Beer Casks and Tilting: A stillage is like a pallet or skid but with a cage or sides or some form of support specifically tailored to the material it is intended to carry. Some are designed to be stackable. Oxford Dictionary says: “Stillage” is a wooden rack or pallet for holding stored goods off the floor or separating goods in transit. The word comes to us from the late 16th Century (originally denoting a stand for casks): apparently from Dutch stellagie ‘scaffold,’ from stellen ‘to place.’
Stillages are mainly used to transport goods without the need to load and unload the product being carried, which saves time and decreases the chance of damage. An example is the use of stillages in the glass industry, where they are shaped like an upright “A”; the glass leans inward and is strapped to the stillage ready for transport.
A stillage is any device on which a cask of ale is placed for service.
Unlike kegs, which can be simply stood upright on the floor, casks are used lying on their sides. This allows the beer to run from the tap under gravity, with room in the “belly” of the cask below the outlet for the finings to collect. The shive with the spile will then be the highest point on the cask. As the beer clears (see finings), the inside of the cask becomes coated with sediment. It is important that the stillage holds the cask absolutely still with no rocking or shaking, otherwise the sediment will be shaken into suspension and the beer will be cloudy.
A stillage need not be complicated – anything that will support a cask (preferably on three points to avoid any wobbling) will do. At temporary events, sturdy tables or frames made of scaffolding and planks might be used, with the casks placed on wooden wedges (two at the front, one at the back). At the other end of the scale, many pub cellars use specially-made steel racking, often with two rows of casks one above the other. Some pubs have brick or stone stillages, sometimes quite ancient, built into the wall of the cellar.
As the cask empties, it needs to be gently tilted to obtain the last of the beer. With wooden wedges, moving the rear wedge forward will achieve this; purpose-built metal units often have springs incorporated that automatically tilt the cask as it becomes lighter. This requires less effort from bar staff, and also helps beer quality – the lift is so smooth and gradual that there is no danger of stirring up the lees and making the beer cloudy.
from The Tea and Bag Lady bloodspot http://theteaandbaglady.blogspot.com/2011/07/meaning-of-tea-moroccan-tea.html
Tea: Until the Victorian era, people blended their own tea at home. Often this was within the housekeeper’s duties. Each tea was stored in a tea chest, with many compartments to keep the teas separate. The chests were equipped with a heavy lock, as the tea was expensive. Afternoon tea was generally served between three and six of the clock. Those closer to three of the clock sported a lighter fare of food. High tea, with heavier selections of food, was closer to six. High tea was never meant to be a “fashionable” event. The practice came from the workers returning home from their jobs at five or six. As was customary, dinner was served between seven and eight of the clock. The “high tea” was a quick meal for the very hungry workers. Housekeepers mixed cheaper tea leaves, usually those known as Common Bohea or Common green leaves, being mixed with more expensive teas: Hyson, Congo, and Gunpowder.
Tea Adulteration: “New tea” was often sold in the marketplace. Estimates say 1500 pounds of “new tea” was processed each week in 19th Century London. Servants and the poor working class often sold used tea leaves to tea vendors. The old leaves were redried on heated plates and redyed. A dye containing copper brought back the green tones to the leaves. Logwood would be used to restore the color to black teas. This recycled black tea leaves were known as “smouch” and were often sold to the lower classes.
Lemon syllabub | BBC Good Food
http://www.bbcgoodfood.com
Syllabub (also sillabub, sillibub) is a traditional English dessert, popular from the 16th to the 19th century. It is usually made from rich milk or cream seasoned with sugar and lightly curdled with wine. Mrs Beeton (1861) gives two recipes. One author’s recipe says to mix the other ingredients together in a large bowl, “place the bowl under the cow, and milk it full.” The recipe can be traced back to the time of the Tudor Dynasty. In its early variations, syllabub was a drink made of new milk and cider, with the cows milked directly into an ale pot. A variation, known as an Everlasting Syllabub, allows for the cream to rise and thicken by letting it stand for several days.
Wine: The Writer’s Guide to Everyday Life in Regency and Victorian England (page 28) lists the Average Wine Prices in 1804 (per dozen bottles [in shillings]) as
Superior Old Port 38 shillings
Prime Old Sherry 42 shillings
Prime Madeira 63 shillings
Superior Claret 70 shillings
Old Jamaica Rum 15 shillings
Holland’s Geneva 10 shillings
Cognac Brandy 20 shillings per gallon
The middle classes drank port, sherry, and Madeira, brown brandy, and gin in place of the expensive wines.
It is possible that distillation was practised by the Babylonians in Mesopotamia in the 2nd millennium BC, with perfumes and aromatics being distilled, but this is subject to uncertain and disputable interpretation of evidence. The earliest certain chemical distillations were by Greeks in Alexandria in about the 3rd century AD, but these were not distillations of alcohol. The medieval Arabs adopted the distillation technique of the Alexandrian Greeks, and written records in Arabic begin in the 9th century, but again these were not distillations of alcohol. Distilling technology passed from the medieval Arabs to the medieval Latins, with the earliest records in Latin in the early 12th century. The earliest records of the distillation of alcohol are in Italy in the 13th century, where alcohol was distilled from wine. An early description of the technique was given by Ramon Llull (1232 – 1315). Its use spread through medieval monasteries, largely for medicinal purposes, such as the treatment of colic and smallpox.
The art of distillation spread to Ireland and Scotland no later than the 15th century, as did the common European practice of distilling ‘Aqua Vitae’ or spirit alcohol primarily for medicinal purposes. The practice of medicinal distillation eventually passed from a monastic setting to the secular via professional medical practitioners of the time, The Guild of Surgeon Barbers. The first confirmed written record of whisky comes from 1405 in Ireland. In the Irish Annals of Clonmacnoise in 1405, the first written record of whisky attributes the death of a chieftain to “taking a surfeit of aqua vitae” at Christmas.
In Scotland, the first evidence of whisky production comes from an entry in the Exchequer Rolls for 1494 where malt is sent “To Friar John Cor, by order of the king, to make aquavitae,” enough to make about 500 bottles.
James IV of Scotland (r. 1488–1513) reportedly had a great liking for Scotch whisky, and in 1506 the town of Dundee purchased a large amount of whisky from the Guild of Surgeon Barbers, which held the monopoly on production at the time. Between 1536 and 1541, King Henry VIII of England dissolved the monasteries, sending their monks out into the general public. Whisky production moved out of a monastic setting and into personal homes and farms as newly independent monks needed to find a way to earn money for themselves.
The distillation process was still in its infancy; whisky itself was not allowed to age, and as a result tasted very raw and brutal compared to today’s versions. Renaissance-era whisky was also very potent and not diluted. Over time whisky evolved into a much smoother drink.
With a licence to distil Irish whiskey from 1608, the Old Bushmills Distillery in the north coast of Ireland is the oldest licenced whiskey distillery in the world. In 1707, the Acts of Union merged England and Scotland, and thereafter taxes on it rose dramatically.
After the English Malt Tax of 1725, most of Scotland’s distillation was either shut down or forced underground. Scotch whisky was hidden under altars, in coffins, and in any available space to avoid the governmental Excisemen. Scottish distillers, operating out of homemade stills, took to distilling whisky at night when the darkness hid the smoke from the stills. For this reason, the drink became known as moonshine. At one point, it was estimated that over half of Scotland’s whisky output was illegal.
In America, whisky was used as currency during the American Revolution. It also was a highly coveted sundry and when an additional excise tax was levied against it, the Whiskey Rebellion erupted in 1791.
In 1823, the UK passed the Excise Act, legalizing the distillation (for a fee), and this put a practical end to the large-scale production of Scottish moonshine.
In 1831, Aeneas Coffey patented the Coffey still, allowing for cheaper and more efficient distillation of whisky. In 1850, Andrew Usher began producing a blended whisky that mixed traditional pot still whisky with that from the new Coffey still. The new distillation method was scoffed at by some Irish distillers, who clung to their traditional pot stills. Many Irish contended that the new product was, in fact, not whisky at all.
By the 1880s, the French brandy industry was devastated by the phylloxera pest that ruined much of the grape crop; as a result, whisky became the primary liquor in many markets.
During the Prohibition era in the United States lasting from 1920 to 1933, all alcohol sales were banned in the country. The federal government made an exemption for whisky prescribed by a doctor and sold through licensed pharmacies. During this time, the Walgreens pharmacy chain grew from 20 retail stores to almost 400.
ust in time for the New Year, these titles are available in eBook format, each for $2.50 or less. Load up those eReaders while you may. The sale ends 4 January 2016. 
Darcy’s Passions: Pride and Prejudice Retold Through His Eyes 
Prejudice Vagary
His American Heartsong: A Companion to the Realm Series
The First Wives’ Club
Becoming Jane is an imaginative, romantic tale that captures Jane Austen’s spirit, while playing with the truth. Many of us who delve in Austen-inspired literature write our own “what if” stories, but one must be able to suspend reality and accept the witty, enchanting romance as all good storytelling to truly enjoy this film. (I did. So, I’m not offering that point as a criticism – only as a warning for those unfamiliar with the movie.) This film takes some well known facts from Austen’s life and spins them into an ingenious tale of lost love.
The film is known for taking the truth and making it a reality. For example, there is some evidence that Ann Radcliffe influenced Jane Austen; however, the film creates a meeting between the two. During this encounter, Radcliffe asks Austen of what she will write.
From Pride and Prejudice, we find…
From Northanger Abbey, we find …
In the novel, Anne meets Wentworth at a concert, where she must translate the opera for her cousin. She recognizes their love still exists, but she can say nothing. “How was the truth to reach him?” In the film, Jane meets Lefory many years after their separation at a concert. He has married and has a daughter named “Jane.”
ility), one of Austen’s brothers James followed in his father’s footsteps attending Oxford university at the age of 14 in 1779. After his ordination in 1787, he and his brother Henry edited a university magazine called The Loiterer, which ran for sixty issues. (Some issues of The Loiterer are available on-line.) After his marriage, he became his father’s curate at Deane, and after his retirement, James took on the duties of the Steventon as well.” 
1767 (to 1852)
1767 
ist, though success did not always find him. He entered Oxford in 1788 in time to co edit the Loiterer with his brother James. He and James also shared a passion for the same woman, their widowed cousin, Eliza de Feuillide. She eventually chose Henry, 10 years her junior, and they were married in 1797.” (
1773 (to 1845)
1774 (to 1865)
Congratulations to 
Thank you, Regina, for the opportunity to introduce your readers to the Bluestocking Belles’ first box set, Mistletoe, Marriage, & Mayhem. 
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