Colorful, Colored, and Colorless Words: Fixing Writing Errors

Do you recall the dreaded 500-words’ essay often assigned by English teachers? Do you also recall the sinking feeling of coming up with 500 words on a subject for which you held no opinion? Do you also recall writing something similar to…

In my opinion, it seems to me that Jane Austen was an overrated author. The reason why I think this is true is because I feel…”

In this age of self-publishing we find a plethora of examples of poor writing. I am not saying some of what is published by traditional publishers is not equally as troublesome, but many self-published writers also lack the skills to edit their mistakes.

Now that I have mentioned that dreaded 500-words’ essay, do you also recall the grade you received on it? Was it because you “padded” the essay to fill the word count. Instead of stuffing your sentences with cotton balls, try to eliminate the padding. Make your sentences leaner.

Common-Errors-to-Avoid-in-WritingRather than circling warily around what you want to say for a half page or more, you need to illustrate the details. You must also learn not to hedge on a subject. If the person is a fool, call him one. Do not spend time with “in my opinion” or “as I see it” or “from my point of view.” Say what you wish to say. Avoid euphemisms. Admittedly, in certain time periods, euphemisms are plentiful to soften subjects that are sensitive or taboo. Just think of the number of ways to say that someone died: passed away, pushed up the daisies, met his Maker, kicked the bucket, cashed in his chips, etc. As I write books based in the Regency, I am conscious to say with child or enceinte for pregnant. I also include phrases such as “lying in” to describe the weeks leading up to the baby’s delivery.

However, do not toss in every word or phrase within your vocabulary. Is it not better to read, “To be or not to be, that is the question,” than to read “To continue as a social unit or not to do so. That is the personality problem. Whether it is a better sign of integration at the conscious level to display a psychic tolerance toward the maladjustments and repressions induced by one’s lack of orientation in one’s environment….” [“What Do You Mean by Rhetoric?” by J. R. McCuen and A. C. Winkler]

Be conscious of “pat” expressions. They are often hard to avoid and appear to be necessary, when they are. Pat expressions include phrases such as “under cover of darkness,” “worked his fingers to the bone,” “when all is said and done,” “the pure and simple truth,” “took the easy way out,” etc. The trouble with pat expressions is that they some time stand between the writer and the reader’s understanding. So, phrases such as “our national heritage” does not say everything we wish it to do.

Discovering the right word is the author’s bane. Some words are “colorful.” Instead of “She sat in the chair,” why not use sprawled, lazed, lounged, etc. The 19th Century in which I write prefers its prose to be rich, while the 20th Century took a leaner approach. In opposition to colorful words, we also have “colored” words. Those are words with attached associations, good or bad. The meaning of a word is the sum of the contexts in which it occurs. Liberty, patriotic, mother, childlike, etc., possess positive associations, while reactionary, radical, mother-in-law, foolish, etc., hold negative tones. Finally, writers may use colorless words. As a former English teacher, I despise words such as nice, hot, cool, dude, etc., for they add nothing to the description. There are also nouns of very general meaning, such as instances, factors, attitudes, relationships, etc. “In some circumstances you will find that those cases of writing which contain too many instances of words like these will in this and other aspects have factors leading to unsatisfactory relationships with the reader resulting in unfavorable attitudes on his part and perhaps other eventualities.” Notice that “etc.” means, “I’d like to make this list longer, but I can’t think of any more examples.” [McCuen and Winkler]

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Carolina Book Fest 2016 ~ Coming October 15

 

Book Signing
Carolina
Book Fest
 is a book signing taking place in the Queen City
of Charlotte, North Carolina on October 15, 2016. The book signing
will be held at the Marriott City Center in downtown Charlotte from 10am until 3pm.

This is the perfect opportunity to meet over 100 bestselling authors from all
genres!  You can find more information on the Marriott by going here.

Monster Mash (After Party)
Join us at 7:30 pm back at the Marriott for our Monster Mash! We will be throwing an epic after party to end our night! Dress in your best costume and get ready to mingle with authors and readers! We will have dancing, a photo booth, and other fun things! A cash bar will be provided at the party. 
Admission Prices
Book Signing: $15
Book Signing & After Party: $25
If you are interested in purchasing tickets
to attend Carolina Book Fest 2016, they can be purchased here:  http://bit.ly/carolinabookfest2016tickets
Attending Authors
Here is our current list of attending
Carolina Book Fest Authors! Check out http://www.carolinabookfest.com/attending-authors
to learn more about them!
 
 
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More Than Slapstick Comedy: Political Satire from “The Three Stooges”

Naztyspy_lobbyThis is a poster for You Nazty Spy!. The poster art copyright is believed to belong to the distributor of the film, Columbia Pictures, the publisher of the film or the graphic artist. Further details: Original lobby poster for You Nazty Spy (1940). {Wikipedia}

In 1939 Jules White and Columbia Pictures created “You Nazty Spy,” the first satire of the Hitler regime. It debuted some nine months prior to Charlie Chaplin’s “The Great Dictator.” The Stooges made a total of eight comedies dealing with war themes.

You Nazty Spy! is the 44th short subject starring American slapstick comedy team The Three Stooges. The trio made a total of 190 shorts for Columbia Pictures between 1934 and 1959.

stooges_hitlerThe Stooges, especially Moe Howard and Larry Fine, were quite active in the war efforts in America. They sold war bonds, and Moe even acted as an air-raid warden for his community in Beverly Hills. Moe and his brother Jerome (Curly)  were raised by European immigrants in a small Jewish community near Brooklyn, New York. Larry was also of Jewish extraction and was known to follow European events quite closely.

In 1922, the Stooges got their start as back-ups for Ted Healy, a popular vaudeville comedian. In the beginning, Moe and his brother Shemp assumed the role as the “shtick” of Healy’s jokes. Larry Fine joined the group in 1925; in 1932,  Shemp left the group, and Moe’s kid brother “Curly” assumed Shemp’s role.

Although extremely shy in real life, Curly was the most popular of the group. He was married four times. Jerome suffered a stroke in May 1946 and was forced for health reasons to leave the group. Shemp returned to the trio and remained part of the group until 1955. Joe Besser was the third member from 1955-1957. “Curly Joe” DeRita joined Larry and Moe in 1957 and spent 12 years with the group.

s_NF_You_Nazty_Spy_2015-08-07_10-09-10Plot of “You Nazty Spy”
In the fictional country of Moronica, three munitions manufacturers—Messrs. Ixnay (Richard Fiske), Ohnay (Dick Curtis) and Amscray (Don Beddoe)—decide their country is in need of a change. They decide to implement a dictatorship, oust the king, and go about finding someone stupid enough to be a figurehead leader. Ixnay volunteers the three wallpaper hangers  working in his dining room—the Stooges.

Ixnay presents Moe Hailstone, Curly Gallstone, and Larry Pebble with the offer to run Moronica. Moe is instituted as the leader (the Adolf Hitler role), with Curly as Field Marshal “Gallstone” — paralleled as Field Marshal “Herring” in this film’s 1941 sequel, I’ll Never Heil Again (both times as representations of Hermann Göring), and Larry as Minister of Propaganda Pebble (a representation of Joseph Goebbels). After his takeover, Hailstone proceeds to give a speech to the masses, cueing Larry to display signs reading “CHEERS,” “APPLAUSE,” and even “HISS.” Moe “bonks” Larry after Larry accidentally raises the cue card for “HISS” at the wrong time during one of Hailstone’s speeches. (In this scene Curly is clearly mimicking Benito Mussolini.)

However the daughter (Lorna Gray) of the overthrown king pays Hailstone a visit, going by the name Mattie Herring (a spoof of World War I spy Mata Hari). The Stooges suspect she is a spy afterwards and attempt to execute her. Then, Larry cuts a round table while a dancer arrives and tells them the delegates are here for the round table meeting. The meeting goes wrong when Curly knocks out the first two delegates. While Moe and Curly attempt again to attack the delegates with golf balls, Larry is beaten up by the delegates. Moe joins the fight as Curly knocks the delegates out and declares victory. Later, the king’s daughter gathers a huge mob to storm Hailstone’s palace. The trio quickly abdicate, and flee into a lion’s den. The lions inside spot the Stooges and chase them to their doom; the lions are seen leaving their secluded area wearing the trio’s clothes, with one burping.

The film takes direct stabs as Hitler’s Germany. For example, the Stooges are paper hangers, and Hitler supposedly had been employed as a wallpaper hanger prior to leading the Third Reich. There are also “hits” at the Nazis’ burning books, storm troopers, a swastika formed by two snakes, and “concentrated” camps.

Details of the Film: 

Directed by Jules White
Produced by Jules White
Written by Felix Adler and Clyde Bruckman
Starring Moe Howard, Larry Fine, Curly Howard, Richard Fiske, Lorna Gray, Dick Curtis, Don Beddoe, Floreine Dickson, Little Billy, John Tyrrell, Bert Young,
Joe Murphy, Eddie Laughton, and Al Thompson
Distributed by Columbia Pictures
Release date  January 19, 1940
Running time 17′ 59″

Significance

The film satirized the Nazis and the Third Reich and helped publicize the Nazi threat in a period when the United States was still neutral about World War II, and isolationist sentiment was prevalent among the public. During this period, isolationist senators such as Burton Wheeler and Gerald Nye objected to Hollywood films on grounds that they were anti-Nazi propaganda vehicles designed to mobilize the American public for war. According to the Internet Movie Database, You Nazty Spy! was the first Hollywood film to spoof Hitler. It was released nine months before the Charlie Chaplin film The Great Dictator, which began filming in September 1939.

At the time the Stooges filmed You Nazty Spy! the United States was still very ambivalent about entering World War II. Isolationist sentiment ran rife across America and many feared making any film about Hitler and the Third Reich might stir up anti-Nazi feelings among the public. Many senators, such as Burton Wheeler and Geraldine Nye, were also severe isolationists who objected to any anti-Nazi movies on the grounds that they were propaganda designed to mobilize American fervor for war.

While the Three Stooges are often looked down upon by the “elites” and many film intellectuals, one must be fair and give them at least some credit for their courage in taking on the unpopular subject almost two full years before the U.S. entered World War II.

Filmmakers of the era were under pressure not to bring the events upon the European continent to the attention of the American public. This campaign was led by Senators Bennet Clark of Missouri and Gerald Nye from North Dakota. A Senate subcommittee probed “propaganda.” The Hays code discouraged or prohibited many types of political and satirical messages in films, requiring that the history and prominent people of other countries must be portrayed “fairly”; but short subjects may have been subject to less attention than were feature films.

This classic 18-minute comedy short is probably the Stooges’ greatest satirical foray. With typical Stooge humor, the short is crammed full of Jewish/Yiddish expressions (all three Stooges were devout Jews -Curly reportedly even had his own favorite velvet yarmulke he liked to wear when he went to temple). “Beblach!” is said several times (a Yiddish expression that means “beans”). “Shalom Aleichem” is used, a Yiddish expression that literally means “peace be with you” and casually means “pleased to meet you.”

In one scene. Moe orders a “blintzkrieg.”

“Oh, good,” replied Curly, “I just love blintzes, especially with sour krieg.” Blintzes with sour cream is a popular Ashkenazi Jewish dish (all the Stooges were Ashkenzai Jews).

The satire continues as Curly is ordered to shoot the film’s woman spy, Mati Herring. “Let’s go shoot the works,” says Curly, happily. This was reputedly a sly reference to Hermann Goering’s morphine addiction and his shooting himself up with a needle.

Interestingly, Larry had an accident before shooting You Nazty Spy! and can be seen clearly limping in one scene. This perfectly fits Larry’s playing Joseph Goebbels, Hitler’s minister of propaganda, who limped noticeably because of his club foot.

A few sly sexual references did manage to slip by the then-powerful Hayes Office and its resident censors. As Moe recommends a book burning, Curly refuses to burn his “little red book,” filled with notes and comments about his various women. “Ruby Clutch has car -often runs out of gas, oh oh oh, G” (her bra’s size), “Tessie Oomph 2-69,” “Eunice- 110 Goodnecking Place.” Although very mild sexual jokes by today’s “anything goes” standards, these were actually very racy by 1940’s standards. Moe reads Curly’s red book notes, quoting “Woo woo woo.” Curly replies “Woo woo woo” very lasciviously (Curly was reputedly a womanizer in real life).

As Moe makes a speech a la Hitler, he sneaks in another Yiddish sexual semi-obscene expression in “In pupik gehabt habit,” which translates to “I’ve had it in the belly button.”

Interesting Facts
**The title is supposedly a parody of comedian Joe Penner’s catchphrase “You Nasty Man!”
**Moe Howard became the first American actor to portray/imitate Adolf Hitler in this film.
**Both Moe Howard and Larry Fine cited You Nazty Spy! as their favorite Three Stooges short.
**You Nazty Spy! was followed by a sequel, I’ll Never Heil Again, in 1941. **Moronika would also appear in Dizzy Pilots.
**There is a historical pun when Larry says, “If I take Mickey Finlen, I better be rushin’.” Curly replies, “Then quit stallin’.” This is a reference to Finland, the Soviet Union, and Joseph Stalin, who was the leader of the Soviet Union.
**Larry Fine injured his leg shortly before filming and can be seen with a limp throughout the short. Fortunately, this was appropriate for his role as a parody of Joseph Goebbels, who walked with a limp due to a club foot.
**The names of the munitions manufacturers are Pig Latin for “Nix” (a slang term of that era), “No,” and “Scram,” which in turn were known by the audience as slang in their Pig-Latin form.
**The parody of the Nazi banner with two snakes in the form of a swastika says “Moronika for Morons” which is a play on the Nazi slogan “Deutschland den Deutschen” (Germany for Germans).
**The Stooges—all Ashkenazi Jews—occasionally worked a word or phrase of Yiddish into their dialogue. In particular here, the Stooges make several overt Jewish and Yiddish cultural references:
**The exclamation “Beblach!” used several times in the film is a Yiddish word meaning “beans.”
**”Shalom aleichem!”, literally “Peace unto you” is a standard Hebrew greeting meaning “hello, pleased to meet you,”
**Moe: “We’ll start a ‘Blintzkrieg’ (Blitzkrieg)”. Curly: “I just love blintzes especially with sour krieg.” This is a reference to the Ashkenazi Jewish dish blintzes with sour cream.
**In Moe’s imitation of a Hitler speech, he says “in pupik gehabt haben” (the semi-obscene “I’ve had it in the bellybutton” in Yiddish). These references to the Nazi leadership and Hitler speaking Yiddish were particularly ironic inside jokes for the Yiddish-speaking Jewish audience.
**In addition to the “Mata Hari” reference, the name of the female spy Mati Herring is a play on the Yiddish and German name of soused herring, matjeshering.
**When Mr. Ixnay informs the Stooges of how to overthrow Moronika’s monarchy, and suggests that the takeover of Moronika start with a “putsch,” it refers to the historical Beer Hall Putsch, the real-world Nazi party attempt at a power grab in the Weimar Republic of 1923. Curly’s humorous response to Mr Ixnay’s suggestion, to explain it to Moe and Larry, was that “You ‘putsch’ your beer down, and wait for the pretzels.”
**Curly “Gallstone”‘s red book of women’s addresses and phone numbers has the rather overt sexual references “Ruby Clutch” “oh, oh oh! G” (bra size) and the unread “Tessie oomph 2 69,” which were ignored by the censors. This was a key dig at the attempt to censor The Great Dictator then in production by Charlie Chaplin. (Curly was also noted in his personal life for being a womanizer.)
**Curly Gallstone says to Mati Herring when he takes her out to shoot her “Let’s go shoot the works.” Hermann Göring was known to be a morphine addict; this was a slang allusion to the intravenous injection of morphine.
**A colorized version of this film was released in 2004. It was part of the DVD collection entitled Stooged & Confoosed.
**You Nazty Spy was also the first Stooges’ short to bear a new opening title sequence, with the “Torch Lady” on the left-hand corner, standing on a pedestal where each step has printed out “Columbia,” “Short Subject” and “Presentation,” and the opening titles and credits are inside a box with rounded edges. This format will remain in effect through Booby Dupes, which was Stooges’ 84th short for Columbia. 

Information via 

Alt Film Guide 

Neatorama 

New York Post

The Three Stooges Online Filmography

Wikipedia 

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Are You Familiar with These Phrases and Words?

Today we will look at phrases/words we have inherited from England.

Go to the Dickens! (or) What the Dickens!
Believe it or not, neither phrase has anything to do with the Victorian novelist, Charles Dickens. Actually, “dickens” comes to us from William Shakespeare. In The Merry Wives of Windsor (Act III, scene 2), Mrs. Page asks, “Where had you this pretty weathercock?” (in reference to Falstaff’s page, Robin) – to which Robin replies, “I cannot tell what the dickens his name is my husband had him of.” Many experts believe the term was originally “devilkins,” rather than “dickens.”

Chaperon
French nobles of the late Middle Ages wore a hood similar to those worn today in academic gowns for degree programs. This hood resembled the mantle or chape worn by priests of the era. The hood was called a chaperon or little mantle. The chaperon became part the full dress uniform of the Order of the Garter in 1349 (created by Edward III). Men ceased wearing the “hood” (except the Order) after the 15th Century when it became part of a female’s dress, especially ladies of the court. In the 18th Century, the present day meaning came about. Metaphorically, the chaperon shelters her charge much as the hood sheltered the person’s face.

Phrases_Bible3_Drop_Bucket                                                                                  A Drop in the Bucket (or) Sea (or) Water
The phrase first appeared in John Wycliff’s (1382) translation of the Bible. “Lo, Jentiles as a drope of a boket, and as moment of a balaunce ben holden.” (Isaiah, ix, 15) Charles Dickens used the phrase in his 1844’s A Christmas Carol. Marley says to Scrooge, “The dealings of my trade were but a drop of water in the comprehensive ocean of my business.”

To Be Taken Down a Peg
The first written allusion we can find is in Love’s Labor’s Lost (1592) by William Shakespeare. “Master, let me take you a button-hole lower.” (Act V, scene 2) The actual use of the word “peg” appeared in Pappe with an Hatchet (1589) from an uncertain author. The lines read “Now haue at you all my gaffers of the rayling religion, tis I that must take you a peg lower.” Some experts believe the “peg” comes from a reference to “draughts” (checkers) in a game. (The Phrase Finder)

To Bell the Cat
This phrase means to undertake an unpleasant or even a hazardous situation. The allusion comes to us from an ancient fable in which the mice mean to hang a brass bell upon the cat that makes their lives miserable. The bell would serve as a warning for the cat’s approach. In Piers Plowman (written ca. 1360-1387), we find “hangen it vp-on the cattes hals (neck) thane here we mowen (we may hear) where he ritt (scratch) or rest.” William Langland, the author, wrote this Middle English allegorical narrative poem in unrhymed alliterative verse divided into sections called “passus” (Latin for step).

From Æsop. (Sixth century B.C.)  Fables.The Harvard Classics.  1909–14, we have, “LONG ago, the mice had a general council to consider what measures they could take to outwit their common enemy, the Cat. Some said this, and some said that; but at last a young mouse got up and said he had a proposal to make, which he thought would meet the case. ‘You will all agree,’ said he, ‘that our chief danger consists in the sly and treacherous manner in which the enemy approaches us. Now, if we could receive some signal of her approach, we could easily escape from her. I venture, therefore, to propose that a small bell be procured, and attached by a ribbon round the neck of the Cat. By this means we should always know when she was about, and could easily retire while she was in the neighbourhood.’

“This proposal met with general applause, until an old mouse got up and said: ‘That is all very well, but who is to bell the Cat?’ The mice looked at one another and nobody spoke. Then the old mouse said: ‘It is easy to propose impossible remedies.'” (Bartleby

Tom and Jerry. In the U. S., a “tom and jerry” is a powerful alcoholic drink. A man named “Jerry Thomas (a nom de plume)” was the first to record the brandy and rum drink. However, its roots are founded in Pierce Egan’s (English journalist and novelist) 1821’s Life in London, or Days and Nights of Jerry Hawthorne and his Elegant Friend Corinthian Tom. The famous George Cruikshank illustrates the book. In the book, there is a “Jerry shop,” another name for a low class beer establishment.

TomandJerryTitleCardcAlso in America, Tom and Jerry is an American animated series of short films created in 1940, by William Hanna and Joseph Barbera. It centers on a rivalry between its two title characters, Tom Cat and Jerry Mouse, and many recurring characters, based around slapstick comedy. In its original run, Hanna and Barbera produced 114 Tom and Jerry shorts for Metro-Goldwyn-Mayer from 1940 to 1958. During this time, they won seven Acacdemy Awards for Animated Short Film, tying for first place with Walt Disney’s Silly Symphonies with the most awards in the category. “Tom and Jerry” was a commonplace phrase for youngsters indulging in riotous behaviour in 19th-century London. However Brewer’s notes no more than an “unconscious” echo of the Regency era’s original meaning in the naming of the cartoon. (Wikipedia220px-Brewers_Dictionary_of_Phrase_and_Fable.jpg

To Trip the Light Fantastic. In John Milton’s “L’Allegro” (1632), we find…

Sport that wrinkled Care derides,
And Laughter holding both his sides.
Come, and trip it as ye go
On the light fantastick toe.

To Keep the Wolf from the Door

from cam.ac.uk

Most of us have the image of a wolf as a symbol of hunger. We have likely said something similar to “He wolfed down his meal.” The phrase “to keep the wolf from the door” comes to us from English chronicler, John Hardyng (1457). In his Chronicle, Hardyng writes, “Endowe hym now, with noble sapience By whiche he maye the wolf were (ward off) frome the gate.”

To Have Bees in One’s Bonnet
Variations of the expression was likely used long John Heywood, best known as a playwright, used the phrase in his 1546’s Dialogue conteining the number in effect of all the prouerbes in the English tongue. Most experts agree Robert Herrick (a poet) added the word “bonnet” to the phrase to replace the word “brain.” In Herrick’s 1648 poem, “Mad Maid’s Song,” we find “Ah! Woe is mee, woe, woe is mee,, Alack and well-a-day! For pitty, sir find out that bee, Which bore my love away. I’le seek him in your bonnet brave, I’le see him in your eyes.” (The Phrase Finder)

Junket
Originally this was a rush basket to carry fish. The word came from the Norman-French word “jonket” or “jonquette” from “jone,” which means “rush.” The English had discovered the basket once meant for smelly fish could also be used to prepare cheese. The cheese then came to be called “junket.” In some parts of England, this cheese, which is served with a dressing of scalded cream, is referred to “curds and cream.” Later, “junket” came to mean a lavish meal (carried in the basket). In the U. S., such a basket is used for a picnic. (English Language and Usage

To Bury the Hatchet
We in the U. S. would claim this phrase to mark the time when hostilities between neighboring tribes of Native Americans would come to an end. However, we must make reference to a similar phrase in English history. “To hang up the hatchet” dates back to the 14th Century. It meant much the same as the Americanism…to take up friendly negotiations. In G. L. Apperson’s English Proverbs and Proverbial Phrases, we find in a 1327’s political song: “Hang up thyn hatchet ant thi knyf.” The word “bury” replaced the word “hang” in about the 18th Century.

Disheveled
I chose this word because it is one of those words I must take time in spelling. When I am writing my books, I must pause to think it out each time. Needless to say, “disheveled” means very untidy. However, in Chaucer’s time, the word meant the state of one’s hair, rather than disorderly clothing. Chaucer used the word to mean bareheaded or baldheaded. He spelled it “discheuel, discheuelee, disshevely” or however he might chose. (It is nice to know I have something in common with Geoffrey Chaucer.) The word comes from the Old French deschevelé, meaning stripped of hair or bald. (Oxford Dictionaries)

from geekdad.com

Posted in word origins, word play | Tagged , , , , | 6 Comments

Expectations for Ladies of Society in the Victorian Era: “Lady-of-All-Works”

The expectations for women of the Victorian Era were different from those of the Regency. Foremost, the ladies of the landed gentry were influenced by the prevalent Victorian opinion of a “natural” separation of the roles of males and females in society. A homegrown attitude of ladies benefitting others around them rather than themselves had taken root. Women of the day were expected to develop a loving and caring character, a well-read mind, sensibility, sympathy, social ease, and benevolence.There were also to be a “mild-mannered” companion to their husbands and a caring mother to their children. There were women who took to the role naturally and those who did not. Some had to learn to subjugate their thoughts and there more fiery natures to their husbands. Females were thought to be incapable of making rational judgments on crucial matters. This translated to their not being permitted to conduct business or their own financial matters. 

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Rachel Beer was both a rich Victorian society lady and a social progressive

Needless to say, they were given no say in such matters as marriage settlements. It was thought to be reprehensible of a woman to concern herself with such negotiations. In contrast, the potential bridegroom was considered diligent if he chose to be involved. Many Victorian women were expected to claim the role of “dumb blonde,” whether her hair color was that shade or not. Intelligence in females was not a valued asset during the time. Men tended to look upon a woman as an embellishment. 

Wives of the landed gentry and lords of the land were expected to bring “gaiety”to social gatherings. They were to be the arbiters of proper conduct within their husband’s social circle. The wives and daughters of the landed gentry and the aristocracy depended upon their close male relatives (father, brother, cousin, husband, uncle, etc.) for their status and for their material well-being. Unfortunately, girls were not valued within the family. They were often considered a financial burden and there was a rush to have them married off. Mothers were known to express their own doubts by glorifying the birth of a son and treating the birth a daughter as a bit of a disappointment. The lack of an heir was considered the woman’s “fault.” She had failed her husband. (Each daughter of Queen Victoria and Prince Albert received a 21-gun salute after her birth. Each son received a salute of 101 shots.) The daughters of the landed gentry and the aristocracy had neither freedom nor control. 

images

yooniqimages.com FRANCES EVELYN MAYNARD, LADY BROOKE, COUNTESS OF WARWICK

Part of their life was to be devoted to the care of charity cases, especially of those surrounding their husbands’ estates. Parish life was a continual pull upon the woman’s role in the neighborhoods. A woman devoted to dress and gossip was frowned upon by the bulwarks of society. As part of the farce, recipients of the lady’s charity were expected to display humble gratitude. Unfortunately, many upon whom the great house’s charity was bestowed did not “read for their parts.” There a great deal of bitterness among the cottagers, servants, etc. It was not beyond the master’s domain to cane a cottager who did not utter the necessary respect to his wife. Daisy, the Countess of Warwick referred to the custom as a form of “serfdom.” [Note! This statement came in 1930, well after the Victorian attitudes had soften.}

Among other aspects of the process was the necessary example the lady was to set for the working classes. This demand upon the mistresses of the household was played in many ways: card playing and excessive drinking were discouraged because the activities led to all sorts of evils; keeping the Sabbath holy (not even cooking a hot meal); playing the organ in church, etc. Instead, many, especially the dowagers, spent their time in “instructing” the younger women in their duties, as well as “instructing” the single females in what or who would make a good marriage match. Women ruled the family and social life: Men ruled public life. 

images-1

Lady Georgiana Mary Curzon, daughter of the 5th Earl of Curzon yooniqimages.com

Until 1918, women were barred/excluded from exercising the parliamentary franchise and from the magistracy. In November 1919, the American-born Lady Astor was the first lady to take a seat as an MP. That did not mean they were not involved in political issues. It is said that Lady Georgiana Curzon, Lady Randolph, for example, masterminded her husband’s re-contestation of her seat on being given the seat from the Conservative party. Lady Randolph’s “connections” in the community served her husband well. 

NPG x123524; Lady Muriel Beatrice Beckwith (nÈe Gordon-Lennox, later Lady Jones) by Bassano

http://www.npg.org.uk Lady Muriel Beatrice Beckwith (née Gordon-Lennox, later Lady Jones)

Women held few rights to land ownership in a system of primogeniture and of patrilineal descent. In 1883, John Bateman published the fourth edition of The Great Landowners of Great Britain and Ireland. It indicated that less than 7% of properties came to women due to the failure of the male line. Part of this system was the British peerage. In 1880, only seven of the 580 peers were women who held the title in their own right rather than being the female “subject” of her husband’s peerage. Needless to say, none sat in the House of Lords

Girls who “did not take” in society would be dependent upon male relatives. They sometimes led a nomadic existence, clinging to the benevolence of first one relative and then another. A spinster in society could lose everything with the death of a father or the marriage of a brother. Her position as his “hostess,” as well as her financial future, was usurped by another. Sometimes an unmarried daughter had to make her home with her widowed mother. Lady Muriel Beatrix Gordon-Lennox Beckwith in her book When I Remember (Nicholson and Watson, 1936) says, “Spinsters were compelled to keep up [a] girlish attitude. Their hair might turn grey, and their cheeks become wrinkled, but they remained girlish, simpered, walked delicately.” 

Posted in Act of Parliament, British history, family, Living in the UK, titles of aristocracy, Victorian era | Tagged , , , , | 10 Comments

The Triumvirate Which Changed the Face of Bath During the Georgian Era

The beginning of the 1700s in England saw the expansion of the middle class and a stronger economy. As such Bath had known a steady period of growth, but when Queen visited the city in 1702 (and then again a year later), the fashionable crowd took notice. Although the Bath of the early 1700s remained smaller than other “bathing holes,” such as Tunbridge Wells, Daniel Defoe said, “We may say now it is the resort of the sound as well as the sick and a place that helps the indolent and the gay to commit the worst of murders–to kill time.”

Bath Abbey rose from a close and crowded resort town within the curve of the River Avon. One could find a crowded fish market at the East Gate on the river quay. Jacobean buildings sported gables and leaded windows. Sally Lunn’s house between Abbey Green and the Parade is said to be the city’s oldest house and is typical of the style of the Jacobean façade.

Unfortunately, the eighteenth century, society in Bath was not what one might term “first tier.” The hot baths attracted the infirmed and all those who thought to “cure” them. Hooligans and gamblers and those who practiced deceit polluted the city.

It was Richard ‘Beau’ Nash, the Master of Ceremonies of the Corporation, who changed the city. Nash was named to the unpaid position after the incumbent had lost his life in a duel. He was a man known to possess an excessively high opinion of himself, but he was also seen a very practical gentleman.

“Almost immediately Nash forbade dueling and the wearing of swords in the city; persuaded the Corporation to repair the roads, to pave, clean and light the streets, to license the sedan-chair men and regulate their behavior. He engaged a good orchestra from London and was responsible not only for the building of a new Pump Room, but a large public room, Harrison’s Room, for dances as well as gaming on what is now Parade Gardens. He outlawed private gatherings and strictly controlled the public ones, and drew up a rigid list of rules to which everyone–and that included dukes, duchess, and even the Prince of Wales–had to conform. It might not have worked had not the age been one in which people were amused by such things: half the amusement of Bath was in obeying the ‘King,’ who was no doubt unaware that he himself was part of the fun. Besides, it worked. Bath was civilized and ‘different’–rather than a large, smart holiday camp.” (Winsor, Diana: Historic Bath)

It was the architect John Wood, who changed the face of Bath. His “Grand Design” for the city was executed in segments. He began with Queen Square, first leasing the land, and then designing the square before sub-letting the sites for individual houses to builders, who could design the interiors as they wished, but who were compelled to follow Wood’s exterior design. Queen Square was completed within seven years. “It should be seen as the forecourt of a palace, the north dominating what was then a formal garden of parterre beds with espaliered limes and a low balustrade. Wood also designed the obelisk in the centre, raised by Beau Nash as a tribute to the Prince of Wales, with an inscription by the poet Alexander Pope.” (Winsor)

In the heart of Bath is Queen Square–a square of Georgian houses designed by John Wood, the elder in the early 18th century and paid for by Beau Nash. The square was designed to join the houses in unison and give the impression that together they formed one large mansion when viewed from the south facing side.

The focal point of Queen Square is the obelisk at the centre, which commemorates the visit of Frederick, Prince of Wales.

Next, Wood built his “Royal Forum.” The Parades are a series of historic terraces built around 1741. The Royal Forum was to include North Parade, South Parade, Pierrepont, and Duke Streets, but was never completed. In the last year of his life, John Wood, the elder, began the Grand Circus, but it was his son John Wood, the younger, who brought the project to fruition. A Roman amphitheatre turned into domestic architecture, the Circus is made up of three segments and 33 houses, all of three storeys, with Roman Doric, Ionic and Corinthian columns. The younger Wood linked the Circus to the Royal Crescent with his design of Brock Street. Between 1767 and 1775, the paving stones were laid and 30 houses rose to form the Royal Crescent. He also oversaw the completion of the Hot Bath and the Bath Assembly Rooms. These buildings contrasted with the more decorated and embellished style preferred by his father. Whilst John Wood the Elder’s Circus includes superimposed orders and a detailed frieze, the Royal Crescent – designed by his son, has a single order and plain decoration throughout.

Top-10-things-to-do-in-Bath-Royal-CrescentThe site Wood chose for the Royal Crescent also demonstrates his interest in creating a “dialogue” between his buildings and their settings. Previous buildings and set pieces in Bath were all intensely urban and inward looking whereas the Royal Crescent was fully open and looked out on the open fields. This is not always apparent today, but when it was built in 1775, the crescent was situated right on the edge of the city with no nearby buildings to block residents’ views of the countryside. The Royal Crescent is among the greatest examples of Georgian architecture to be found. Outside of Bath, Wood’s most notable works include Buckland House in Buckland, Oxfordshire, and General Infirmary in Salisbury.

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Ralph Allen’s town house behind Terrace Walk, Bath http://www.bathintime.co.uk

The third man to change the face of Bath was the assistant to the postmistress, one Ralph Allen, a savvy businessman and philanthropist. Allen developed a powerful friend in the form of Marshall George Wade. Allen had shared with Wade the news of a large cache of arms stored in the area, and as Wade meant to squash the Jacobite insurgence in the west country, he took an immediate liking to Allen. Later, Allen married Wade’s daughter. Allen developed several profitable postal routes, earning him high sums from the Postal System. He invested in the new Avon Navigation company, which was designed to make the river navigable to Bristol. In 1726, Allen developed stone quarries on Combe Down.

Allen built simple houses for his workers, which can still be seen as part of Combe Down village, and what is now the village recreation ground was once his quarry. Allen also built a railroad to carry the stone blocks to the river and canal wharf at Widcombe. Earning a fabulous living, Allen built his home Prior Park, which was designed by Wood the Elder, to highlight the beauty and quality of Bath Stone. At Prior Park, Allen entertained writers, statesmen, poets, and actors. Henry Fielding’s character Squire Allworthy in Tom Jones is based on Ralph Allen.

“Almost anyone who was anyone visited Bath to take the waters and gossip in the Pump Room. It was a sparkling century, with aspects both sordid and brutal, but never lacking in vigour, wit and style. Bath was part of it all. By the beginning of the nineteenth century, when the gaming tables had long been forbidden and the old king buried more than forty years, the city had changed. Tobias Smollet wrote in 1771 that ‘a very inconsiderable proportion a genteel people are lost in a mob of impudent plebians…’

“Nevertheless, Bath was still elegant and fashionable, if a trifle less frothy and fizzy – more of a medium sherry than champagne. ‘Enchanted castles raised on hanging terraces,’ observed Smollett’s Lydia Melford. Its population had grown to more than 30,000; it had spread far beyond the old walls to incorporate surrounding villages and hills. It was now one of the most beautiful cities in Europe.” (Winsor)

Posted in British history, buildings and structures, Georgian Era, Great Britain, Living in the Regency, Regency era, Regency personalities, Uncategorized | Tagged , , , , | 8 Comments

Scotland’s Merrick Murder Hole and The Old Grey Man

 

This article first appeared on the Dark Jane Austen Book Club Website on March 11, 2013. 

The Disappearance of Georgiana Darcy

JeffersDofGDShackled in the dungeon of a macabre castle with no recollection of her past, a young woman finds herself falling in love with her captor – the estate’s master. Yet, placing her trust in him before she regains her memory and unravels the castle’s wicked truths would be a catastrophe.

Far away at Pemberley, the Darcys happily gather to celebrate the marriage of Kitty Bennet. But a dark cloud sweeps through the festivities: Georgiana Darcy has disappeared without a trace. Upon receiving word of his sister’s likely demise, Darcy and wife, Elizabeth, set off across the English countryside, seeking answers in the unfamiliar and menacing Scottish moors.

How can Darcy keep his sister safe from the most sinister threat she has ever faced when he doesn’t even know if she’s alive? True to Austen’s style and rife with malicious villains, dramatic revelations and heroic gestures, this suspense-packed mystery places Darcy and Elizabeth in the most harrowing situation they have ever faced – finding Georgiana before it is too late.

When it was first released, one of the means I used to introduce my readers to The Disappearance of Georgiana Darcy was to take a closer look at the area which hosts the Old Grey Man, the Awful Hand, and the Murder Hole. The book is  set in the Scottish Uplands, in a land drenched in legend and mystery. It is an area where the heather in bloom can steal one’s breath with its beauty, but where nature can also teach harsh lessons.

The Range of the Awful Hand looking west across Loch Enoch. The closest hill is Merrick, Benyellary is not visible.

The Range of the Awful Hand looking west across Loch Enoch. The closest hill is Merrick, Benyellary is not visible.

As part of the Range known as the Awful Hand, the Merrick is a 2766-foot hill. The Merrick descends to Loch Enoch, the Grey Man, the Murder Hole, and a host of other lochs. Nine miles of wilderness walk traverses the area. The Range of the Awful Hand is a string of hills in the Southern Uplands of Scotland so named because of their resemblance to the fingers of a hand. The hills, starting at the ‘thumb’ are Benyellary (719 m); Merrick (843 m); Kirriereoch Hill (786 m); Tarfessock (697 m); Shalloch on Minnoch (768 m).

bruce'sstoneThe wilderness walk starts at Bruce’s Stone, a monument erected in memory of Robert Bruce’s defeat of the English at Glen Troll. If one knows anything of the battle, he realizes the monument represents Bruce’s men rolling huge rocks down the hillside on the advancing army.

The “Grey Man of Merrick” is an eerie rocky outcrop aptly named, as it clearly resembles the stony face of an old man. He sits just below Merrick Hill, acting almost as a guard to the highest hill in Galloway.greyman

If one is adventurous enough to set out on foot in the area, it is best to approach Loch Neldricken via the Rig of Loch Enoch. The advantage of walking along the Rig of Loch Enoch is it is high enough to keep a person from the bog lands below. There are no paths, and the grass grows in lumpy tufts making walking quite difficult. Sometimes one’s feet will disappear into a deep shuch, and a person ends up covered in mud.

murderhole1
In this photo, one finds the infamous Murder Hole. It is the round pool to the right of the loch in this photo. Legend has it that many years ago weary travelers were robbed and their bodies dumped in the hole never to be seen again. In summer there is a ring of reeds growing around the hole, but none grow in it. People say the bodies keep the deeps too warm for the reeds to grow. It is also rumored that in even the coldest winters, the center does not freeze.murderhole2

Though it is claimed the real Murder Hole is near Rowantree Bridge on the Water of Minnoch where the bodies of waylaid, murdered travelers were dumped, the “Murder Hole” refers to an incident in Samuel Crockett’s novel The Raiders.

220px-Samuel-Rutherford-CrockettGalloway’s landscape and its legends inspired Samuel Rutherford Crockett (1859-1914), a writer with a prodigious output. The Raiders, his best-known book, was a romantic, loosely historical, adventure story, which sold thousands of copies in 1894, and further editions were published to meet demand.

Taking A762 past the ruined Kenmure Castle, a traveler will eventually come to Mossdale, where he will find the sad little wooden sign of Little Duchrae Farm, where Samuel Crockett was born and further on the impressive memorial at Laurieston Village, the Clachanpluck of ‘The Raiders’ story. Paid for by public subscription and unveiled in 1932 by Crockett’s wife Ruth, it is constructed with large granite blocks set on a slight rise just off the road. Although he never met Robert Louis Stevenson, Crockett and Stevenson corresponded, and a plaque on the pillar carries part of the Stevenson poem, To SR Crockett,

Blows the wind today, 


and the sun and the rain are flying, 


Blows the wind on the moors today and now, 


Where about the graves of the martyrs the whaups are crying 


My heart remembers Now!

In her book The Life and Times of Samuel Rutherford Crockett, Islay Murray Donaldson stresses that, due to various circumstances, Crockett could not afford the luxury of spending enough time on his literary efforts, so he never reached Stevenson’s sustained heights or enduring popularity.

So, this is the setting for the mystery behind The Disappearance of Georgiana Darcy. Is it not perfect? One of the best sites for photos of this area is Walkhighlands.

 

Posted in British history, Georgian England, Georgian Era, gothic and paranormal, Great Britain, historical fiction, history, Jane Austen, legends and myths, Living in the Regency, Living in the UK, mystery, Pride and Prejudice, real life tales, Regency era, Scotland, spooky tales, Ulysses Press, writing | Tagged , , , , , , , , , , , , | Comments Off on Scotland’s Merrick Murder Hole and The Old Grey Man

Happy July Birthdays to Some of Our Favorite “Austen” Actors

birthday-cake-happy | Sizzle/Koi sizzlekoi.ca

birthday-cake-happy | Sizzle/Koi
sizzlekoi.ca

These fabulous actors brought us hours of pleasure with their performances…

 

 

 

 

MV5BMjE2ODM3MTY0MF5BMl5BanBnXkFtZTcwOTE2NTQwOA@@._V1_UX214_CR0,0,214,317_AL_July 1Trevor Eve, who portrayed Sir Selwyn Hardcastle in Death Comes to Pemberley

 

Geraldine-James-in-Turtle-DiaryJuly 6Geraldine James, who was the voice of Jane Austen in 2007’s Northanger Abbey13492363_ori

July 8Diane Clare (8 July 1938 to 21 June 2013), who portrayed Henrietta Musgrove in 1960’s Persuasion

 

 

fiona shawJuly 10Fiona Shaw, who portrayed Mrs. Croft in 1995’s Persuasion1346189315

July 12Florence Hoath, who portrayed Kitty Bennet in Lost in Austen

 

 

Corin_RedgraveJuly 16Corin Redgrave (16 July 1939 to 6 April 2010), who portrayed Sir Walter Elliot in 1995’s Persuasiodonald-sutherland

July 17Donald Sutherland, who portrayed Mr. Bennet in 2005’s Pride and Prejudice

 

 

 

Kelly_Reilly_2013July 18 Kelly Reilly, who portrayed Miss Caroline Bing250926_1ley in 2005’s Pride and Prejudice 

July 21John Woodvine, who portrayed Admiral Croft in 1995’s Persuasion

 

 

 

d1bb5d1d96ef2c4fd3096b73460cc785July 23Tom Mison, who portrayed Charles Bingley in Lost in Austen kate-beckinsale-2014-vanity-fair-oscar-party-01

July 26Kate Beckinsale, who portrayed Emma Woodhouse in the 1996 TV version of Emma, as well as Lady Susan Vernon in Love and Friendship

 

 

imagesJuly 26Olivia Williams, who portrayed both Jane Fairfactor_12349ax in the 1996 TV version of Emma, as well as Jane Austen in Miss Austen Regrets 

July 27Dan Hedaya, who portrayed Mel Horowitz in Clueless

 

 

images-2July 30Richard Johnson (30 July 1927 to 6 June 2015) , who portrayed Mr. George Wickham in 1952’s Pride and Prejudice 

EmiliaFoxJuly 31Emilia Fox, who portrayed Miss Georgiana Darcy in 1995’s mini-series of Pride and Prejudice

Posted in film, Jane Austen, real life tales, Uncategorized | Tagged , , , , , , , , , , , , , , , , | 7 Comments

Princess Helena Augustus Victoria of the United Kingdom

HelenaSaxeCobourgGothaQueen Victoria gave birth to her third daughter, and fifth child, Princess Helena Augusta Victoria on 25, May 1846, one day after the queen’s twenty-seventh birthday. Named in honor of Princess Hélène of Orléans, Helena’s godmother. (Princess Hélène of Orléans was a member of the deposed Orléans family of France and, by marriage to a  branch of the Italian royal family, the Duchess of Aosta. Although her hand in marriage was sought for the heirs to the thrones of both the United Kingdom and the Russian Empire, religious differences prevented either alliance.) 

Helena’s name was affectionately shortened by her father, Prince Albert, to the German diminutive Lenchen (Helena in German is Helenchen). Prince Albert, together with his friend and counsellor Baron Stockmar, also chose her tutors. Like the other children not weighted down by the prospect of being the Princess Royal or the heir to the throne, Princess Helena’s childhood was quiet and carefree. Obstetrically, Helena’s birth was what was known as “protracted.” Protracted labor is abnormally slow cervical dilation or fetal descent during active labor. Protracted labor may result from fetopelvic disproportion (the fetus cannot fit through the maternal pelvis), which can occur because the maternal pelvis is abnormally small or because the fetus is abnormally large or abnormally positioned. Another cause of protracted labor is uterine contractions that are too weak or infrequent (hypotonic uterine dysfunction) or, occasionally, too strong or close together (hypertonic uterine dysfunction). We do not know the cause of the protracted labor in Helena’s cause, but both mother and child recovered in a relatively short period. Ironically, of the female children of Queen Victoria, Helena would be the most robust of them all. She would also be termed the least remarkable of the bunch. 

Victoria and Albert had declared great things for Princess Victoria. They planned a glorious marriage for their first child. Alice, the second girl, was also set for a brilliant match. Alice’s prospects would further their father’s dream of a democratic European world. With such prospects, no aspirations for Helena’s match was set by her parents. Unlike her siblings, Helena distinguished herself at her christening by crying through the entire ceremony. 

Shortly after her birth, the royal nursery was reorganized. Vicky and Bertie were be moved into a “classroom” for the “Development of Their Character.” That left Alice, Affie, and Helena in the official nursery. Victoria, the Princess Royal, and Albert Edward, the Prince of Wales, were given a supervised education, which included poetry, history, geography, mathematics, diction, languages, etc. There were also lessons in art, music, dancing, and scriptures. Vicky excelled in these studies. Albert, not so much. 

But in December 1861, tragedy struck. Her beloved father died. The whole family, and particularly Queen Victoria, was devastated. The Queen would wear mourning clothes for the rest of her life.

Helena fell in love with Carl Rutland, her father’s German librarian. Queen Victoria “was not amused.” She dismissed Rutland and had the man sent back to homeland. Then she made it her mission to discover a suitable husband for Helena. 

Christian_and_helenaOn 5 July 1866, Helena married the impoverished German Prince Christian of Schleswig-Holstein, who was 15 years her senior. Because Prince Christian did not have any principality or crown to inherit, the couple settled in England, which suited Queen Victoria very well. This way, Helena could continue working as her mother’s secretary, a position she had assumed the previous year, after the marriage of her older sister Alice.

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Windsor Great Park – Long Walk. (view from Snow Hill to Windsor Castle). Deer passing by on a quiet day (via Sharon Lathan)

Helena and Christian had six children: Christian Victor (1867), Albert (1869), Helena Victoria (1870), Marie Louise (1872), and two sons who died in early infancy.  Queen Victoria had made Christian the honorary Ranger of Windsor Great Park, which is where the family residence of Cumberland Lodge was located. With no lands, titles or real job, Christian spent most of his time hunting or feeding his beloved pigeons.

“Princess Helena was an unprepossessing and sturdy, but emotionally fragile, woman. Her mother described her as ‘most useful and active and clever and amiable’ but also mentioned that she ‘does not improve in looks and has great difficulty with her figure and her want of calm, quiet, graceful manners.’ She was also addicted to laudanum and opium, and suffered from poor health. Her mother, though, didn’t believe she was ill and accused her of being a hypochondriac. Princess Helena had real health problems though. In the 1870s she suffered from severe rheumatism, congestion in her lungs, and had problems with her joints too.

“Despite her poor health, Princess Helena carried out many royal engagements. This is all the more remarkable because at the time, royals were not really expected to appear in public often. The Princess also became patron of several charities and institutions. She was the founding president of the Royal School of Needlework, as well as the president of the Royal British Nurses’ Association, in which role she helped support nurse registration against the advice of Florence Nightingale. Princess Helena was also one of the founding members of the Red Cross, as well as a supporter of women’s rights. In addition, she hosted free dinners for children and unemployed people, which gained her great popularity. Contemporary author C. W. Cooper, said that ‘the poor of Windsor worshipped her.’ Another interest of the princess was translations. She translated several Germans works into English, some of which were published. In 1916, Princess Helena and her husband Christian celebrated their 50th wedding anniversary. The next year, Christian died. Helena followed her husband in the grave several years later. She died at Schomberg House on 9 June 1923.” (History and Other Thoughts)

Other Sources: 

A Victorian 

NineteenTeen 

Royal Splendor 

Unofficial Royalty 

Posted in British history, family, Great Britain, history, marriage, royalty, Victorian era | Tagged , , , | 2 Comments