A Feud Between Romantic Heroes and a Look Back at A Touch of Grace, Book 4 of the REALM Series + Upcoming Release of “Lyon in the Way”

Next month, I hope to release a new romantic mystery/suspense series. This one is from Dragonblade Publishers, so I thought I might revisit my very successful Realm series and some of what made that particular series so special. In this book there is an ongoing feud of sorts between the hero Gabriel Crowden and a character named Adam Lawrence, who makes an appearance in multiple books I have written. More on that below.

*********************************

Look for Book 1, Lyon in the Way coming June 18, 2025 from Dragonblade Publishers, to be followed in quick succession (every three months) by Lyon’s Obsession, Lyon in Disguise, Lost in the Lyon’s Garden, and Lyon on the Inside.

Lyon in the Way: The Lyon’s Den Connected World (Book 1)

For over a year, Lord Richard Orson has been quietly captivated by the unconventional Lady Emma Donoghue. Headstrong, brilliant, and unapologetically involved in causes that rattle Society’s comfort, Emma is nothing like the debutantes he’s expected to court.

But when he finds her bruised, confused, and alone in Covent Garden after midnight, Richard is thrust into a far more dangerous game.

Someone wants Emma silenced. And now, Richard has only moments to uncover the truth, protect her from harm, and keep her out of scandal’s reach. But staying focused is harder than he imagined—especially when every glance, every accidental touch, reminds him how perfectly she fits in his arms.

As danger closes in and secrets are revealed, Richard must decide whether he’s willing to risk his life—and his heart—for a woman who’s always been worth the fight.

A suspenseful, slow-burn Regency romance where danger ignites desire, and love must outpace the clock.

Buy Links (including Goodreads and BookBub)

Amazon https://www.amazon.com/dp/B0F5XC33ZJ

*************************************

A Touch of Grace remains my favorite book of the Realm series. Mayhap, it was because by this time in writing the series, I did not feel the need to offer but a bit of repetition in the story to draw the readers in. Or mayhap, it was because I was absolutely invested in the couple in this book. In my mind’s eye, I could see them as perfectly as if they stood before me. 

Gabriel Crowden, the Marquis of Godown, is an Englishman with French ancestors, living at a time when England was at war with France. One can quickly denote his French heritage for his title is “marquis,” rather than the English spelling of “marquess.” He is an Adonis—a man with perfect looks and perfect manners—but with a life far from perfection. Some five years prior, he had been banished from England, for he had refused to marry a woman who had set a trap of compromise for him. The woman’s deception and the resulting action of his refusal makes him a bitter man, one who takes his resentment for his “punishment” and his lost years with his father out on the women in his life. When he returns to England, his three eccentric aunts take it upon themselves to see him married and settled. However, Gabriel prefers his life as a rake about Town. 

One special twist I provided Gabriel was an unspoken “feud” of sort with Adam Lawrence, Viscount Stafford (and future Earl of Greenwall). Many of you will recall Adam is my “go-to guy.” He appears in some twelve of my novels, from a simple walk through to his own story in His Irish Eve, but, in this story, I make him Gabriel’s competition for the hand of several different women. 

With a need to protect him from his accuser’s father and one to teach him something of life, Gabriel’s aunt, his father’s eldest sister, a formidable duchess, has approached Aristotle Pennington, the man she has loved all her life, but a man below her family’s expectations, to find Gabriel a position with the Realm, a covert British intelligence unit operating during the Napoleonic War. Pennington’s doing so saves Gabriel from the rejection of society and removes him from England when all meant to press him into an imprudent marriage. After several years with the Realm, Godown is eventually summoned home to claim his father’s title, only to learn his father has placed special provisions in his will. Fearing Gabriel would perish in his service to the Crown, the former marquis has stated in his will Gabriel must be married and the new marquise with child before a particular date or forfeit the peerage to a relation Gabriel despises. As this was not an English-created peerage, it dates back to the times of the dual monarchy of France and England, normal primogeniture laws do not affect it. Unaware of the restrictions upon him, Godown drifts through the social Season with little care for more than his own pleasures only to learn his days are “numbered.” 

Miss Grace Nelson was first introduced to the readers of this series in Book 2, A Touch of Velvet. She was the governess to Miss Gwendolyn Aldridge, the only child of Lord Averette, a viscount and the paternal uncle to three of the heroines in this series: Velvet (book 2), Cashémere (book 3) and Satiné Aldridge (book 7). At the beginning of this book, Averette is gathering his belongings to escape to the Continent to avoid punishment for crimes he has committed. In Grace’s opening scene, the man is physically abusive to his wife, and Grace steps in to save the woman. Averette dismisses Grace from her position, and she must return to her brother, who has run through the family’s fortune; thus, the reason Grace is in a governess position. 

Although she is quite comely, to avoid men’s unwanted attentions, Grace has disguised her appearance with spectacles and a strict hairstyle. When Gabriel encounters her again, he “sees” her as a woman worth knowing, and, ironically, she sees him in a likewise manner. However, their path to happiness is NOT an easy one. There are moments of trust and of love, but these memories are smothered by fears of betrayal and the overwhelming evidence that Grace is somehow involved in a plot to kill Gabriel. 

512J3dWI1KL.jpg

 

Third Place:
Historical Romance
SOLA’s Seventh Annual
Dixie Kane Memorial Awards

Book Blurb: 

“The first fully original series from Austen pastiche author Jeffers is a knockout.” – Publishers Weekly

“Jeffers’s close look at the dark secrets of Regency society instills a sense of realism.” – Publishers Weekly

After years away from England, members of the Realm return home to claim the titles and the lives they had previously abandoned. Each man holds onto the fleeting dream of finally know love and home. For now, all any of them can hope is the resolution of his earlier difficulties before Shaheed Mir, their old enemy, finds them and exacts his revenge. Mir seeks a mysterious emerald, and he believes one of the Realm has it.

GABRIEL CROWDEN, the Marquis of Godown, can easily recall the night that he made a vow to know love before he met his Maker. However, that was before Lady Gardenia Templeton’s duplicity had driven Godown from his home and before his father’s will had changed everything. Godown requires a wife to meet the unusual demands of the former marquis’s stipulations. Preferably one either already carrying his child or one who would tolerate his constant attentions to secure the Crowden line before the deadline.

MISS GRACE NELSON dreams of family died with her brother’s ascension to the title. Yet, when she meets the injured Marquis of Godown at a Scottish inn, her dreams have a new name. However, hope never has an easy path. Grace is but a lowly governess with ordinary features. She believes she can never earn the regard of the “Adonis” known as Gabriel Crowden. Besides, the man has a well-earned skepticism when it comes to the women in his life. How can she prove that she is the one woman who will never betray him? 

EXCERPT (from Chapter 2) 

Gabriel had watched the tree line behind him for what felt of hours before a flicker of movement proved his suspicions correct. The attack that had left a gaping hole in his shoulder had not been from a highwayman or even a hunter accidentally shooting in the wrong direction. Someone had followed his trail. Someone had purposely targeted him. Likely, Murhad Jamot had doubled back. Kerrington had escaped, but the Realm’s old enemy had laid in wait. Now, Gabriel would likely die on this lonely Scottish road, halfway between his past and his future.

With difficulty, he raised his gun to lie along the flat line of the rock he had chosen as shelter. Resting his gun against the rock face, he used his left hand to lift the right to where he might grasp the gun’s handle. The movement brought fresh blood gushing from the wound, and Gabriel bit the inside of his jaw to prevent his losing consciousness. He might meet Death in the next few minutes, but if he had anything to say of it so would Jamot.

The woods around him had silenced—a sure sign that a man stalked the land. It was the way with nature. A signal of an invasion within its midst. Gabriel gave his head a shake to clear his vision, and then he inhaled deeply to steady his shaking grip. “I few more minutes, God,” he whispered as he wrapped his index finger about the gun’s trigger. “Then you may claim my sorry soul and that of a Baloch heathen.” He wondered how God might receive such a prayer: one where he prayed to be permitted to kill another before he died. Thou shall not kill.

Before he could finish the thought, a man on horseback burst through the tree line. Expecting to see a dark-skinned Baloch, the pale-faced Anglo caught Gabriel’s mind napping, and for a brief second, he paused. Just a fraction of a second, but long enough to give his opponent an advantage. Luckily, the man’s aim was off. A spray of rock fragments peppered Gabriel’s head and chest, but he did not flinch. His years with the Realm had taught him well. In the next instant, he returned fire. The Realm had seen to those lessons, as well. His attacker had foolishly risen up in the saddle—making the man a larger target.

Biting away the pain, he squeezed the trigger. The bullet flew straight, but the horse turned its head ever so slightly, and Gabriel’s hope of the shot finding his attacker’s heart disappeared. Instead, the man slumped forward as the horse raced away to the west.

Gabriel groaned as he forced himself to stand. “I require a few additional minutes, God,” he gasped. “Hold your hand steady, Lord.”

With those words, he stumbled towards where Balder waited impatiently for him. Reaching for the saddle, he strained to swing his leg over the rise and settle in the seat. “Come on, old friend.” He laced the reins through his gloved fingers and set the horse in a cantor. Each thud of Balder’s hoofs set his teeth on edge, but Gabriel managed to stay in the saddle. He would find the man who had shot him. He would finish what he had started, and then he would die.

* * *

Grace wanted to stomp her foot in annoyance. They had arrived at the overnight stop for the coach, but she had received no welcome. “I do not let rooms to unchaperoned or unmarried ladies,” the innkeeper asserted as she had protested his lack of understanding. “You are welcome to wait in the common room.”

She shot a quick glance at the open room. The inn sported several occupants—a variety of social classes mingling together. Unfortunately, other than the bar maids, only two women took their evening meals among the patrons. Even dressed as non-conspicuously as possible, her “aloneness” would draw attention. And in these quarters, attention was not a desirable commodity. Grace swallowed hard and straightened her shoulders. “I understand,” she said royally. It would be a very long night.

She reluctantly accepted the man’s objections. If the innkeeper wished to maintain his business’s reputation, he would enforce the unwritten rules, which governed society: Permitting a man the liberty of a kiss resulted in a woman’s ruination and provided a man with bragging rights. Dancing more than two sets at a ball would bring about an engagement. Responding to a man’s attentions before his intentions were known brought ridicule or disappointment. One could not use one’s suitor’s Christian name, nor could one exchange correspondence or gifts before the wedding vows were pronounced. Likewise, it was not quite the thing to drive alone with a gentleman. And, most decidedly, a woman did not travel unaccompanied. With a deep sigh, she turned to survey the room.

Grace did not look forward to remaining awake all night. She certainly would not permit herself to fall asleep. It would be too dangerous. Someone could steal her coins or something more precious. A woman was easy prey for a man who had consumed too much ale. A woman was defenseless in such matters. The female victim always bore the blame for a man’s lack of control.

Frustrated, she stepped outside to watch the busy inn yard. More strangers had arrived. She should claim a dark corner of the noisy common area before none remained for the choosing. “Stretch my legs while it remains light,” she said softly to herself. If the mail coach had stopped in a village, she might have sought the pity of a widow or a newlywed couple to spend a night on a chaise or even a pallet before the hearth. But their journey had brought her and her fellow passengers to this inn, one between villages–with no choice but to wait with the others for the morning coach. “The innkeeper said the coach will depart at four,” she reminded herself.

She inhaled deeply. “No rain,” she continued to keep her own company. “At least, my journey shall not be delayed.” She thought of her home. Of her brother Geoffrey, who had assumed her father’s title after the funeral. Of how quickly things had deteriorated. Of how Geoffrey had brought his debts to the barony. Of how many of the family’s treasures had been sold to keep the title solvent. Of how she had promised to make her own way in the world if Geoffrey would warrant the care of their younger sister Mercy. “Geoffrey will not be pleased to see me,” she thought aloud. “But it will not be for any duration. I have my letter of reference; I will find another position.”

* * *

Gabriel had trailed his attacker for nearly two hours. He had decided that the man was not a professional killer. His attacker had made no attempt to hide the blood from where Gabriel’s bullet had removed a mighty chunk of the man’s shoulder. He did not think the man he pursued would die from the wound Gabriel had inflicted upon him. It was more than a flesh wound, for it continued to bleed after all this time; but it would not be fatal unless the man did not find medical assistance soon. His attacker could die from infection, but Gabriel would see to the task before that time.

He would not fail his friends. He could have personal enemies—knew for certain he did have many who objected to the descendant of a French diplomat as a ranking member of the British aristocracy and the House of Lords—but not the type of enemy who would assault him on a deserted Scottish road. First, no one, but a select few, even knew of his presence in Scotland. Those who hated him would fight their battles in London’s ballrooms and on the Parliamentary floor. No, the man he sought was the Realm’s enemy. If his assailant succeeded in eliminating Gabriel, he would turn his attention to Gabriel’s only true friends, the men with whom he had served. Before he took his last breath, Gabriel would see his attacker dead. Viscount Worthing and the others would observe his death as a warning for their own safety.

The blood trail led to a small coaching inn. From his vantage point, Gabriel had watched the comings and goings of the inn yard. Nothing unusual. The place was not a trap. At least, not an obvious one. When his attacker had charged Gabriel’s position, in the midst of the chaos, he had glimpsed the man’s horse. Gabriel closed his eyes to relive those few brief seconds. The man bearing down on him, his firing, and then the slumped over figure in its retreat. “Cream colored. Perhaps fifteen hands high. Not as large as Balder,” he recited what he could remember. Patting his stallion’s neck, Gabriel pulled the reins to the left. “Let us see what the stables holds.”

* * *

“I want to know of this horse’s rider,” Gabriel told the young boy who had rushed forward to take Balder’s reins. He had found his attacker’s mount. The man could not be far.

The boy rubbed Balder’s nose. “The cream?” The youth looked over his shoulder at the animal he had just placed in the third stall. “His master fell and hurt ’is shoulder. Mistress Bradshaw be doctoring’ ’im in the kitchen.”

Gabriel leaned heavily against Balder’s side. Normally, he oversaw his horse’s care, but not this evening. Tonight, he would trust the boy to see to his favorite mount. He handed the boy a coin. “Give him some extra oats and brush him, and you’ll receive another coin for your efforts.” Gabriel swallowed the pain radiating through his chest. “And another if you inform me immediately if the cream’s owner chooses to leave the inn.”

“Aye, sir.” The boy’s eyes grew in anticipation. “I be finding’ you, sir.”

Gabriel shuffled towards the partially opened stable door. The place where the bullet rested in his chest burned with hell’s fire. He had managed to stay alive despite his enemy’s best efforts. Despite God’s plan for him to join his parents. Slowly. Methodically, he turned his feet in the direction of the inn. If he were to meet his Maker, he would do so in a clean bed.

* * *

Grace stepped from the wooden walkway, which ran along the inn’s front and turned her steps toward the stable. She had no desire to be out of view of the busy inn yard. Hostlers rushed to and fro to aid those seeking shelter before nightfall. She would discover what animals the inn housed for the mail line, as well as examining the mounts of her fellow travelers. She had always loved the horses her father had kept upon the estate, especially those the former baron used when he rode to the hunt. Anything to pass the time.

Yet, as she reached the stable’s main door, it swung wide, and a man in a finely fitted coat staggered forward. At first, she had thought to turn on her heels to make a speedy escape, but then a face of an Adonis stilled her. She had seen him previously—but twice. In London. At the party at Carlton House. And again at the celebratory gathering at the Duke of Thornhill’s Town home. “Lord Godown,” she gasped, and then observed the painful grimace as he pitched forward. Grace instinctively caught him, shoving him backwards to brace him against the building. “My lord, you are unwell!” she said in concern. He used his free hand to steady himself against the door. “Permit me to find assistance.” Her hand rested on his arm, and Grace heard the hiss as he looked out over the inn yard. She imagined he judged how many steps it would take to achieve the inn’s door.

“No,” he insisted. With a deep inhale, he said, “Would you be so kind as to lead me to the inn?”

Without considering her actions, Grace laced his arm about her shoulder to brace his weight against her frame. She had never felt such panic. When she had first laid eyes on this man—some six months prior—she had considered his Christian name and how perfectly it fit his handsome countenance. Gabriel. The angel. The avenging angel, but an angel, nonetheless. “Lord Godown, please,” she whispered hoarsely as his heavy tread nearly took both of them to their knees. “Permit me to find someone more fit to assist you.”

A barely perceptible shake of his head declared his refusal. Grace’s bonnet shifted forward as his arm pressed heavy on her shoulders. He continued his jerky steps towards his goal–another ten feet to the walkway.

Finally, she shoved up on his arm to bracket his weight against the building’s side. Sliding free of his grasp, she turned to examine him more closely. In the darkening shadows, she realized his hair was sweaty and windblown, and dirt streaked his clothes’ fine cut. Then she saw the trickle of blood darkening his shirt. “Oh, my God!” she rasped as she reached for her handkerchief to press to the opening. “Tell me what has happened.”

Head back and eyes closed, he appeared unable to answer, but he finally spit out the words. “Trailed my attacker to this inn.” Grace looked on in wonderment as he took a deep steadying breath. “You did not faint from the blood.”

“No, my lord.” Grace pulled a second cloth from her reticule. She pressed it firmly over the first.

“Do you have a room?” he asked through gritted teeth.

Grace doubly regretted her unmarried status. If she had proper quarters, she could tend his wounds in private. She shook her head in the negative. “The innkeeper will not let to a woman without companionship. I will spend the night in the common room.”

Lord Godown nodded weakly. “Would you share my room?” He caught her gaze, and the clarity surprised her. “If you have a husband whom you were to meet on the road. . .” He did not finish his thoughts as the pain snatched his breath away. Frantically, he caught at her hand. He said softly, “I do not wish to die alone.”

Grace recognized his proposition to be a scandalous one, but she had accepted the inevitable conclusion the moment she had draped Gabriel Crowden’s arm about her. She would willingly participate in her reputation’s ruination. The fear she recognized in his gaze stayed her. This man carried death about his strong, muscular shoulders. “Yes, I will stay with you, Lord Godown,” she said without hesitation.

“You have called me by name three times. Do we hold a prior acquaintance?” She noted how he stood taller.

Grace blushed as disappointment filled her. Why would an “Adonis” remember someone as nondescript as she? “Grace…Miss Grace Nelson. Lord Averette once served as my employer.”

Lord Godown cupped her face as if seeing it for the first time. “Miss Nelson. Of course.” He stroked her mouth with the thumb of his left hand. “Just what I require. A touch of grace.”

Grace could not breathe. She had never known such an exquisite moment. He had seen her. Truly seen her. Not the governess, but the woman of three and twenty with dreams buried, but not deceased. And she knew him also. Not the face of perfection. But a man who had known great loss. She licked her lips for moisture, and her tongue grazed his ungloved thumb. She noticed how something flared in his gaze. “How should we proceed, my lord?” she said uncertainly.

Her words had broken the spell, but his fingers still traced her skin. Grace’s breathing shallowed, and pure warmth spread through her. “You are my wife,” he said confidently. “Your maid abandoned you, taking your purse and leaving only a public ticket for your transportation.” He easily wound an elaborate tale. He was, obviously, a man accustomed to improvising in intense situations. “We were to meet in Carlisle, but when you did not appear, I came searching for you.” She nodded her agreement. “Reach into my inside pocket and remove my purse. I will not be able to do so when we enter. Have it at ready to place in my hand,” he ordered. She did as he instructed. “I will also require a card from my case.”

“You should probably open it in the innkeeper’s presence,” she said. “It will bring legitimacy to our claim. I have previously spoken to Mr. Bradshaw regarding a room.” She fished the items from his various pockets. “The innkeeper will recognize me.”

Lord Godown smiled at her with admiration. “You are quick to assess what must be done.”

“I have been my own mistress since leaving the schoolroom. I left home at eighteen,” she explained.

A frown crossed his brow, but he made no comment on her disclosure. Instead, he lifted her chin with his fingertips. “Miss Nelson. Grace. The man who attempted to kill me is in the kitchen being tended to by the inn’s mistress. I managed to wound him.” She nodded her understanding. He inhaled deeply and looked off as if seeing something she did not. “If he discovers I have taken refuge within these walls, he will come for me. What I am asking of you could be dangerous.”

Despite wishing to appear brave before this magnificent man, Grace’s lower lip trembled. “How shall you stop him?” she asked tentatively.

Lord Godown smiled wryly. “If I am awake, I will deal with him. If not. . .”

“I must see to his demise,” she whispered. The thought of taking another’s life frightened her.

He must have recognized her fear. “It will not come to that,” he assured. “But I must stop him. Others of your acquaintance are in danger: Lord Worthing, Thornhill, Lord Lexford and Sir Carter.”

“Those with whom you served?”

“Yes. They are my earnest companions. I cannot explain now, but know my words are true.” He swayed, and Grace instinctively reached for him. “You cannot send for the surgeon, Miss Nelson. You must tend my wound,” he insisted. “No one must know how close to death I am.”

“Please do not speak as such, my lord.” She clutched at his lapel.

“My life is in your hands, my dear,” he said in a matter-of-fact manner that sent a shiver down her spine. He caught her fingers and brought them to his lips. “If I should die before I wake…”

Grace bristled. “I shall not have it! Do you hear me, Lord Godown? You shall not die on my watch!” Despite her best efforts, a tear crept down her cheek.

Lord Godown flicked it away. “I will do my best to comply. Now, come, my dear. We have a farce to play.”

How he managed to walk so straight and so proud, Grace would never know. Every step must have brought Lord Godown excruciating pain, but other than a flex of his muscle under her fingertips, she would never have guessed the truth. As they entered the establishment with her hand resting firmly on his arm, his countenance displayed nothing but amiability.

“Ah, my good man,” he said aristocratically as the innkeeper hustled forward to greet him. “Thank you for attending to my wife’s needs.” He flipped open the case and placed his calling card on the counter’s corner. Unobtrusively as possible, Grace slid it in Mr. Bradshaw’s direction. Lord Godown palmed the case and placed it in her hand. “My marquise has spoken of your kindness, sir.” The innkeeper’s eyebrow rose as he eyed Grace suspiciously, for she had said nothing of a husband previously, nor had she mentioned she was a marquise. Yet, she knew the man would not question them further, for a good innkeeper, even one on the Scottish side of the border, knew to toad to the whims of the English aristocracy. He read the ornate card. Meanwhile, Lord Godown said, “I pray the room you were preparing for her ladyship will suffice for we two. I have been too long without my bride. She has attended a sick relative for several weeks.” The marquis glanced lovingly at her, and, for a moment, even Grace believed the illusion he created.

The innkeeper blustered, “Of…of course, Lord Godown. I will see to it immediately. If you will sign the registry, sir.” Bradshaw turned the book for Gabriel’s signature.

“May I?” Grace said on a rush. “I never tire of signing my new name.” She knew he could not lift his arm high enough to reach the book.

“And I never tire of reading it, my dear,” he said evenly.

Grace caught the quill and signed their names with a flourish. “Delightful as always,” she said with a girlish sigh.

“This way, your lordship.” The innkeeper gestured to the stairs.

His muscles flexed, pulling Grace closer to his side. The stairs would be a challenge. Despite the impropriety, Grace slid her arm under his jacket and about his waist. As they climbed, she gave a list of instructions. “Have someone bring his lordship’s and my bags to the room. We shall require hot water to freshen our things after the dusty travel. A simple meal. Perhaps a clear broth with bread and cheese.” She tried to anticipate what she might require to attend him.

“And plenty of brandy,” Lord Godown added. “My wife will have tea, but I will require your best brandy.”

Mr. Bradshaw opened the door to the room and busied himself with building a fire. Over his shoulder, he said, “I will send up extra candles for better lighting.” He set the coals ablaze. “And how long might you be staying with us, my lord.”

Lord Godown reached into the purse Grace had surreptitiously placed in his hand while the innkeeper tended the fire. “I was considering a stay of some three days. Perhaps, longer. When a man is without his wife so shortly after his marriage, he must pay the price of the lady’s good intentions.” He lightly tossed a coin to the man, who adeptly caught it. “We do not wish to be disturbed. Her ladyship will send word when meals are to be served.”

“Absolutely, my lord.” Bradshaw made a deep obeisance.

When she noted Lord Godown swayed in place, Grace quickly closed the door before the innkeeper fawned further. “My lord!” She rushed forward to brace him. “Sit.” She assisted him to the bed’s edge. “If you can tolerate it,” she said as she frantically worked his tight-fitting jacket from his shoulders. “Do not lie flat until I can remove your clothing. I doubt I can turn you to treat your wounds, otherwise.”

Godown chuckled, “I seriously doubt, my dear, there is anything you cannot do once you set your mind upon it.” She had freed him of the jacket and turned to his cravat. “But as being undressed by an exceedingly pretty woman is not one of the seven deadly sins, I believe, I will enjoy the intimacy of the moment. I doubt to have this pleasure ever again.”

Grace’s cheeks pinked. “You will know such wayward pleasures again, my lord.” Her thoughts brought a deeper red. “And I am far from pretty, Lord Godown.”

His Lordship brushed a stray curl from her face. “That is where you err, Miss Nelson. You are the most handsome woman I have ever beheld.”

***********************************

A Touch of Grace: Book 4 of the Realm Series – Purchase Links

Kindle    https://www.amazon.com/Touch-Grace-Book-Realm-ebook/dp/B008RA437Q/ref=asap_bc?ie=UTF8

Amazon    https://www.amazon.com/Touch-Grace-Regina-Jeffers/dp/1477621350/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Kindle Unlimited https://www.amazon.com/kindle-dbs/hz/subscribe/ku?passThroughAsin=B008RA437Q&_encoding=UTF8&shoppingPortalEnabled=true

Book Bub https://www.bookbub.com/books/a-touch-of-grace-book-4-of-the-realm-series-by-regina-jeffers

Audible (Virtual Voice Narration) https://www.amazon.com/dp/B0CSS5GP25

Posted in books, eBooks, excerpt, Georgian Era, historical fiction, Living in the Regency, marriage, Napoleonic Wars, Realm series, Regency era, suspense, writing | Tagged , , , , , , , , , , , | 3 Comments

Burning Wool as a Plot Device in a Mystery + the Upcoming Release of “Lyon in the Way” from Dragonblade Publishers

in the last year, I have added the concept of burnt wool to a mystery. What should a reader know about this? The website By Hand, which is located in London, has a new piece on what happens when a variety of cloth/material is burned. They even included pictures. By Hand London is an independent sewing pattern brand, established in 2012

Their page on The Burn Test is superb. They show us this . . .

and this . . .

Meanwhile, Fabric Link tells us . . .

Wool does not melt, drip, or stick to the skin when it burns, and it is naturally flame resistant, for it has a high water content and high nitrogen. When it meets a heat source, it, generally, does not flame, but, rather, it smolders. But even that is not a prolonged process. It produces little smoke and few toxic gas fumes like synthetic fibers might do. “In addition, wool’s cross-linked cell membrane structure will swell when heated to the point of combustion, forming an insulating layer that prevents the spread of flame. This also means that wool produces less smoke and toxic gas than synthetic fibres.

“Wool’s flame-resistant properties make it an ideal fibre for interiors such as carpets, curtains, upholstery and bedding, helping to reduce the risk of fire spreading within a house or other building. Wool textiles are also used widely in personal protective equipment (PPE) to protect firemen, military personnel and anyone else exposed to fire or explosives. Wool’s characteristic of only smouldering and not melting or dripping onto skin, can itself be a lifesaver.” [IWTO – International Wool Textile Organization]

So, I added the idea of burnt wool to my short story “Order and Disorder,” which can be found in Crime and Culpability: A Jane Austen Mystery Anthology.

“No one can withstand the charm of such a mystery.” – Jane Austen, Persuasion

Jane Austen mysteries have become a popular subgenre of Austen variations, but this is more than just a trend. Austen was a masterful storyteller who embedded clues within her stories for her readers to follow, inviting readers to read between the lines and “gather the evidence” to follow her intricate plot lines.

In this anthology, various authors who are also fans and admirers of Austen’s work have taken the challenge to add some mystery to Austen’s stories and characters. From Regency sequels to film noir retellings to cozy art heists, Crime and Culpability: A Jane Austen Mystery Anthology explores the many faces of Austen and all of her enigmas.

Featuring stories by Regina Jeffers, Riana Everly, Jeanette Watts, Michael Rands, Linne Elizabeth, Emma Dalgety, and Elizabeth Gilliland, with a foreword by Regina Jeffers and an introduction by Elizabeth Gilliland Rands.

Kindle https://www.amazon.com/Crime-Culpability-Austen-Mystery-Anthology-ebook/dp/B0D6JQN6JL

Available to Read on Kindle Unlimited 

BookBub https://www.bookbub.com/books/crime-culpability-a-jane-austen-mystery-anthology-by-regina-jeffers-and-elizabeth-gilliland

Excerpt noting when George Wickham meant to hide the evidence.


Instead, he sat in a nearby chair and tugged on his boots. As he began to gather his meager belongings, he caught up his own coat. He could not leave it in the cottage, for then the world would know it was him who killed Schultz. Instead, he fished out a pair of scissors from a drawer in a table and began to cut the coat into pieces and tossed them into the fire. It was not easy to cut the heavy material, and he recited a string of curses as he pulled, tugged, and cut away the sleeves and collar and the lining. The wool in the coat had its smoke seeping into the house itself, and he rushed to open a window on opposite sides of the room so the smoke could escape. He had thought to cut off the buttons to sell, but they were too hard to dislodge, and time was ticking away. In the end, he gathered up the coat and crammed it into the bag belonging to Schultz. George would be rid of it in an alley or toss it overboard once he was out to sea.

And again, when Mr. Cowan and Darcy are beginning to solve the murder.


“Parts of a military coat remain in the house, though someone appears to have cut it up and tossed the pieces in the fire to destroy it. Unfortunately, wool does not burn, but rather ignites briefly and then chars. It shrinks from the flame, curling slightly as if in an effort to escape the fire. Wool produces a strong odor, resembling the smell of burning hair, which is likely why we found the windows open on opposite sides of the sitting room to create a cross draft. The residue of what does burn completely turns into a black, hollow irregular-shaped bead that can be easily crushed between a person’s fingers into a gritty black powder.”

Now, in my latest book, Lyon in the Way coming soon from Dragonblade Publishers.

With that declaration, Richard placed the rolled sheet upon the now empty card table. “Mrs. Dove-Lyon’s ‘Titan’ discovered this somewhere near the musicians’ entrance and the privacies at the back of the Lyon’s Den. The lady asked her club manager to deliver it to you.” 

“At the back of the club, towards where the shooter ran?” Duncan thought aloud. “How convenient. Has anyone gone through it?” Richard was glad to know he had asked the same questions as Duncan, who had led more investigations than those at Whitehall could count. 

“Neither Mrs. Dove-Lyon nor Titan, but we do not know how long the coat has been hidden away,” Richard cautioned. 

“Why did the others not find it previously?” Duncan asked. 

“All excellent questions,” Richard assured. “Perhaps Dora or Lady Emma could create a list of what else we must learn.” When Dora did not move, Lady Emma claimed the paper pad and pencil they had used to keep score for the card game. “Let us have a look and then we can determine what else must be revealed.” He unrolled the sheet and removed the silver paper. The coat had been folded neatly, first in half, then quarters, and finally in eights. Richard stepped to the side to permit Duncan a closer look. “Should we send around messages to the others?”

“In a moment,” Duncan said as he reverently touched the light wool coat. “Whoever wore this nearly snuffed out my life,” he said solemnly. 

There are multiple references to the wool coat in Lyon in the Way, and someone even attempts to burn it, but is the wool coat an actual clue or a red herring? You must read the tale to find out the truth. LOL!

Book Blurb:

One man wants her dead. Another may love her forever.

For over a year, Lord Richard Orson has been quietly captivated by the unconventional Lady Emma Donoghue. Headstrong, brilliant, and unapologetically involved in causes that rattle Society’s comfort, Emma is nothing like the debutantes he’s expected to court.

But when he finds her bruised, confused, and alone in Covent Garden after midnight, Richard is thrust into a far more dangerous game.

Someone wants Emma silenced. And now, Richard has only moments to uncover the truth, protect her from harm, and keep her out of scandal’s reach. But staying focused is harder than he imagined—especially when every glance, every accidental touch, reminds him how perfectly she fits in his arms.

Tropes you’ll love:
✔ Protective hero / damsel in distress (with a twist)
✔ Bluestocking heroine
✔ Rescue & recovery romance
✔ Unlikely match / opposites attract
✔ Slow burn with rising suspense
✔ One bed (forced proximity)
✔ Hero falls first

As danger closes in and secrets are revealed, Richard must decide whether he’s willing to risk his life—and his heart—for a woman who’s always been worth the fight.

A suspenseful, slow-burn Regency romance where danger ignites desire, and love must outpace the clock.

Purchase Link:

Read in Kindle Unlimited!

Enjoy book one in a new series within The Lyon’s Den Connected world by Regina Jeffers.

Book 1 – Lyon in the Way
Book 2 – Lyon’s Obsession
Book 3 – Lyon in Disguise
Book 4 – Lost in the Lyon’s Garden
Book 5 – Lyon on the Inside

Posted in Always Austen, anthology, book excerpts, book release, Dragonblade Publishers, Georgian England, Georgian Era, historical fiction, mystery, publishing, Regency era, Regency romance, research, science, suspense | Tagged , , , , , , , , , , | Comments Off on Burning Wool as a Plot Device in a Mystery + the Upcoming Release of “Lyon in the Way” from Dragonblade Publishers

What is a Glass Cone? And a Look Back at A Touch of Cashémere, Book 3 of the Realm Series

Next month, I hope to release a new romantic mystery/suspense series. This one is from Dragonblade Publishers, so I thought I might revisit my very successful Realm series and some of the history regarding each of the stories in the series. I love to base my stories in the history of the times. My new series is set in 1812 London and involves the assassination of the Prime Minister, Perceval Spencer, a forgery gang led by the real-life William Booth, the Luddite uprising, etc. Like the Realm series, the men all work for the Home Office and are tied together as “brothers” in service to their country. Look for Book 1, Lyon in the Way coming June 15, 2025, to be followed in 3-month increments by Lyon’s Obsession, Lyon in Disguise, Lost in the Lyon’s Garden, and Lyon on the Inside.

This cone shaped building was built in 1740 for William Fenney. He had previously managed a nearby Glasshouse owned by his mother-in-law. Eventually the Catcliffe Glasshouse passed into the hands of Henry Blunn before its closure in 1884-1887. It then re-opened briefly in 1900. The cone is now the oldest surviving structure of its type in Western Europe and one of only four to remain in the United Kingdom. – in Catcliffe, South Yorkshire
Public Domain – The Red House Cone is a Grade II listed glass cone located in Wordsley in the West Midlands, adjacent to the Stourbridge Canal bridge on the A491 High Street. It is a 90-foot (27 m) high conical brick structure with a diameter of 60 feet (18 m), used for the production of glass.
Lemington Glass Works were opened in 1787 by the Northumberland Glass Company in the village of Lemington 3.5 miles (5.6 km) west of Newcastle upon Tyne.[ The land was leased to them by the Duke of Northumberland. At first their four large cones only produced flat glass.The location of the works was ideal for local coal supplies, with the North Wylam to Lemington Point Waggonway running within very close proximity to the works. It was also situated beside the River Tyne (prior to its rerouting in 1876) which made it easy to bring sand, alkali, and suitable clay for the melting pots to the works.
Alloa Glass Works in the burgh of Alloa ~ CC BY-SA 2.0 ~ Alan Murray-Rust

Serving as my example in the book, A Touch of Cashémere, was the Alloa Glass Works cone. In a cone like this one, I set a magnificent rescue scene in this tale.

Wikipedia tells us, “The Northern Glass Cone is a 19th-century structure formerly used in the glass manufacturing process at Alloa Glass Works in the burgh of Alloa, the administrative centre of the central Scottish council area of Clackmannanshire. The brick-built cone is the only such structure to survive in Scotland, and is one of four in the United Kingdom, along with Catcliffe Glass Cone in South Yorkshire, Lemington Glass Cone in Tyne and Wear, and Red House Cone in Wordsley, West Midlands.’

“Lady Frances Erskine established the Alloa Glass Works in 1750.

“Craftsmen from Bohemia (in the present-day Czech Republic), who also oversaw the construction of the first glass cone on the site, trained the workers. The original structure was 90 feet (27 m) tall.

“By 1825, the Edinburgh Glasgow and Alloa Glass Company owned the site; they built another three cones, of which the Northern cone, 79 feet (24 m) high, was one. (Its immediate neighbour was correspondingly known as the Southern cone.) The base was octagonal, rather than circular, and had arched entrances. The main body of the cone was of brick laid in English Bond formation. The original cone and one other were demolished before the 1960s, but the Southern cone survived until 1968. At the same time, the Northern cone regained its original appearance when some later additions were removed.”

So, why am I going on and on about the glassmaking industry in the UK? Besides the interesting structure that the glass cone is architecturally, one of these structures plays a pivotal role in my third installment of the Realm series. A Touch of Cashémere has its climax in a partially built glass cone – one in which the heroine Cashémere Aldridge and her twin sister, Satiné, are being held captive.

Book Blurb:

“The first fully original series from Austen pastiche author Jeffers is a knockout.” – Publishers Weekly

MARCUS WELLSTON never expected to inherit his father’s title. After all, he is the youngest of three sons. However, his oldest brother Trevor is considered incapable of meeting the title’s responsibilities, and his second brother Myles has lost his life in a freak accident; therefore, Marcus has returned to Tweed Hall and the earldom. Having departed Northumberland years prior to escape his guilt in his sister’s death, Marcus has spent the previous six years with the Realm, a covert governmental group, in atonement. Now, all he requires is a biddable wife with a pleasing personality to claim a bit of happiness. Unfortunately, neither of those phrases describe Miss Cashémere Aldridge.

CASHEMERE ALDRIDGE thought her opinions were absolutes and her world perfectly ordered, but when her eldest sister Velvet is kidnapped, Cashé becomes part of the intrigue. She quickly discovers nothing she knew previously could be etched in stone. Leading her through these changes is a man who considers her a “spoiled child.” A man who prefers her twin Satiné to Cashémere. A man whose approval she desperately requires: Marcus Wellston, the Earl of Berwick.Toss in an irate Baloch warlord, a missing emerald, a double kidnapping, a blackmail attempt, and an explosion in a glass cone, and Cashé and the Realm have their hands full. The Regency era has never been hotter, or more dangerous.

Kindle    https://www.amazon.com/Touch-Cashemere-Book-Realm-ebook/dp/B008C2MPZ6/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=&sr=

Amazon  https://www.amazon.com/Touch-Cash-mere-Regina-Jeffers/dp/0615654584/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Kindle Unlimited https://www.amazon.com/kindle-dbs/hz/subscribe/ku?passThroughAsin=B008C2MPZ6&_encoding=UTF8&shoppingPortalEnabled=true

Book Bub https://www.bookbub.com/books/a-touch-of-cashemere-book-3-of-the-realm-series-by-regina-jeffers

Audible (Virtual Voice Narration) https://www.amazon.com/dp/B0CSSL7X8M

Posted in British history, buildings and structures, customs and tradiitons, Great Britain, Living in the UK, mystery, real life tales, Realm series, Regency era, Regency romance, research, romance, Scotland, suspense | Tagged , , , , , , , , , , , , , | 4 Comments

When the First Book of a Series Becomes the Second: A Touch a Velvet: Book 2 of the Realm Series

When I first began to write the Realm series, I envisioned only four books, with the possibility of one or two novellas. However, the “best laid plans” turned into an eight-book series: one for each of the seven members of the Realm, a covert operation during the Napoleonic Wars, plus, the eighth book, which brings all the elements together in a heart-wrenching conclusion. 

A Touch of Velvet was originally slated to be book one of the series. But all writers can attest to those “nasty” minor characters which demand to be featured immediately. Therefore, I set A Touch of Velvet aside to write A Touch of Scandal. It was fine, because Eleanor Fowler of book one is the sister and cousin of the main characters in book two: Brantley Fowler and Velvet Aldridge. There is some overlap of the story line of book two with book one. I did this on purpose, for we authors never know when a reader will join a series. As a reader, I do this all the time. Recently, I read book 2 of Kate Baldwin’s “My Notorious Aunt” trilogy before I read the other two books. For one of my favorite series, Mary Balogh’s “Slightly” series, I read Rannulf’s story Slightly Wicked and then had to go back to Aidan’s story of Slightly Married. Moreover, the main event in Eleanor’s life also affects the life of her brother Brantley. It cannot be entirely ignored in book two. 

Brantley’s name comes from a young man I met at an Enterprise Rental Car outlet in Monroe, North Carolina. He told me his name was Brantley Fowler (note: the Fowlers have many roads and buildings named for them in this area). I immediately thought the name perfect for a character in a Regency-based book, so I wrote it down in my notebook and told him some day I would make him “famous.”  The name “Velvet” came from a former student, one of the most beautiful girls I ever encountered. The “Velvet” in the book does not possess the same character personality as the real the “Velvet,” but it was the former student’s image I had in my head when I wrote the character’s description.

Brantley is my Don Quixote type character. He is the one who regularly “rescues the damsel in distress.” His father is the Duke of Thornhill, an infamous rake. He found his father with one of the household maids while his mother was dying. This action drives Brantley from his home and thwarts his willingness to claim his inheritance. Like the other members of the Realm, Brantley joins the unit to “fight to demons,” as much as to fight for the his country.

    ATOVCoverRough2Original cover of “A Touch of Velvet,” but I replaced it for two reasons: (1) the image is used on many other book covers; (2) I did a rewrite of the book.

 Velvet Aldridge is the oldest of the three Aldridge sisters, who are farmed out to different relatives when their parents are killed in suspicious carriage accident. Velvet has lived with the Fowlers since she was five years of age. She is Bran and Eleanor’s second cousin. Velvet has loved Brantley since she was twelve, but her hopes of marrying him are set aside when she learns he has married while away on the King’s business and has a young daughter. 

ATOV eBook Cover2 copy.jpg

A Touch of Velvet: Book 2 of the Realm Series

After years away from England, members of the Realm return home to claim the titles and the lives they once abandoned. Each man holds on to the fleeting dream of finally knowing love. For now, all any of them can hope is the resolution of their previous difficulties before Shaheed Mir, their old enemy, finds them and exacts his revenge. Mir seeks a mysterious emerald, and he believes one of the Realm has it.

No one finds his soul mate when she is twelve and he seventeen, but Brantley Fowler, the Duke of Thornhill, always thought he had found his. The memory of Velvet Aldridge’s face was the only thing that kept him alive all those years he remained estranged from his family. Now, he has returned to Kent to claim his title and the woman he loves, but first he must obliterate the memory of his infamous father, while staving off numerous attacks from Mir’s associates.

Miss Velvet Aldridge always believed in “happily ever after.” Yet, when Brantley Fowler returns home, he has a daughter and his wife’s memory to accompany him. He promised her eight years prior he would return to make her his wife, but Thornhill, as her guardian, only offers her a Season and a dowry. How can she make him love her? Make him her “knight in shining armor”? Regency England has never been hotter or more dangerous.

Kindle   https://www.amazon.com/Touch-Velvet-Book-Realm-ebook/dp/B008C2MQFK/ref=asap_bc?ie=UTF8

Amazon   https://www.amazon.com/Touch-Velvet-Regina-Jeffers/dp/0615651968/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

ALSO AVAILABLE FROM KINDLE UNLIMITED https://www.amazon.com/kindle-dbs/hz/subscribe/ku?passThroughAsin=B008C2MQFK&_encoding=UTF8&shoppingPortalEnabled=true

Book Bub https://www.bookbub.com/books/a-touch-of-velvet-book-2-of-the-realm-series-by-regina-jeffers

Audible (Virtual Voice Narration) https://www.amazon.com/dp/B0CSRY12WH

Excerpt from A Touch of Velvet

End of Chapter Two:

Bran’s coach rolled to halt before the grandeur that was Thorn Hall. The familiarity was nearly as discomforting as was the differences in the place. Although to the eye of a stranger, everything announced the manor as that of a man of the nobility, but a swift glance over the structure told Bran the place required some discreet repairs before the public would learn of the Hall’s decline.

He turned his head to observe his sister rushing down the entrance steps. Even from a distance Bran noted the hope crossing her features. She knew she had won, and for once Bran was glad to present her the victory. Shepherd was correct; this was his responsibility, and he had neglected it too long.

Reaching the main steps, Eleanor paused about halfway down and waited for a footman to let down the coach’s steps. Brantley unfolded his large frame from the carriage’s constraints and stepped upon Thornhill land for the first time in eight years. He turned to follow Eleanor’s gaze toward the second carriage, where his footman assisted Sonalí and Mrs. Carruthers to the ground.

The scene was everything that was family, and Bran realized how much he had missed the idea of being part of his sister’s life.

As quickly as the child’s feet touched the ground, Sonalí’s head turned to where Eleanor stood. Immediately, she was at a run, arms spread, and Eleanor scampered to greet her.

“Aunt Ella,” Sonalí laughed, “we came to find you.”

Lifting the child to her, Eleanor spun her in complete abandon. It was the perfect scene of domesticity in Bran’s opinion. His daughter required a woman’s touch, and he could think of none finer than his sister. All would work to his benefit, Bran told his worried heart.

“I never was so happy to see anyone,” Eleanor assured with a laugh Bran had long missed.

He joined the two of them at the bottom of the main steps. “You do not play fair, Ella,” he teased as he lifted her hand to his lips.

“That would be your fault, Bran. You taught me everything I know.” Their eyes met and held–a new understanding flashing between them. “Thank you,” she mouthed as she took his proffered arm.

“Welcome home, Your Grace,” Mr. Jordan executed a proper bow. “The staff will be elated.”

“Thank you, Mr. Jordan.” He handed his hat and cane to the man. “I apologize for no notice of my return. Hopefully, I will not strain your resources.”

Mr. Jordan blustered, “I assure you, Your Grace, any inconvenience is secondary to the joy of seeing you with Lady Eleanor.”

“Obviously, I require the nursery opened, as well as the school room. This is my daughter Miss Sonalí and her caretaker Mrs. Carruthers.”

Accustomed to commanding his own staff, Bran did not falter, and it pleased him to hear the authority in his voice, even if it thought it a bit strained.

“Instantly, sir.” Jordan snapped his fingers and two maids rushed away to do Bran’s bidding. “I will have your luggage placed in the Master’s room.”

“No!” Bran’s emphatic denial rang through the hall; yet, he forced a smile to his lips and calmed his tone. “If I might, I wish to establish myself in the other wing.”

“Most assuredly, sir. Please join Lady Eleanor in the drawing room. I will send in refreshments while we prepare your rooms.”

“Thank you, Mr. Jordan.” The man bowed, whispering urgent orders to various staff members before making his exit.

“Are there cakes, Aunt Ella?” Sonalí still rested against her shoulder.

Eleanor shot a quick glance to a man, who stood red-faced and confused, and Bran followed her gaze. Horace Leighton, he thought. Bran understood the man’s look of bewilderment: All Leighton’s plans of inheriting the dukedom had suddenly vanished.

“I believe we must send for fresh cakes, darling,” Ella cooed to Sonalí in the way all women speak to children. “But know, Cook will be happy to have a child in the house. Your papa often sneaked off to the kitchen for Cook’s chocolate tarts.” Eleanor placed his daughter before her and extended her hand. “Come along. Permit me to show you your papa’s new home, Sonalí.”

At the drawing room door, Bran purposely turned to his flustering cousin. “Cousin Horton,” he called. “Forgive me. With all the excitement of seeing Eleanor and being at Thorn Hall, I did not notice you there. Are you staying with us, Horton?”

Bran knew exactly why Horton Leighton was in residence. Even if it were not obvious from what Ella had told him previously and what Shepherd had shared, Bran would know. In Cornwall, a week ago, he sat staring at the likenesses of his mother and of the woman he once thought to be his destiny, and Bran’s carefully constructed world had changed. The miniatures were the perfect remedy for his complacency: He had made the impetuous decision to return to his past. At that moment, he sent out inquiries on the true status of what would now be his title and finished with his questioning of Shepherd.

“Well, come in, Leighton,” he ordered. “It has been a decade since I last saw you. Tell me how goes everything in Hampshire?” He ushered the man into the room ahead of him.

Away from the staff’s ears, Bran closed the door behind them. Mrs. Carruthers instinctively removed Sonalí to the far corner of the room to entertain the child while the cousins spoke in private.

“Please, everyone, have a seat.” Eleanor gestured to a cluster of chairs.

Finally seated in close proximity to one another, Leighton turned immediately on Eleanor. “You knew,” he hissed.

“Of course,” Bran broke in before Eleanor could respond. “Ella and I have corresponded over the years.” It was a lie, but one which would aid Bran’s transition. 

“Brantley and I thought it best others did not know,” Ella added.

Bran leaned back into the chair, attempting to appear nonchalant. “I argued with my father, not my sister.”

“But not ten minutes ago,” Leighton sent accusations in Eleanor’s direction, “you asked if I held word of your brother. You let me go on and on, knowing Thornhill would come to claim his title today!” Leighton’s words rose in volume.

“I thank you, Sir,” Bran snapped, “to keep your voice down. I will not subject my sister or my child to fits of anger.” Bran glanced quickly at his daughter. “Mrs. Carruthers,” he spoke gently to the woman, “the formal gardens are through those doors. Why do you not escort Sonalí on a brief walk? It would do you both well after the long journey.”

“Yes, Mr. Fowler…I mean, Your Grace.”

When the pair was safely from earshot, Bran spoke again to his cousin. “Eleanor did not know of my arrival. She has attempted on several occasions to convince me to return to Thorn Hall, but unlike others, I possess no need of the fortune or the title. I was not inclined to subject myself to this world again, but I cannot deny my child a birthright. It was her mother’s dying wish.”

Eleanor eyes met Bran’s suspiciously. No doubt she recalled him as a master of bending the truth to fit his own agenda and logic. Although he spoke half-truths, his sister agreed to what Bran said. Despite his aversion to Thorn Hall’s memories, Bran had returned home because Ella needed him, and she was obviously quite pleased.

Looking more than a bit irritated and still muttering, Leighton pushed to his feet. “If you will excuse me, I believe I will retire to my room. Obviously, I possess correspondence to which to attend.” He offered a thick-waisted bow as Bran rose to his own feet. “Welcome home, Your Grace,” Horton mumbled.

“Thank you, Cousin.” Bran walked the man to the door. Closing it behind Leighton, he turned to his sister. “Well, Ella, did I surprise you?”

Within two heartbeats, she was in his arms, sobbing in trembling bursts of tears. “Thank God,” she repeated. “I thought all lost.”

“Shush, Ella.” Bran stroked the back of her head and kissed her cheek. “I am sorry, infinitely sorry, I left you to deal with this alone,” he whispered. “We will do what is right for you.”

She clung to him for several heart-wrenching minutes. Bran knew real regret for not returning sooner. He never considered how the dukedom could have injured his sister. At length, she stepped from his embrace. Lifting her chin in elegant grace reminiscent of his mother, Eleanor swiped the tears away with her palms. With a couple of unladylike sniffs, she recovered her composure just as the tea service arrived. “I shall find Mrs. Carruthers and Sonalí.” She looked away so the maid would not observe her tear-streaked face. “I am famished, as I suspect Sonalí will be. Surely, they did not go far.”

Bran permitted his sister her emotions without his censure. “I may not possess the fortitude to wait.”

Ella gestured to the service. “Please, it is your house now, Bran; you must not wait on anyone.”

He corrected, “It is our house, Ella.”

Eleanor gave him a quick curtsy. “Thank you for returning home, Bran. You answered my prayers in a most spectacular manner.” Then she slipped through the open door.

Bran caught up one of the plates and placed several small sandwiches and cakes upon it. He strolled around the room, observing objects he had fought so hard to forget. The draperies were new and two of the chairs, but everything else were much as he remembered it. Stately and stylish and speaking very much of his mother, Bran always liked this particular room. When he entered Thorn Hall a few moments earlier, he chose it as the first room he would encounter as the new Duke of Thornhill. He desperately required to step into a memory before facing his future. Deep in thought of the past, he lifted one of the sandwiches to his mouth as he turned just as Velvet Aldridge swept into the room and back into his life.

Posted in book excerpts, books, British history, Georgian England, historical fiction, Living in the Regency, Napoleonic Wars, reading, reading habits, Realm series, Regency romance, romance, suspense, war | Tagged , , , , , , | 3 Comments

Demoiselle en detresse, a Popular Story Telling Trope + the Anticipated Release of “Lyon in the Way” from Dragonblade Publishers

What does it mean to be a “damsel in distress”? In today’s culture, such a phrase will likely set off triggers of some kind or another. Please remember that I am 77 years old, and we never thought of “triggers” as a possibility. I am not criticizing those who have known trauma (for I have, in my past, been savagely attacked), but I am just setting the table for the phrase “damsel in distress” as a common trope in storytelling.

It is a trope used by writers in which a helpless woman is in need of being saved by a hero. I admit to being guilty of using this trope in my upcoming novel, Lyon in the Way, which will be released by Dragonblade Publishers on 18 June 2025.

We have grown up with this trope, and while it assuredly does nothing for the feminine movement, it is an easily recognizable means used by writers to move a romance story forward.

Frank Bernard Dicksee‘s 1885 painting Chivalry ~ Public Domain

I will pause for a moment in my storytelling and quote from a site that speaks to how this trope has hurt women.

“A damsel in distress is typically a helpless woman who is in need to be saved by a hero, usually a man who is flawless. The woman, whether a princess or a peasant, doesn’t take any action towards saving herself, but waits patiently for the hero figure to take plenty of steps to save her. While this may be a simple description of the damsel in distress trope, we’re sure you have come across plenty of variations. From Cinderella and Rapunzel to the plots of innumerable movies and shows in languages from around the world, we’ve seen this trope surface again and again all around us. 

“But the thing to note is that for a trope that emerges frequently, most of us have failed to outgrow it or recognise the harm it does, especially to women. In fact, the trope does immense disservice to women and women empowerment. Here’s everything you need to know.” [How the Damsel in Distress Trope Hinders Women Empowerment]

A literary trope is an artistic effect realized with figurative language — word, phrase, image — such as a rhetorical figure. In editorial practice, a trope is “a substitution of a word or phrase by a less literal word or phrase”. Semantic change has expanded the definition of the literary term trope to also describe a writer’s usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations), motifs, and clichés in a work of creative literature.

The damsel in distress is a narrative device in which one or more men must rescue a woman who has been kidnapped or placed in other peril. The “damsel” is often portrayed as beautiful, popular and of high social status; they are usually depicted as princesses in works with fantasy or fairy tale settings. Kinship, love, lust or a combination of those motivate the male protagonist to initiate the narrative. [Sarkeesian, Anita (March 7, 2013). “Damsel in Distress (Part 1) Tropes vs Women”Feminist Frequency.]

Critics have linked the helplessness of these women to societal views that women as a group need to be taken care of by men and treated nicely. [Sarkeesian] Throughout the history of the trope, the role of the woman as the victim in need of a male savior has remained constant, but her attackers have changed to suit the tastes and collective fears of the period: “monsters, mad scientists, Nazis, hippies, bikers, aliens…” [Lowbrow, Yeoman (December 28, 2014). “When Natives Attack! White Damsels and Jungle Savages in Pulp Fiction“]

European fairy tales frequently feature damsels in distress. Evil witches trapped Rapunzel in a tower, cursed Snow White to die in Snow White, and put the princess into a magical sleep in Sleeping Beauty. In all of these, a valorous prince comes to the maiden’s aid, saves her, and marries her (though Rapunzel is not directly saved by the prince, but instead saves him from blindness after her exile). [“Unga Fakta – Grekisk mytologi”http://www.ungafakta.se (in Swedish).]

The damsel in distress was an archetypal character of medieval romances, where typically she was rescued from imprisonment in a tower of a castle by a knight-errant. Geoffrey Chaucer’s The Clerk’s Tale of the repeated trials and bizarre torments of patient Griselda was drawn from Petrarch. The Emprise de l’Escu vert à la Dame Blanche (founded 1399) was a chivalric order with the express purpose of protecting oppressed ladies. [“Chivalry or The Chivalric Code”webpages.uidaho.edu.]

Paolo Uccello’s depiction of Saint George and the dragon, c. 1470, a classic image of a damsel in distress

The theme also entered the official hagiography of the Catholic Church—most famously in the story of Saint George who saved a princess from being devoured by a dragon. A late addition to the official account of this Saint’s life, not attested in the several first centuries when he was venerated, it is nowadays the main act for which Saint George is remembered. [“BBC – History – Historic Figures: St George (?–303)”http://www.bbc.co.uk.]

These tales are not just in the Western cultures. When I taught World Literature in high school, one of the units I used was Fairy Tales from around the world. I brought in children’s book versions of probably 50 different tales. This I would ask the students to identify the different tropes. Needless to say, in many of the fairy tales, there was “saving the damsel in distress.”

For example, look at

Yeh-hsien. Cenerentola. Cendrillon. Ashenputtle. Chernuska. Cinderella. These are just a few of the names of one of the best known and most beloved fairy tale characters in the world. The tale is known in countless variations throughout Europe and Asia as well as Africa and the Americas. The tales share the familiar story of a persecuted heroine who finally triumphs over oppressed circumstances through her virtue and the assistance of a magical helper. Whatever name she is given, the character has inspired countless generations and remains a vibrant part of modern popular culture. A discussion of the Cinderella Cycle is provided in the introduction, explaining how seemingly unrelated tales are considered part of the Cinderella family. A brief history of Cinderella scholarship is also included, detailing why the tale was once considered the key to understanding how stories were disseminated around the world. Building upon Marian Roalfe Cox’s seminal work with Cinderella over 120 years ago, this collection offers more than 150 full length Cinderella tales and over 200 summaries of other variants from around the world. Some of the tales are new translations, a few appearing for the first time in English. Many of the stories are clearly related to each other, but with some the relationship is less obvious. Whether you are a student of folklore or an armchair enthusiast, this anthology offers a diverse array of tales with a unifying theme that both entertains and educates, all gathered for the first time in one impressive collection.

Book Excerpt: Enjoy this Excerpt from Chapter One of Lyon in the Way, where Lord Richard Orson stumbles across a badly beaten Lady Emma Donoghue, a woman he has desired for more than a year for her bravado, her comely face, and (well, you will learn when you read the book).

Satisfied the stranger had abandoned his plans, Richard was again in search of Hunt’s carriage, but he had somehow made a wrong turn in his pursuit of the unknown man in black. “Foolish,” he chastised himself. “I am no better than the other drunks peppering these streets.” 

He made two more ill turns in quick succession and had to backtrack. “It would be nice to have a street light here and there,” he grumbled as he found himself in what he thought was the old market area. “I understand now why the Duke of Bedford wishes Parliament to regulate this area.” He paused to look around him to claim his bearings. Thinking himself assured of where to find Hunt’s carriage, Richard took a side street and a short alley, ignoring a man throwing up his oats and a woman chastising him in her best “fishwife” imitation for ducking under her line of clean laundry and knocking part of the rope down. 

Richard had cleared the pair and stepped upon the wooden walkway when a woman staggered from the shadows and, quite literally, into his arms. At first, he thought another of the area’s many pickpockets thought to make him her mark, but somehow Richard recognized her. The woman was not inebriated, nor did she appear to be on some sort of black powder, she was injured. 

Though she attempted to pull away from his embrace, he held her in place. There was blood seeping from a cut at her temple, as well as several defensive style wounds along her arm. 

She swayed in place as he propped her against the side of a nearby building so he might determine how badly she was injured, while also searching the area for a sign of her attacker. 

“Don’t!” she groaned as he braced her with one hand and turned as best he could to scan the area. “Don’t touch me, I must find the three . . .” 

“I shan’t!” he declared, though he kept his hand on her shoulder. “Who was in your party?” he asked, though the idea of her being with any man who would do this to her was unsettling. “Find three what?”

Her dark chocolate hair hung loose on one side and what once must have been a string of pearls laced in her curls had fallen over her forehead, which sported what would likely be a large bruise. The skirt of her gown was ripped on one side and covered with “alley” filth, a mix of garbage and human waste and mud, as if she had been knocked to her knees, and she was missing her evening slippers. 

He asked again. “With whom were you traveling? Are there others for whom I should be seeking? Three more, perhaps?” Richard was already wondering if the man he had been following earlier had committed this crime. He could not imagine even the daring Lady Emma Donoghue, though she pushed all boundaries of conformity, would venture to Covent Garden alone. She swayed in place and he tightened his hold on her shoulder. “How did this happen?”

She looked at him oddly, as if she suddenly realized he was there before her. “I . . . I . . . I do not know.” 

“We will discover the truth,” he said. “Permit me to assist you to this building’s entrance steps. I would like to have a look around. To know assurances that someone else has not been harmed. Can you place your trust in me to do what I say? Afterwards, I will see you home.” 

“Home?” she asked and frowned. “Do not wish to return home.”

“Do not worry. I will not desert you.” He guided her to the steps leading to the main door of the building, but he had quickly become aware of how his touch frightened her. She half sat and half collapsed onto the stained bricks of the entranceway. He permitted her to slump against the cold stone, claimed his Queen Anne pistol, and walked back the way she had come, but there was no one along the street and no signs of a struggle, not even one of her missing shoes. He was guessing whatever had happened to her, it had not happened nearby. Perhaps someone had dumped her in Covent Garden after assaulting her elsewhere. 

Richard briefly wondered if she had been raped. He prayed not, for a woman of her “huzzah” should not be played foul.

Hurrying back to where he had left her, he roused her gently. If she had a head injury, he did not want her sleeping until a physician or a surgeon examined her. “Come now, my lady,” he said as he gently coaxed her to her feet. “Again, I ask, can you tell me who you were with earlier this evening?” 

She looked around her. “I do not . . . recall,” she said with a frown. 

“My lady . . .” he began, but she reached a bloody hand to him to prevent his question. 

“How do you . . . know me . . . to be a lady?” she asked, and it was the first time she appeared truly frightened, rather than simply confused. 

“You are Lady Emma Donoghue. Earlier today, you and some of your acquaintances prevented a number of gentlemen from entering White’s.” He would not tell her he had been asking the occasional question about her for coming up on two years. Like it or not, the woman fascinated him. 

“And this was . . . my punishment?” she asked. 

“I cannot say with any confidence,” he admitted. “As I was one of the men at White’s, I saw you there. You have been among those ‘protesting,’ shall we term your actions, at several venues for months. Yet, of course, you are well aware of those efforts.” 

“Who are you?” she asked as she staggered away from him, fear obviously returning. 

He reached a hand to her when she swayed in place. “I am Lord Richard Orson. I am a peer of the realm and often assist those in the government.”

Book Blurb:

One man wants her dead. Another may love her forever.

For over a year, Lord Richard Orson has been quietly captivated by the unconventional Lady Emma Donoghue. Headstrong, brilliant, and unapologetically involved in causes that rattle Society’s comfort, Emma is nothing like the debutantes he’s expected to court.

But when he finds her bruised, confused, and alone in Covent Garden after midnight, Richard is thrust into a far more dangerous game.

Someone wants Emma silenced. And now, Richard has only moments to uncover the truth, protect her from harm, and keep her out of scandal’s reach. But staying focused is harder than he imagined—especially when every glance, every accidental touch, reminds him how perfectly she fits in his arms.

Tropes you’ll love:
✔ Protective hero / damsel in distress (with a twist)
✔ Bluestocking heroine
✔ Rescue & recovery romance
✔ Unlikely match / opposites attract
✔ Slow burn with rising suspense
✔ One bed (forced proximity)
✔ Hero falls first

As danger closes in and secrets are revealed, Richard must decide whether he’s willing to risk his life—and his heart—for a woman who’s always been worth the fight.

A suspenseful, slow-burn Regency romance where danger ignites desire, and love must outpace the clock.

Purchase Link:

Read in Kindle Unlimited!

Enjoy book one in a new series within The Lyon’s Den Connected world by Regina Jeffers.

Book 1 – Lyon in the Way
Book 2 – Lyon’s Obsession
Book 3 – Lyon in Disguise
Book 4 – Lost in the Lyon’s Garden
Book 5 – Lyon on the Inside

Posted in book excerpts, book release, books, British history, Chaucer, Dragonblade Publishers, Georgian England, Georgian Era, hero, heroines, historical fiction, mystery, reading habits, Regency era, Regency romance, research, romance, suspense | Tagged , , , , , , , , , , , , , , , , | Comments Off on Demoiselle en detresse, a Popular Story Telling Trope + the Anticipated Release of “Lyon in the Way” from Dragonblade Publishers

The First Time I Wrote a Regency Romantic Suspense/Mystery: A Touch of Scandal, Book 1 of the REALM Series

In June, the first of my new five mystery/romance/suspense books for Dragonblade Publishers hits the shelf. A new book will follow every three months. The titles are Lyon in the Way, Lyon’s Obsession, Lyon in Disguise, Lost in the Lyon’s Garden, and Lyon on the Inside. Yes, they are each part of the Lyon’s Den series trademarked by Dragonblade, but they are an original series that uses the Lyon’s Den as one of the backdrops for the action.

Lyon in the Way from Dragonblade Publishers, releasing 18 June 2025 – now on PreOrder on Amazon

For the books, I chose to use a format I used in my highly successful Realm series. Each book begins with a prologue told by the hero of the book. With each new edition of the series, the reader learns more and more facts about what happens in that moment in time and how it changes the lives of these seven men. In the Realm series, that prologue begins in an isolated camp on what would now be the Pakistan and India border. A young woman is being abused because she spoke out against the leader of the men, and Brantley Fowler, the hero of book 2, saves her. However, his actions on that day changes not only his life but that of each of the men in the group. Likewise, the epilogue of each book provides a “picture” of the extremes the warlord uses to discover which of the seven Realm members stole a large jewel. With each book the reader is provided more and more clues until the wild and crazy conclusion.

This format—prologue and epilogue—is being repeated in my Lyon’s Den mystery series. Hopefully, you’ll not figure the whodunit out until the end.

Until I wrote The Scandal of Lady Eleanor, all I had written were Jane Austen adaptations and retellings, including Darcy’s PassionsDarcy’s Temptation,Vampire Darcy’s DesireThe Phantom of Pemberley and Captain Wentworth’s Persuasion. I was very appreciative of Ulysses Press taking a chance on my first true Regency romance. What did not work out was before they could continue the series, Ulysses made the business decision to finish the fiction books under contract (including several of mine) and then switch to non-fiction only products. In truth, Ulysses was very much a non-fiction publisher when I joined them, so the decision was not surprising. However, that particular decision left my Realm series in limbo. It was impossible to sell the series to another traditional publisher for who would want to finish a series started by another publisher? Therefore, I ended up self publishing the series. Nevertheless, it still was quite successful, winning multiple writing awards.

Ulysses Press cover for The Scandal of Lady Eleanor

I must admit that it was liberating to write a story from beginning to end, without a preconceived framework already in place. When an author tackles an Austen storyline, he/she must stay somewhat true to the original characters or “suffer the ire” of Janeites. In my Austen books, I work in her original wording and use what I know of the lady and the times. With the Realm series, the characters and the conflict were part of me. 

The Scandal of Lady Eleanor (aka A Touch of Scandal): Book 1 of the Realm Series

2011 Write Touch Readers’ Award, 2nd Place, Historical Romance 

Warning: This series is a bit “spicier” than my customary clean JAFF romances.

A Touch of Scandal (formerly called The Scandal of Lady Eleanor) is the first book in the “Realm” series. 

The Realm is a covert group working for the British government during the Regency Period. They rescue British citizens, bring about diplomatic portals, etc. Its members are titled aristocrats and minor sons—therefore, the name “the Realm.” The members in this series number seven: James Kerrington, Lord Worthing (and future Earl of Linworth), who is the hero of A Touch of Scandal; Brantley Fowler, the Duke of Thornhill, from Book 2, A Touch of Velvet; Gabriel Crowden, Marquis of Godown, from A Touch of Grace; Aidan Kimbolt, Viscount Lexford, from A Touch of Mercy; Marcus Wellston, serving as the regent for his elder disabled brother, the Earl of Berwick, from A Touch of Cashémere; Lord John Swenton, a baron, from A Touch of Honor, and Carter Lowery, the youngest son of Lord Blakehell, from A Touch of Love. The series conclusion, A Touch of Emerald, features Kerrington’s son, Daniel. These men of the Realm have served together for several years in India and Persia, and they possess a stout camaraderie. Each holds reason for fleeing his home and title, and each must reclaim his place in Society, while still occasionally executing a mission in the name of the government. Unfortunately, not only must these men fight their own demons, they must foil the plans of Shaheed Mir, a Baloch warlord, who believes one of them has stolen a fist-sized emerald; and Mir means to have it back and at any cost to lives.

In A Touch of Scandal, James Kerrington, the future Earl of Linworth and a key member of the Realm, never expected to find love again after the loss of his beloved wife, Elizabeth. But upon his return home, Kerrington’s world shifts on its axis when Lady Eleanor Fowler, literally, stumbles into his arms. Unfortunately, not all is as it seems with Lady Eleanor, as she hides a deep secret. She had hoped the death of her father, William Fowler, the Duke of Thornhill, would offer her family a chance at redemption from their dark past, but when Sir Louis Levering produces proof of Eleanor’s father’s debauchery, she is thrown into a web of immorality and blackmail. It is up to Kerrington and his associates in the Realm to free Eleanor from Levering’s hold.

original cover for A Touch of Scandal

In writing this series, I chose to use “modern issues” throughout. Just because life appears “simpler” does not mean Regency England did not reek of scandal. Women lacked options. Even women of a wealthier class were the property of first their fathers and then their husbands. As such, Lady Eleanor Fowler is no exception. When her mother dies, her father’s debauched lifestyle invades her privacy, and she is sucked into a situation because she “loves” a parent who does not really understand the meaning of the word. Eleanor’s brother Brantley escaped the Duke of Thornhill’s hold on his household, but Eleanor is left behind to cope in the only way she knows how: Survive.

__________________________________

Current cover for A Touch of Scandal

A Touch of Scandal: Book 1 of the Realm Series

The men of the REALM have served their country, while ignoring their responsibilities to home and love, but now Bonaparte is defeated, they each mean to claim their portion of a new and prosperous England. However, their long-time enemy Shaheed Mir has other plans. The Persian warlord believes one of the Realm has stolen a fist-sized emerald, and the Baloch intends to have its return or his revenge.

JAMES KERRINGTON, the future Earl of Linworth left his title and his infant son behind after the death of his beloved Elizabeth, but he has returned to England to tend his ailing father and to establish his roots. With Daniel as his heir, Kerrington has no need to marry, but when Eleanor Fowler stumbles and falls into his arms, Kerrington’s world is turned upon its head. He will do anything to claim her.

LADY ELEANOR FOWLER has hidden from Society, knowing her father’s notorious reputation for debauchery has tainted any hopes she might have of a happy marriage. And yet, despite her fears, her brother’s closest friend, James Kerrington, has rekindled her hopes, but when Sir Louis Levering appears with proof of Eleanor’s participation in her father’s wickedness, she is drawn into a world of depravity, and only Kerrington’s love can save her.

The first fully original series from Austen pastiche author Jeffers is a knockout. – Publishers Weekly

Jeffers’s characters stay in the reader’s heart and mind long after the last page has been turned. – Favored Elegance

Purchase Links:

Kindle   https://www.amazon.com/Touch-Scandal-Book-Realm-ebook/dp/B00JBOA9PW/ref=asap_bc?ie=UTF8

Amazon   https://www.amazon.com/Touch-Scandal-Book-Realm/dp/1496180941/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Kindle Unlimited  https://www.amazon.com/kindle-dbs/hz/subscribe/ku?passThroughAsin=B00JBOA9PW&_encoding=UTF8&shoppingPortalEnabled=true

BookBub https://www.bookbub.com/books/a-touch-of-scandal-book-1-of-the-realm-series-by-regina-jeffers

Audible (Virtual Voice Narration) https://www.amazon.com/dp/B0CSQT18P2

Prologue (Excerpt):

“What do you plan to do?” James Kerrington asked as he leaned across Brantley Fowler, while pretending to reach for the bowl of fruit. Kerrington studied Fowler’s countenance as the man stared at where the Baloch warriors held the girl. Kerrington really did not need to ask. He and Fowler were the two of the original members of a group the British government “lovingly” referred to as the Realm. The unit ranged between the ages of nineteen and twenty-five. As he was the eldest, the others called Kerrington “Captain,” although no such military ranks existed between them.

The group often called Fowler “The Vicar” because the future Duke of Thornhill always wanted to “save” every soul they encountered, especially woman and children. Surprisingly, the baby-faced Fowler was also able to convince those their group captured to confess as readily as any clergyman. “Authoritative persuasion,” was the word they had coined for exacting information from those mean to defy the English government. Fowler had joined the group after a short stint with some shady seamen following the young man’s alienation from Thornhill and the dukedom, as well as a tumultuous time with Wellesley and the Spanish front. Fowler had never said exactly what had caused the rift between him and his infamous father.

Kerrington’s family knew something of Fowler’s. His mother, Lady Camelia Kerrington had made her Come Out with Fowler’s aunt, Agatha Braton, the Duchess of Norfield, and so Kerrington was familiar with some of the family history. Fowler’s father, the Duke of Thornhill, held a reputation for a lusty sexual appetite. Having viewed his friend’s multiple attempts to save more than one woman who suffered at the hands of a brute, Kerrington suspected there was truth buried in the gossip.

Fowler gritted his teeth, offering a grim smile to the Baloch warriors sitting about the low table, while Kerrington immediately assessed the situation. Fowler hissed, “Each man who enters that tent gives the girl a rupee because Mir says that is all she is worth — one rupee — one shilling and fourpence in England.” His friend’s breathing became shallow, obviously biting back anger. “She is not yet sixteen.”

“You cannot save the world, Fowler,” Gabriel Crowden, another of Realm numbers, cautioned.

Fowler insisted, “I can save her.”

Kerrington shot a glance about the tent to assure himself the others were aware of the change in their situation. He often regretted the fact he had shown more care with these men than he had ever shown to his son. Daniel resided with James’s parents at Linworth Hall. When he had walked away from his home after Elizabeth’s death, he had also deserted the child, who had cost his wife her life.

“Oh, Lord, here we go again,” Crowden grumbled as he slid the bench and slipped into the shadows. “Permit me time to assume a position.”

Kerrington stiffened in anticipation as he watched Fowler stand slowly and stretch. His friend pretended to exercise his legs. “I believe I will take a walk,” Fowler announced, but before James’s friend could execute more than five steps in the direction of the girl’s tent, a burly-looking soldier, under Mir’s command, blocked Fowler’s path. Without saying a word, the man had told Fowler to reconsider his choices, but James knew the Baloch would be sorry he had crossed the young duke.

Raising his hands in an act of submission, Fowler smiled largely and turned to Kerrington with a warning of what was to come. Fowler shrugged as if to agree with the warrior, but in a split second, he had struck the guard with an uppercut, sending the man reeling with a broken nose.

A heartbeat later, Kerrington and Fowler stood back-to-back, taking on all comers, delivering lethal thrusts after deadly jabs. “I have it,” Kerrington called as he parlayed a broken chair for a weapon. “Retrieve the girl. Take her to the Bombay safe house.” He shoved Fowler in the direction of the girl’s tent.

His friend did not look back; Fowler knew he count on Kerrington and the others in their group to break through Mir’s line of defense. Together, they would provide Fowler time to make a complete escape.

Preparing for the next assault, he wondered about his own sanity. How many times over the previous two years had Fowler staged “a fight to the death” in order to save some female? Somehow, Kerrington had accepted the future duke’s “need” to rescue the disadvantaged. It seemed only fair, if he was to die, he should do so in an effort to save some woman — an act of penitence, so to speak. He had had no skills to save the woman he love — Elizabeth Morris — the woman he had married and had promised to love and to honor and to protect “as long as ye both shall live.” Unfortunately, Elizabeth Morris Kerrington had live but two years, two months, and ten days before she had passed in childbirth — his child — their child. Mayhap by saving this woman, he might atone for for what he could not do for Elizabeth, and what he had done to Daniel — just walking away from the boy, unable to look upon his own child without seeing Elizabeth and experiencing the pain of her loss.

Turning his head, Kerrington noted how Fowler ran for the horses while pulling the scantily-clad girl behind him. Kerrington spun to the right, twirling a sword he had pulled from his walking stick, using the stick and rapier in tandem with swinging figure eights to ward off three Baloch soldiers. “Now!” he called above the battle’s clamor, and the Realm members synchronized their final strikes, leaving their opponents sprawled on the tent’s floor. They had dashed toward their tethered horses, swinging up into the saddles. They would distract pursuers, riding off in three separate directions — all in opposition to Fowler’s exit — to meet again in two days at their common house.

Racing toward the nearest hill, Kerrington pulled up the reins to take a quick look, making certain they had all made it out safely. He felt responsible, although each of his mean were quite capable and very menacing in his own right. “Let us depart, Captain,” Aidan Kimbolt called from somewhere behind him. Kerrington had seen all he had needed to see — they all were moving away from Shaheed Mir’s tents. Turning the horse in a complete circle, he nodded to Kimbolt, the group’s best horseman, to disguise Fowler’s hoof prints in the sand, before galloping away in the direction of the dying sunset.

Posted in book excerpts, books, British history, eBooks, excerpt, Georgian England, Georgian Era, historical fiction, mystery, peerage, publishing, reading habits, Realm series, Regency era, Regency romance, war, writing | Tagged , , , , , , , , , , , | Comments Off on The First Time I Wrote a Regency Romantic Suspense/Mystery: A Touch of Scandal, Book 1 of the REALM Series

Could an Earldom Pass Through the Female Line?

Question from a Reader: Could an earldom pass through the female line? Let us say an earl dies and he has no living sons remaining and there are no grandsons, could the earldom pass to his eldest daughter?

Answer: Could be “yes,” but more likely “no,” so if this is the plot point on which you wish to know author suicide, I would not recommend it as a plot bunny. That being said, let me make several explanations.

First and foremost, It depends on the original documents that set up the title in the first place. If the documents say, as most do, ‘to heirs male of the body’, then the title CANNOT descend through daughters. Some of the older titles say ‘heirs of the body’. In this case, one of the daughters will inherit in her own right and will become the countess of XXXXX, but will not be able to exercise all the privileges of the title (for example, she will not be able to sit in the House of Lords). Everything depends on the founding documents.

If it is heirs male of the body, the title would become dormant until they can search all collateral family lines, no matter how distant.

Here’s a brief summary with an example from the lovely Jude Knight’s website ~ https://judeknightauthor.com/…/who-inherits-the-title…/

Generally speaking, only the Scottish had founding documents that permit a female to inherit. Now that I have said such, people will provide me a hundred examples from the time period where a female inherited.

It is often easier to start with the question of how to make X the peer. There were a few cases of earldoms in the English peerage where the title went to a daughter. There is even an appendix on it in the Complete Peerage. Usually, such peerages went to the oldest daughter if there were no sons. while baronies could go into abeyance, some argue that earldoms did not.

The complete peerage of England, Scotland, Ireland, Great Britain, and the United Kingdom : extant, extinct, or dormant

A peerage by writ was a very old peerage. There were only earls and barons at that time. These peerages were based on a writ of summons to the Parliament of the day. As most peers acquired other titles and higher ranks along the way, these sometimes were forgotten. However, there have been several cases where a superior title was dormant, extinct, or went to a male where the barony (and rarely an earldom) could be inherited by a daughter or daughters. Because they were by writ, there was no patent for these and so the inheritance was not tied strictly to the oldest son.

Basically, legitimate sons inherited in birth order. If the founding documents do not specifically allow daughters to inherit, then the title goes into abeyance until the Monarch allows a child of one of the daughters to take the title. It might not be the eldest, in this case.

The title does not go into abeyance if the daughter can inherit (the wording appears to be heirs general). It goes to the eldest daughter. This happens mostly in Scotland. The eldest daughter’s eldest son inherits from her even if he is younger than any son the other daughters have.

Abeyance is where there is no known heir or where there is a dispute about which heir is the right one. For example, the 1st earl had an eldest son who inherited and twin sons as younger sons. Birth order for these two has been lost over time, and they both have one male descendant in the 6th generation. Which is the heir? No one can be confident. Therefore, the title goes into abeyance while the King, and those he assigns the task, figure it out.

Question #2 – What if the holder of the title successfully petitioned the Crown to recreate the title for the eldest son of one of the daughters?

Answer: Though I assume this could be accomplished, I am not assured of what sort of rules and caveats one must overcome to make this happen. I would also assume that this option would have had to have been set up prior to the death of the last title holder.

It seems to me, and I do not wish to be your “Debbie Downer” in this matter, that this option would have been known before the last title holder’s death. This is not something that research might discover, after the death, making an unknown as the new title holder.

Title holders knew who was next in line. Simple as that. Only if there were numerous deaths (which I have written in one of my books) would one see a significantly younger son inherit or even the son of one of the daughters. However, when I did this, I kept it in the male line, with two heirs dying before they could inherit and one of those having only daughters at the time of his death. One killed in a duel on the Continent before he married. And the fourth with a son who became the new earl after that father’s death. A bit overkill (pardon the pun), but still male heirs of the body.

Posted in Uncategorized | Comments Off on Could an Earldom Pass Through the Female Line?

Competency Hearings During the Regency

I had a reader send me a question about a particular book, which I will not name nor provide the author’s name, for I do not call out others on a public forum, unless it is in a positive manner. In it, a duke suffered a stroke, and the incident affects him physically, but not mentally. The reader wanted to know what I knew of these type of hearings during the Regency and early 1800s, for in the story the duke is sent to an asylum. I will tell you the reader had nothing but good things to say of the story, speaking of how it touched her emotions deeply, but this one hiccup bothered her.

First, I must say, this is not an area in which I have completed much research. However, based on what I know of the time period, I would not think a duke would be placed in either a public or private asylum if he still had his faculties about him, though, as authors, we often extend reality to fit our stories. Gosh, I have written so many “coincidences” to move a story along, I should be ashamed of myself. Yet, I am not. So, again, I do not mean this as criticism, for, although I have used “coincidences” galore, I understand how the reader with a working knowledge of the history of the time might have difficulty on this point. A duke simply was not treated like other members of the aristocracy or of the gentry. That being said, as it was easy to commit an ordinary person to an asylum for there was lots of corruption at that time, a duke, in my opinion, was not “ordinary.” Dukes were lord lieutenants, members of the Privy Council, hereditary gentlemen, and holders of ceremonial or regular offices. Dukes were not so easily tossed aside.

It seems to me, if he were competent enough to write out his responses, an asylum would not be the appropriate place for him. Yet, as I said above, there were lots of bribes and corruption in the system at that time, so a traitorous family might have had him placed aside, though he would still be the duke.

http://www.historyisnowmagazine.com/blog/2014/5/28/a-scene-of-chaos-in-a-19th-century-asylum-image-of-the-week#.Y_jvbuzML5Y= History Is Now Magazine ~ The image above is a scene entitled In the Madhouse, painting eight of William Hogarth’s A Rake’s Progress. In the scene we can see the inside of Bethlem Hospital (‘Bedlam’), the foremost criminal lunatic hospital of its day. The painting was produced in the 1730s. The hospital’s roots can be traced as far back as the thirteenth century, while in the Georgian era, it housed many people who were classed as insane by the authorities. The image itself shows us a picture of chaos inside the hospital, with dark figures lurking who are undertaking all sorts of weird and wonderful activities.

In most cases, I believe he would have been kept at home, probably with attendants, as well as his personal servant. The question would remain: Could he read and comprehend papers and could he still communicate?

I do have a bunch of notes from a class I took from the ever fabulous Louis Cornell as part of one of the Romance Writers of America’s Academe classes. I am sharing them in no particular order:

**The important thing to remember is the laws concerning certificates of lunacy and commissions of lunacy changed a great deal after 1823. Before that, whilst the procedures appeared fair and above board on paper, there was a great deal of room for bribery, abuse of the system, and outright graft and greed.

**From the late eighteenth century until the mid-nineteenth century there WERE cases where unscrupulous family members or even solicitors used the system to get their hands on the estates and monies of wealthy cits, peers, and yes, even men ranking as high as a duke.

**One did not have to be a family member to petition the Lord Chancellor to call a Lunacy Commission. However, one did have to inform the subject’s next of kin.

Once the Lord Chancellor read the petition and decided to convene a commission, that commission would consist of one to three (sometimes more) legal representatives. They would conduct the commission. A jury of up to 23 men would be convened to hear the evidence of the case. These men would be gentlemen, professionals, and peers of the subject. With this many people involved and so much power in play (MP’s often sat on these commissions) the chance for bribes and old grievances to be used against a subject were rife.

**Lunacy and competence were two different things. A person might be declared incompetent and still be allowed the freedom to live his life. His incompetence would result in a guardian or a board of trustees to oversee the person’s finances, etc. Questioning in a competency hearing might include asking the person to do math in his head, or to explain contracts of business, or to recite what his estate’s crop yields were last year. So a man who had suffered a stroke might be seen as incapable of doing these tasks. Remember the medical world and especially the mental health world was at a crossroads in the Regency – some thought of mental illness as a spiritual failing and the other of mental illness as an actual physical of psychological issue. Get the right men on the jury and a stroke victim could be seen as incompetent as a person born with brain issues and learning disorders.

**A certificate of lunacy issued by a physician could suffice to have a person locked up in an asylum. But there were ways to secure a release. However, it took a commission of lunacy to lock a person up and deprive them of his civil rights. This would have been harder to override.

**Yes, locking a duke up in an asylum would be hard, but not impossible, especially if the duke were locked up in a private asylum with a good reputation and those involved in petitioning for the lunacy commission were able to prove the duke was dangerous to himself or others.

Posted in British history, Georgian Era, laws of the land, Living in the UK | Tagged , , , , , , | Comments Off on Competency Hearings During the Regency

Use of Mews in Regency London

Question from a Reader/Writer – Were mews actually kept behind London’s great houses or were there a, for lack of another word, a group barn for the people along a street?

Okay, I admit I am not an expert in this area. My editor often corrects my ignorance in these matters. I rode some when I was young, but not enough to know all the ins and outs of riding, saddles, barns, etc. Below is a hodgepodge of tidbits I picked up from writing Regency.

RIBApix – The UK’s Largest Architecture Image Library – Architectural Images & Drawings via Pinterest ~ https://www.ribapix.com/design-for-a-stable-and-mews-house-for-s-pocock-possibly-in-regency-mews-brighton-plans-and-elevations_riba37553

Many large houses in Mayfair had their own mews along the back of the property, opening onto an alley behind. You can see these spaces on the The A to Z of Regency London 1819 maps. It was important to keep the carriages separate from the horses because manure let off gases that harmed carriages, so one configuration would be 4-6 stalls perpendicular to the alley, which were separated by a wall from a carriage house on the other side of the space. The upper floor would contain rooms for grooms and a coachman plus storage for hay. It took time to fetch a carriage for use because it would have to be hitched up, then exit the alley and drive around to the front door. If one did not have his own stabling facilities, he could rent/let space at public mews, which were located all over the place. So a family might use a mews on the next street, which did not add much time to fetching a carriage in an emergency. Most uses of a carriage were pre-arranged so it would be at the front door when wanted. Or one could use hired horses/carriages to move to London and then rent horses and carriages as needed once arriving in the City. 

DESCRIPTION

The London Topographical Society A to Z series consists of seven books, which provide fully-indexed maps of London at roughly 100 year intervals. Each reproduces a key map of the period. The indexes allow users to identify the position of streets and buildings, in some cases right down to small courts and alleys.

They appeal to anyone interested in the development of London and are invaluable for those researching family history.

This publication reproduces at two-thirds actual size the 4th and last edition of Richard Horwood’s map of London.

As a guide to the topography of early-nineteenth-century London it is unequalled. The 40 sheets of the map are accompanied by an introductory essay describing its making, assessing its qualities, and casting new light on the life of the map-maker, as well as indexes to streets and buildings showing the juxtaposition of residential and industrial premises.

***************************************

There is a good article on the cost of maintaining a horse in London–always follow the money. It covers stabling (which includes feed, water, and getting rid of the manure).

https://janeaustensworld.wordpress.com/2009/06/18/cost-of-maintaining-a-horse-in-regency-london/

There is also information worth noting on the Royal Mews —

http://www.royal.gov.uk/TheRoyalHousehold/RoyalAnimals/Workinganimals/TheRoyalMews/History.aspx

Also some good information on stabling arrangements here:

http://regencywriter-hking.blogspot.com/2014/08/stabling-in-nineteenth-century_22.html

One could stable horses at local inns; however, that would be both expensive and would not guarantee a well maintained horse. So … either one is rich enough to have one’s own mews for his horses, or he opts for hiring horses (for riding and driving) as he needs them from London stables, or he walks. This was one reason why driving one’s own horse in Hyde Park was a sign of wealth.

“Hackneys, or public carriages for hire made their first significant appearance in the early 17th century. By 1694, these vehicles had increased to such a number that a body of Hackney Coach Commissioners was established in London. The commissioners dealt out licences, which was a bit of a joke, for a mere four inspectors were responsible for over 1,000 vehicles.

“Most of these licensed hackney coaches were purchased second hand. All that an enterprising person needed to establish his own hackney coach business was enough money for a used carriage and three horses, two that worked in rotation, and one that could be used as a replacement in case of injury or illness. The death of a horse could lead to a cab owner’s financial ruin. Another important ingredient was housing for the horses.”

“By, 1823, the lighter horse cabs began to replace cumbersome hackney coaches in great quantity, and by the mid 1830’s, the hansom cab set the new standard for modern horse cabs. Aloysius Hansom, an architect, designed the first carriage. When Hansom went bankrupt through poor investments, John Chapman took over, designing an even lighter, more efficient cab, one whose framework did not strike the horses on their backs or sides whenever a carriage ran over an obstacle in the road.

“It is also why hansome cabs took off in the Victorian era as the city’s middle class boomed–the population created the need for more carriage for hire for those who could afford to pay but who could not afford to keep their own horses and carriages. “The hansom cab is a kind of horse-drawn carriage designed and patented in 1834 by Joseph Hansom, an architect from York. The vehicle was developed and tested by Hansom in Hinckley, Leicestershire, England. Originally called the Hansom safety cab, it was designed to combine speed with safety, with a low centre of gravity for safe cornering. Hansom’s original design was modified by John Chapman and several others to improve its practicability, but retained Hansom’s name.”

Hansom cab and driver in the 2004 movie Sherlock Holmes and the Case of the Silk Stocking, set in 1903 London ~ Wikipedia
Posted in British history, buildings and structures, customs and tradiitons, Georgian England, Georgian Era, Great Britain, history, Living in the Regency, Regency era, research, travel | Tagged , , , , , , | Comments Off on Use of Mews in Regency London

Were There Any Requirements for Those of Age to Elope to France?

Question from a Reader/Author: Is there any other reasons besides age when a couple was considering elopement during the Regency Era? I mean, if they were both twenty-one or older, were there other restrictions? Would they still require a parent’s permission? Was Scotland the only choice? Could they go to France or some other European country?

As a general rule, the English accepted all marriages as valid that were valid in the country where they were celebrated. However, there were few marriages of English persons in France, for example, during the war, except those of soldiers who had a chaplain officiating. A marriage that took place in such conditions after the war was declared invalid because it was not done in accordance with local law.

There were the Channel Islands where some people went to be married, but usually these were people who lived in the southwest corner of the country and were accustomed to the sea. I have recently written such a scenario in The Marchioness’s Madness, which is waiting to be published. Of course, the couple in that tale are older, looking for a second chance romance.

The Channel Islands are an archipelago in the English Channel, off the French coast of Normandy. They are divided into two Crown Dependencies: the Bailiwick of Jersey, which is the largest of the islands; and the Bailiwick of Guernsey, consisting of Guernsey, Alderney, Sark, Herm and some smaller islands. Historically, they are the remnants of the Duchy of Normandy. Although they are not part of the United Kingdom, the UK is responsible for the defence and international relations of the islands as it is for the other Crown Dependency, the Isle of Man, and the British Overseas Territories. [The term “Channel Islands” was not used until about 1830, so do not use it in a Regency era book.]

As for the Channel Islands, they were properties of the English crown but had their own legislature and laws. They were not part of France, though their proximity to the French coast made travel there dangerous during the war. According to my notes, they allowed marriage to anyone 21 or older without any residency requirements.  My notes do not mention what the rules were for younger people as I was not researching that situation when I made them…

A couple things to remember…

On 20 September 1789, the age of legal majority was reduced to 21 for both men and women, confirmed in 1804, and parental permission was no longer required.

When the Code Napoleon came into effect in the early 1800s, it automatically repealed all previous laws, including the 1789 law I cite below. [See my piece on Eloping During the Regency and What the Code Napoleon Said About It.]

Note that under the Code Napoleon, there were different majority ages for different aspects of the law.

Given that Britain was at war during a good part of the Regency, one would either need to set his story AFTER the war had ended, or NOT have one’s couple elope to France. Having them elope to France during the war simply because it is supposedly easier than going north, and I would instantly toss the book. The author would need to have very strong reasons for them to go to France, other than it being easier than going to Scotland to have any hope of my continuing to read. Even having them elope to France after the war would be a big step to ask of most readers.

Moreover, there are other factors one needs to consider before pursuing this course.

In the early 19th century (and throughout the period we call the Regency) family consent was required for most marriages IN FRANCE. Women who had not attained their 21st/22nd (depending on which source one reads) birthday, and men who had not attained their 26th birthday, needed permission from a parent or guardian, though only the father’s permission was required if the parents were in disagreement.

If the parents refused consent for women aged between 22 and 25, or for men aged between 26 and 30, the couple had to make three written requests, at one-month intervals, seeking permission. If all three requests were denied, then one month after the third denial, a marriage license would be issued. For women over the age of 26 and men over the age of 30, only a single written request and denial was required. These requirements were, I guess, the state’s way of giving the couple an enforced cooling off period.

Both parties had to present birth certificates (or notarised acts in the case of lost or destroyed birth certificates), AND the parents’ death certificates if other relatives were acting as guardians, AND notarised acts of consent if the parents are unable to come to the town hall to give consent in person.

Foreigners in France were subject to the same laws, but with additional restrictions, depending on marriage law within their country of origin.

The French marriage would be legitimate in France, but France did not have reciprocity agreements with its European neighbors, meaning that the foreigner couple could not return to their own country and expect that the marriage would be considered valid. I do not know if there were reciprocity agreements in place with England, but I very much doubt it given the Code Napoleon was introduced before the Regency era proper began. 

In any event, to avoid issues of foreigners being stuck on French welfare rolls, the French government ordered its officials to ensure that foreigners adhere to all regulations of their country of origin before any marriage service was performed in France.

“Women had more or less control of their own lives depending on the specific area covered by the Code. For example, a female could not be forced to marry against her will, or marry at all before age 21 – but then not without the permission of her parents or grandparents.” [I ran into this bit when writing my way out of a forced marriage scenario in a book yet to be published.]

Therefore, if one is writing an elopement, it is a bad idea to have them elope to France because the couple would not have parental permission. All the rules of the local law had to be followed for the English courts to declare the marriage valid.

Georgette Heyer used that device in her book Cotillion, and I cannot remember if she brought a time frame into that particular book or not. Of course, that’s fiction!

Heyer also allowed a man to scratch out the name of the bride on a special license and substitute another, which is absolutely not valid.  I enjoy her books, but I never trust Heyer for legal details.

A marriage in France must also take into account that France was (and still is) mainly a Catholic country–not Church of England religion. Also, the Revolution threw out the church, but then Napoleon made up with the Pope, who was all for Napoleon being crowned Emperor, so it was back to being Catholic. All this means it was unlikely for an English couple to think about running away to marry in France. (Scotland is mainly Protestant.) Plus, how do you go about finding a church in which to marry? Most parishes wanted the couple to be a resident in the area for a set time before they would marry you [Remember that George Wickham had to live in St Clements for 15 days to be considered a resident of the area.], and most priests would want to make certain the couple were good Catholics, and they cannot do that if they do not know you.

In Austen’s Pride and Prejudice, “When Lydia remarks that “We were married, you know, at St. Clement’s, because Wickham’s lodgings were in that parish.” – she gives a clue that perhaps contemporary readers would not have found confusing, but we are left with not being completely sure which St. Clements she is referring to: St Clement Danes in the Strand, or St. Clement Eastcheap. Neither is mentioned in her extant letters.

“Pat Rogers notes in her 2006 Cambridge edition of Pride and Prejudice that the fairly large parish of St. Clement Danes had a population of 12,000 in 1801 and “contained areas of cheap lodgings and some raffish districts, notably a part of Drury Lane” (531-32). Most who have written on this would agree (see Kaplan and Fullerton cites below), largely because the other St. Clement (Eastcheap), on St. Clement’s Lane between Lombard Street and Great Eastcheap, would have been too close to the Gardiner’s who lived on Gracechurch Street [see maps for location of both churches]. Wickham would not have placed himself in such a smaller parish, with a population of 350 in 1801 (Rogers, 531), and so close to those who might find him out. Another reason that Rogers selects this as the best option is that in order to marry in this parish, one of the parties had to have residence there for fifteen days (Rogers, 532). Laurie Kaplan adds that “the length of time required for residency functions perfectly for the elopement plot of the novel, for tension increases the longer Lydia and Wickham remain unmarried” (Kaplan, 7).” 

What was an option for a time was the Isle of Man and the Isle of Wight – http://www.regencyhistory.net/2015/11/why-did-regency-lovers-elope-to-gretna.html

Unless the lovers had relatives in France, it is highly unlikely that they travelled there to marry. War conditions would really make it impossible for any Englishman to be in France from 1793 until 1814…you have only the brief peace in 1803.

Religion is also a bar with elopements to Spain, Tuscany, or any other country that is primarily Catholic, unless one of the couple is also Catholic with relatives in that country, and then the residency issue is no longer an issue. Now, one might try a run away and live in sin, particularly if the woman is a wife on the run from a husband or vice versa.

Of course, too, Mary Godwin and Percy Bysshe Shelley eloped to France in 1814, but they were in no way respectable, and he was still married to Harriet at the time, so I doubt that is what you’re looking for.

Sources used to help write the piece:

BookLadyDeb. “The Places of Pride and Prejudice: Where, Oh Where, Did Wickham and Lydia Marry? Or the Dilemma of the Two St Clements.” Jane Austen in Vermont Blog. 3 March 2013.

Laurie Kaplan. “London as Text: Teaching Jane Austen’s “London” Novels In Situ.” Persuasions On-Line 32.1 (2011).

Pat Rogers, ed. Pride and Prejudice: The Cambridge Edition of the Works of Jane Austen. Cambridge UP, 2006. Google link: http://books.google.com/books?id=yxIHAemJKM4C&lpg=PA531&ots=DK3PxqM79J&dq=st.%20clements%20pride%20and%20prejudice&pg=PA531#v=onepage&q=st.%20clements&f=false

Posted in Uncategorized | Comments Off on Were There Any Requirements for Those of Age to Elope to France?