she could get herself ruined, but then her family would likely turn her out—a difficult place to place oneself in.  And even if such was known of her, it might not save the woman if the groom did not care whether she was a virgin or not. Such arrangements were more something a man would do—either because he could not or would not participate in the act. As being homosexual was a criminal offence in many cultures, it is unlikely he would ever put anything about not consummating the marriage in writing. It would be an agreement between the two, or he would just not cooperate. If she were to complain, he could beat her, lock her up, banish her, make her life miserable, or even have her killed, all without legal ramifications.  He would just blame her for being barren and send her away. Some family and friends might know the truth, but who was going to say much, especially if the man was powerful?  Some women might be fine with it, but a marriage in the church and a marriage registered with government can have two different purposes.

A marriage contract that spelt out that there would be no sex was unlikely to be enforceable. These types of arrangements would usually be verbal and really involve cases where each person was allowed to go their own way. One must remember, many marriages were arranged ones, a contract between families. Such marriages were “convenient” for the families involved. 

It more modern stories, we might see what we commonly call a sham marriage, but this would not fit for the Regency era, because in the Regency, it took an act of Parliament for a divorce. “A sham marriage or fake marriage is a marriage of convenience entered into without intending to create a real marital relationship. This is usually for the purpose of gaining an advantage from the marriage. Definitions of sham marriage vary by jurisdiction, but are often related to immigration. The essential point in the varying definitions is whether the couple intend to live in a real marital relationship, to establish a life together. A typical definition by the UK Home Office in 2015:

“‘A sham marriage or civil partnership is one where the relationship is not genuine but one party hopes to gain an immigration advantage from it. There is no subsisting relationship, dependency, or intent to live as husband and wife or civil partners.’

“While referred to as a ‘sham’ or ‘fake’ because of its motivation, the union itself is legally valid if it conforms to the formal legal requirements for marriage in the jurisdiction. Arranging or entering into such a marriage to deceive public officials is in itself a violation of the law of some countries, for example the U. S. After a period, couples often divorce  if there is no purpose in remaining married.”

We also have what is known as a Josephite marriage, but the closest we see to this situation in the Regency refers to those who taught at the university or the students themselves. The History of Cambridge or The History of Oxford all report that celibacy was enforced for students. However, I have discovered that if a fellow married, he had one year grace period to finish studies, etc., and leave. I think that was mentioned in the biography of John Scott, the 1st Earl of Eldon. The celibacy rule remained until 1882.

Josephite marriage, also known as spiritual marriagechaste marriage, and continent marriage, is a religiously motivated practice in which a man and a woman live intimately without engaging in sexual activity.  A feature of Catholic spiritual marriage, or Josephite marriage, is that the agreement to abstain from sex should be a free mutual decision, rather than resulting from impotence or the views of one party. In senses beyond spiritual marriage, chastity is a key concept of Church doctrine that demands celibacy of priests, monks, nuns and certain other officials in the Church. The doctrine established a ‘spiritual marriage’ of church officials to their church; in order to better serve God, one had to disavow the demands and temptations of traditional marriage.”

Occasionally, we come across a book where the heroine is a widow who had lived in a platonic marriage with her husband because he was not interested in sex with women. She understands the restrictions before they marry, but she does so because he paid to pull her family out of a financial hole.

Arms of Wallop, Earls of Portsmouth. The supporters, Two chamois or wild goats sable, are here shown off duty; the crest is: A mermaid holding in the dexter hand a mirror in the other a comb all proper

In real life, we have examples of a marriage of convenience, such as that of John Wallop, 3rd Earl of Portsmouth. “The Earl was known from an early age to have an unsound mind, and his estate was placed under the control of four trustees. While Portsmouth had periods in which he appeared sane, he often engaged in a variety of bizarre and sadistic behavior. He whipped his servants, beat and bled his horses, and slaughtered cattle, shouting, with an axe. The Earl showed a remarkable mania for funerals, which he referred to as ‘black jobs.’ He attended them frequently, insisted on tolling the bells at Hurstbourne for funerals there, and sometimes flogged the ringers with the bell rope afterwards.

“On 19 November 1799, Portsmouth married Hon. Grace Norton, the sister of one of his trustees, William Norton, 2nd Baron Grantley. The marriage was encouraged by Portsmouth’s younger brother, Hon. Newton Fellowes, as Grace was 47 years old at the marriage (Portsmouth was 31) and unlikely to produce an heir to displace Newton. However, Grace also played an important role in moderating Portsmouth’s behavior and keeping his eccentricities out of the public eye. When, in 1808, she found herself no longer able to control the Earl, her relative, Dr. John Combe, was added to the household, to help suppress Portsmouth’s manias.]

“One of the trustees, Portsmouth’s solicitor John Hanson, saw an opportunity at Grace’s death in 1813. Without informing the other trustees or Portsmouth’s brother Newton, he quickly arranged a marriage between Portsmouth and his daughter, Mary Anne. They were married on 7 March 1814; Lord Byron, another one of Hanson’s clients, gave the bride away. When Newton attempted to have Portsmouth declared insane that autumn, Byron’s affidavit as to the circumstances of the marriage was instrumental in getting the charge dismissed.[2] However, the new Countess was by no means equal to the task of controlling Portsmouth; his behavior grew more erratic, while Mary Anne carried on an adulterous affair with William Alder, who fathered three children on her. Eventually, the pair of lovers grew so bold as to have intercourse in the same bed with the Earl (who was almost certainly impotent).

“A new commission de lunatico inquirendo took place in 1823, at the instigation of Portsmouth’s nephew Henry Wallop Fellowes, and it was revealed that the Earl had been badly mistreated by his new wife and her lover, who had spat on him and beaten him. He was adjudged to have been insane since 1809. In 1828, his second marriage was annulled, and Mary Anne’s children were declared bastards. A judgment for the £40,000 cost of the trial was issued against her, and she fled abroad. Portsmouth died in 1853; his brother Newton succeeded him for less than half a year before his own death.”

Some readers assume that the act of consummation is what made a marriage legal—made it a union, as far as the church was concerned. But until the mid 19th Century, this was not a true statement in England, for consummation was not required. Non consummation was not grounds for an annulment, though inability to consummate was. The church held the belief that men and women  were more likely than not to have sex if living in close proximity, so it was assumed that non consummation was something that time could cure. The inability to consummate was different. If a man or woman proved that no amount of time would provide them the ability to consummate the marriage it could be annulled.

In a few cases  when a man had a marriage annulled on such grounds and then went on to marry another and father children, some of the church judges and bishops wanted to  annul the annulment and invalidate the second marriage. Wiser heads prevailed, and  it was decided that God works in mysterious ways.  It helped that the number of such marriages was very small.

The wife’s adultery was just about the only grounds a husband could claim in order to be  rid of his wife. Wives were laughed out of court when they claimed he abused them and brought in mistresses to humiliate them. The wives were told to have Christian forbearance and that there was still a chance for them to have a marriage. The church might grant a legal separation in some of the worse cases. Generally, the wife was supposed to suffer in silence. The two women who were able to obtain a parliamentary divorce in the early years of the 19th century did so because there was no way for them to go back to live with their husbands. In each case the husband took the wife’s sister as his mistress, which made him guilty of incest. It was an odd system that considered sleeping with your wife’s sister a greater crime than beating her.

While the church required that both bride and groom come voluntarily to be married there were many cases of clergymen looking the other way or of girls being too frightened or intimidated to voice a protest.

A rare extant copy of a common marriage license from 1806. Licenses were a quicker, more private alternative to reading of banns, but they cost a bit of coin. This one was 10 shillings. BTW, this is not a SPECIAL license, which would have been a lot more expensive and harder to obtain. –Elisa Braden http://www.elisabraden.com

Marriage contracts were not legally enforceable. The Hardwicke Marriage Act of 1753– in force as of 25 March 1754– says that such contracts were no loner enforceable. One thing the church insisted on was that each person standing before the cleric to be married be there of his or her own free will. Of course, they interpreted free will somewhat differently at times. 

However, while there was no legal way to enforce the contract, which a person of age never signed nor agreed to, family and social pressure often did what the law would not. That is why so  often we hear about a person being left money if he/she married so and so. If he did not marry the designated person the money went elsewhere. The man usually was the one guilt tripped into marrying.

The court might say that if he knew about the contract since he was 16 and did nothing to spurn it, he had agreed to it. Usually a breach of that contract would only be a breach of promise, and he could say he never made the promise. Promises made by parents and guardians for a minor could be revoked when the minor became an adult if he knew about it and acted on it. If he just let it go, he might be said to have agreed to it. The courts of the era gave odd decisions sometimes.

Posted in British history, Church of England, Georgian England, Georgian Era, Living in the Regency, marriage, marriage customs, Regency era, Regency romance | Tagged , , , , , , , , , | 8 Comments

Celebrating the Release of “I Shot the Sheriff: A Tragic Characters in Classic Lit Series Novel” with a Who Is Who in the Tale

I Shot the Sheriff: Tragic Characters in Classic Literature Series Novel 

How does one reform the infamous Sheriff of Nottingham? Easy. With Patience.

William de Wendenal, the notorious Sheriff of Nottingham, has come to London, finally having wormed his way back into the good graces of the Royal family. Yet, not all of Society is prepared to forgive his former “supposed” transgressions, especially the Earl of Sherwood. 

However, when de Wendenal is wounded in an attempt to protect Prince George from an assassin, he becomes caught up in a plot involving stolen artwork, kidnapping, murder, and seduction that brings him to Cheshire where he must willingly face a gun pointed directly at his chest and held by the one woman who stirs his soul, Miss Patience Busnick, the daughter of a man de Wendenal once escorted to prison. 

I Shot the Sheriff is based on the classic tales of Robin Hood, but it is given a twist and brought into the early 19th Century’s Regency era. Can even de Wendenal achieve a Happily Ever After? If anyone can have the reader cheering for the Sheriff of Nottingham’s happiness, it is award-winning author Regina Jeffers. 

The Foundation Behind The Tragic Characters in Classic Lit Series: 

With complete artistic license and an abundance of hubris, a dozen Regency romance authors are retelling some of the great stories of literature, setting them in Georgian England and giving these tragic heroes and heroines a happily-ever-after. 

In this series where the reader will encounter some of their “favorite,” or should I say, “least favorite” characters found in classic literature. The parameters of the project were quite simple. (1) The story must be a full-length novel of, at least, 50,000 words. (2) Instead of the original setting for the tale, all the stories in this series take place between the late Georgian period and early Victorian, meaning late 1700s into about 1840. (3) Each novel is based on a different tragic character from a public domain novel, story, or poem. 

The idea is to provide the tragic character a “happily ever after.” It does not matter if he/she was the protagonist or the antagonist in the original tale, in these new renderings he/she will be the hero/heroine. 

In the series, you could meet fallen heroes who have succumbed to vice, greed, etc. He/She could originally have been detested for what values he accepted, but, in these new tales, he redeems himself: His fate changes. He will find the fortitude to change his stars, learn to accept what cannot be changed and move beyond the impossible to discover “Love After All.” 

Characters Found in “I Shot the Sheriff: Love After All” 

Original Character >>> The Character in My Tale…

The Sheriff of Nottingham >>> William de Wendenal 

I grew up reading tales of Robin Hood and his nemesis, the Sheriff of Nottingham. Therefore, the concept of providing the Sheriff a “happily ever after” was a task I was not certain I could manage; however, I do adore a challenge. As readers, we are not certain if the Sheriff’s character in the Robin Hood tales is based on one particular person or whether he is a composite of several men who held the post of the Sheriff of Nottinghamshire, Derbyshire, and the Royal Forests. 

I chose to call my “Sheriff” William de Wendenal, who was a real-life person, a Norman baron living in the 12th Century. De Wendenal was one of the officials charged with overseeing England when Richard I was absent from his homeland, while participating in the Third Crusade. Although we have no record of the land de Wendenal owned, experts assume he was related to a noble family. Some scholars believe he held a joint title with William de Ferrers, 4th Earl of Derby. 

A legal document dating to the Middle Ages names de Wendenal as the High Sheriff of Nottinghamshire, Derbyshire, and parts of Yorkshire, making him a powerful political force during those years. The document indicates de Wendenal assumed his position in 1190, taking over the duties previously performed by Baron Roger de Lizoures, who, in addition to his responsibilities to the Sheriff position, also served as the Constable of Chester and Lord of Pontefract and Clitheroe, and, therefore, likely lived for a time at Ludlow Castle. 

Robin Hood >>> Robert de Lacy, 6th Earl of Sherwood 

The first reference to Robin Hood can be found in the poem “Piers Plowman” in about 1370, but the tales, as we think of them today, date to the latter part of the 15th Century. From the 16th Century forward, the different tales present Robin Hood with a title, making him the Earl of Huntingdon, and my first instinct was to name him as such in my tale. 

However, in actual history, not fiction, throughout the reign of Richard I, David of Scotland, an heir to the Scottish throne until 1198, was the 8th Earl of Huntingdon. The title of Earl of Huntingdon has been created several times in the Peerage of England. In fact, there is a current Earl of Huntingdon: William Edward Robin Hood Hastings-Bass, 17th Earl of Huntingdon. Therefore, not wishing to make references to the Huntingdon earldom, in my tale, I made the “Robin Hood” character Robert de Lacy, 6th Earl of Sherwood. I chose “de Lacy” because the de Lacy family, in real life, were the Lords of Pontefract, Bowland and Clitheroe, which are mentioned above. 

Maid Marian >>> Miss Marian Fitzwater (or Lady Sherwood)

The “Maid Marian” character does not appear in the Robin Hood tales until the 16th Century. She was likely a character associated with the May Day celebrations, probably derived from the French legend of a shepherdess named Marian and her shepherd lover Robin, recorded as Le Jeu de Robin et Marion. The shepherd of the original tale, however, was not an outlaw. The names simply appears to have stuck when the stories were constructed in the oral tradition. 

Robin Hood did have a shepherdess love interest in one of his tales, “Robin Hood’s Birth, Breeding, Valor, and Marriage,” whose name was “Clorinda.” Ironically, in the tale, “Marian” was one of Clorinda’s “aliases.” 

As one of my college degrees has theatre as a minor, I am basing my “Maid Marian” character and even part of the action of the story on the Robert Davenport play, King John and Matilda. The play dates to c. 1628 and was originally performed by Queen Henrietta’s Men at the Cockpit Theatre. In the play, Maid Marian, who after the first 780 lines becomes “Matilda,” is the daughter of Lord Fitzwater, one of the rebellious barons who forced King John to sign the Magna Carta. For reasons I shall explain a little later in this list of characters, the Maid Marian character in my tale, that is, before she became the Countess of Sherwood, is Miss Marian Fitzwater, the daughter of a baronet.

Will Scarlet (or Scarlett) >>> Gamwell Scathlocke 

The character of “Will Scarlet” was part of the Robin Hood tales from the beginning. I chose to use a later ballad, “Robin Hood and the Newly Revived,” which ascribes the name of “Gamwell” to the Will Scarlet character. In this late Robin Hood story, Gamwell has fled his family estate, at age fifteen, after killing his father’s land steward during an argument. 

The Will Scarlet character is also known by several variations of his last name, including Scarlock, Scadlock, Shacklock, etc. I chose “Scathlocke” for my version of the tale. 

I attributed these characteristics to Gamwell Scathlocke: hot-tempered, spirited, and a skilled swordsman—able to use two swords equally well at the same time. 

Alan-a-Dale >>> Sir Allan Clare  

Alan-a-Dale did not appear in the Robin Hood tales until the 17th Century. I chose to use the Pierce Egan the Younger’s story, entitled “Robin Hood and Little John” for this character. In Egan’s story, Alan is presented the name Sir Allan Clare, and he is the brother of Maid Marian. The use of “Sir” before Allan’s name during the Georgian era would have indicated the man was either a baronet or had been presented a knighthood for service to the Crown. I have made Sir Allan a baronet and half brother to Marian. In the Egan tale, Allan’s sweetheart is Lady Christabel, the daughter of the Sheriff of Nottingham, who means to marry the girl off to an elderly knight. As you read, you will see how I twisted that bit into my tale. 

The Downfall of Robert Earl of Huntingdon 

The Death of Robert Earl of Huntingdon 

These two plays were published in the early 1600s and were the first to identify Robin Hood as the Earl of Huntingdon. They are credited to Anthony Munday and were performed by the Admiral’s Men during the Elizabethan era. 

King John and Matilda 

This is a play written by Robert Davenport during the Caroline era, being published around 1655. It depended upon the plays of Anthony Munday for its action. Many of the scenes in I Shot the Sheriff are based on the scenes in this play. 

Here is the early schedule of releases for this series:

The Monster Within, the Monster Without by Lindsay Downs – November 7, 2020 (Frankenstein)

I Shot the Sheriff by Regina Jeffers – November 30, 2020 (Robin Hood and the Sheriff of Nottingham)

The Colonel’s Spinster by Audrey Harrison – December 8, 2020 (Pride and Prejudice)

Fated Hearts by Alina K. Field – December 29, 2020 (Macbeth)

The Redemption of Heathcliff by Alanna Lucas – January 1, 2021 (Wuthering Heights)

The Company She Keeps by Nancy Lawrence – January 11, 2021 (Madame Bovary)

Captain Stanwick’s Bride by Regina Jeffers – February 19, 2021 (The Courtship of Miles Standish)

Glorious Obsession by Louisa Cornell – February 26, 2021 (Orpheus and Eurydice)

Posted in book release, books, British history, Georgian England, Georgian Era, historical fiction, history, Living in the Regency, publishing, reading habits, real life tales, Realm series, Regency romance, research, romance, suspense, writing | Tagged , , , , , , , , , | 1 Comment