Reconnecting

Over the last few months, it seems I have reconnected with a great many former students and former classmates. At least half of my “friends” on my Facebook page are represented by these groups. Do not get me wrong. I really enjoy finding people on “The Social Network.” When one gets to a certain age, more and more of those “former” acquaintances are not available to us, and we are taken aback because we realize we did not say to them what we should have long ago.

Recently, a dear friend found me, and we are less than 40 miles apart – a miracle of sorts because we are both from a different state. We have corresponded by email and over the phone, but we have yet to see each other face-to-face. The anticipation rises, and I wonder if I have changed so dramatically that he will be disappointed when he first sees me. “First Impressions” are so important. What should I wear? How should I fix my hair? All are silly questions, but we all feel that moment when we must throw caution to the wind and to admit we are no longer young and thin and sparkling with potential.

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September Birthdays for Austen-Related Actors

http://pf.kizoa.com/sflite.swf?did=1127901&k=P97420291&hk=1

This link will take you to a slideshow featuring actors from Jane Austen related films who have birthdays in September. I hope you enjoy it.

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Characteristics of the Gothic in My Novels

First, those who read Gothic novels know that Horace Walpole started the phenomenon with his The Castle of Otranto way back in 1764. We define a Gothic novel based on the characteristics we find in Walpole’s work.

1. The setting is always based on an old castle. The castle may be occupied or not. It should contain secret passageways or secret rooms. (The Phantom of Pemberley) Ruined sections of the castle are often used as part of the story line. The darkened passageways and staircases adds to the mysterious flavor of the work. In more modern works, we find an old house or mansion. (Vampire Darcy’s Desire)
2. Speaking of mysteries, obviously, a true Gothic is laced with the fear of the unknown. This is usually enhanced by the plot involving an “unknown” secret (Vampire Darcy’s Desire), an “unknown” relative, an inexplicable event, or, best of all, a unexplained disappearance. (The Phantom of Pemberley)
3. Characters often have dream visions (Vampire Darcy’s Desire) or an omen of death occurs. Shadowy figures appear, but are often mistaken for a nightmare. (The Phantom of Pemberley)
4. An ancient prophecy is connected to the castle or the people who live there. (Vampire Darcy’s Desire). The prophecy is not readily explainable.
5. Supernatural elements are found in the book. (Vampire Darcy’s Desire)
6. Women at the mercy of a powerful male. (The Phantom of Pemberley)
The male manipulates the woman into committing an intolerable act. (Vampire Darcy’s Desire) The women in Gothic novels usually respond by crying or screaming. The woman is often a sympathetic character because her life is less than pristine. (The Phantom of Pemberley)
7. Emotions are readily displayed by the characters – terror, surprise, anger, etc. (The Phantom of Pemberley and Vampire Darcy’s Desire)
8. The text is loaded with the metonymy of a movie. There is a book entitled How to Read Literature Like a Professor. One of the chapters deals with “rain.” What we find is when it rains in literature or in the movies, someone is likely to die. That is metonymy, where something like rain equals death. It is an extended metaphor. (Vampire Darcy’s Desire)

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Many Film Versions of Jane Austen

Recently, I blogged about the latest film version of a Jane Austen novel to be released. I write Austen-related adaptation, as well as contemporary and Regency era books, but many of my readers come to me via an Austen film. They see the movie/TV adaptation and become hooked on the story lines.
In fact, on AustenAuthors.com, I shall be discussing the film’s language of various adaptations on the third Wednesday of each month. If this peaks your interest, I would love to talk specifics with you there.

Pride and Prejudice: A Modern Day Tale of First Impressions (2011) – Film
Jane Austen Handheld (2010) – Film based on the novel – told through a documentary-style film format
“Emma” (2009) a BBC TV mini-series
Sense and Sensibilidad (2008) – Film
“Lost in Austen” (2008) – TV mini-series that takes the main character into the novel’s pages
“Sense and Sensibility” (2008) – TV mini-series
Jane Austen Trilogy (2008) – a documentary with bibliographic intentions
Miss Austen Regrets (2008) – a made-for-TV show based on Austen’s letters
The Jane Austen Book Club (2007) – film based on the popular best-selling book
Mansfield Park (2007) – TV movie
Northanger Abbey (2007) – TV movie
Persuasion (2007) – TV movie
Becoming Jane (2007) – popular film based on Austen’s letters
Pride and Prejudice (2005) – Film
Bride and Prejudice (2004) – Indie film
Pride and Prejudice (2003) -modern adaptation film
The Real Jane Austen (2002) TV movie based on Jane Austen’s letters
Kandukondain, Kandukondain (2000) Film based on Sense and Sensibility
Mansfield Park (1998) – Film
“Wishbone”- “Pup Fiction” (1998) -an episode of the popular TV show based on Austen’s work
“Wishbone”- “Furst Impressions” (1997) – an episode of the popular TV show based on Austen’s work
“Emma” (1996) – TV movie
Emma (1996) – Film
Sense and Sensibility (1995) – Film
Persuasion (1995) – TV movie
“Pride and Prejudice” (1995) – TV mini-series
Sensibility and Sense (1990) – TV movie
Northanger Abbey (1987) -TV movie
Mansfield Park (1983) – TV mini-series
Sense and Sensibility (1981) – TV movie
Jane Austen in Manhattan (1980) – Film
“Pride and Prejudice” (1980) – TV mini-series
“Emma” (1972) – TV mini-series novel
“Novela” – “Persuasión” (1972) -TV series episode
Sense and Sensibility (1971) – TV movie
“Persuasion” (1971) -TV mini-series
“Novela” – “La abadía de Northanger” (1968) -TV series episode
“Pride and Prejudice (1967) – TV series
“Novela” – “Emma” (1967) – TV series episode
“Novela” – “Orgullo y prejuicio” (1966) -TV series episode
“Vier dochters Bennet, De” (1961) – TV mini-series based on Pride and Prejudice
Emma (1960) – TV movie
“Camera Three” (1960) – TV series based on Emma
“Persuasion” (1960) – TV mini-series
“Pride and Prejudice” (1958) – TV series
Pride and Prejudice (1958) – TV film
“General Motors Presents: Pride and Prejudice” (1958) – TV series episode
“Orgoglio e pregiudizio” (1957) – TV mini-series
“Matinee Theater: Pride and Prejudice” (1956) _ TV series episode
“Kraft Television Theatre: Emma” (1954) – TV series episode
“Pride and Prejudice” (1952) – TV mini-series
“The Philco Television Playhouse: Sense and Sensibility” (1950) – TV series episode
“The Philco Television Playhouse: Pride and Prejudice” (1949) – TV series episode
Emma (1948) -TV film
Pride and Prejudice (1940) – Film
Pride and Prejudice (1938) -TV

Jane Austen’s novels have never been out of print. It would seem that we might say the same thing of cinematic adaptations.

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Birth Order – Part II

My research continued, and I found some interesting trends.
Characteristics of Last Born or the Youngest Child:
These kids, according to a Time magazine article dated Oct. 29, 2007, are likely to be more adventurous and to participate in high-risk sporting events. They may take a turn towards comedy or satire in their professional lives, but those tendencies remain throughout their personal lives also. They get along better with others, especially when compared to the first born child.
The Middle Child’s Characteristics:
Because they are at one time the last born (before the youngest appears), the middle child’s personality changes. They end up being the peacemaker between the “bossy” first born and the “spoiled” last born in the family. They have a tendency to not want to make a decision (needing to please everyone). They are likely less connected to the family unit, being more independent than the others. Also, middle children take longer to choose an occupation, often going completely away from the one chosen by the first born. For example, if the first born chooses a white collar position (doctor, lawyer, etc.), the middle child will look to something not requiring as much education, but still requiring a specialization (firefighter, etc.)
The First Born’s Characteristics:
On an average, the first born is likely to be smarter than the other children. Most experts think it is because with the additional children, parents have less time to interact. Plus, the first born helps the younger siblings with homework, etc., and that reinforces his knowledge base. This is a hard characteristic to prove because family size may have as much to do with intelligence as does birth order. However, the first born is usually very motivated to succeed, and a college education is likely his way of doing so. Because of this, first borns usually earn more money than do his younger siblings. Look at high paying jobs, and one will find a predominance of first born children. They get a great deal of attention from parents and are often considered the “favorite” among the family unit. Think of “Everybody Loves Raymond,” and one will understand this concept.

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Birth Order Research

For my newest book, I am doing some research in birth order and how it affects someone’s personality. Of course, I am one to believe that environment is more important to a person’s development. Knowing hardship, for example, makes a person “turn tail and run” or makes him the type to “face down adversity.” Yet, I do find these studies on birth order quite interesting.
I am an only child (have half brothers and sisters, but we were not raised in the same household). According to most of the research I have read, I am mature, a leader, very private, sensitive, dependable, demanding, and close to my parents. I would agree that this sums me up fairly well. I often say that “I was always the adult in charge,” even as a child. Unfortunately, that meant, growing up, I did not socialize with too many people of my own age. I, generally, dated guys older than I, etc.
First born and only children share some characteristics. First born children are generally very responsible, can be a bit of a know-it-all, are high achievers, are natural leaders, and they obey the rules.
Again, I see myself possessing many of these qualities. I always tried to live up to my mother’s expectations. Unfortunately, I failed quite often, but it was not for a lack of effort.
The youngest child, usually, is the “baby.” He can be financially irresponsible, bored easily, competitive, more outgoing, creative, and possessing a good sense of humor. Obviously, the youngest are more social. Without so much responsibility, they can be more carefree than their older siblings.
The middle child, which is what I am researching for my book, is independent and a bit secretive. He might think that “life is unfair.” He is usually the complete opposite of the oldest child, and he seeks his own identity, away from what the parents might expect. Unfortunately, the middle child often receives the least attention from his parents. That makes him the independent person mentioned earlier, and it also makes him a bit more flexible in his dealings with other people. However, he is easy-going and tends to be very generous.
So, which are you? Do the characteristics fit for your birth order? I would love to hear from you.

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Pink Bow Campaign

Locally, the Ballantyne Country Club conducts a fabulous “Race for the Cure” program. One of the things I especially like is the “Pink Bow” campaign. A person can purchase a large pink bow to place on mailboxes, trees, etc., to help raise awareness of breast cancer and to spread the message that early detection saves lives. The bows costs $5 and can be paid for with a Pay Pal account. I would encourage everyone to see if he/she has a similar program in his/her community. If not, one might want to take a look at the this one. Last year, the local program raised $11,000 for the breast cancer research.
http://www.bccrally.com

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“Meet the Teacher”

Either write something worth reading or do something worth writing. – Benjamin Franklin

Let me introduce myself to you, dear readers. I am a product of the Finicky 50s, the Salacious 60s, and the Scathing 70s. I spent 40 years in the public classrooms of three different states, educating the “youth of America.” I have been a Time Warner Apple Award Finalist, twice Teacher of the Year, and a Martha Holden Jennings Scholar. I was recently a part of an Austen program at the Smithsonian. Besides Jane Austen, I am passionate about many things: my son Joshua, close friends, my God, yellow roses, period dramas, the NFL, track and field, martial arts, dancing, romance novels, dark chocolate, the scent of lavender, digging in my garden, words, words, and more words.

“What might I tell my readers that might give them a better idea of my personality?” I ask myself. First, I am a “lead, follow, or get out of my way” type of person. My OCD demands that I have six White Outs on my desk in a double row of 3. I went into labor six weeks early in the middle of my theatre class. Acting meets Marriage and Family Life! We do martial arts at my house. My half brother is Chuck Norris’s highest ranking instructor, and my son and I hold multiple ranking belts. Although I am a vegetarian, I craved Wendy’s hamburgers when I was pregnant. Go figure! I tell myself I needed the extra protein. A man once told me I had a “photogenic” memory. Needless to say, my “photographic” memory recalls distinctly how I told him to never call me again. I cannot carry a tune, so I sing in the shower and in the car. Because of rheumatic fever, I did part of my early schooling at home. I hate the words “said” and “that,” as well as the phrase “I can’t.” I possess a caustic sense of humor and sometimes do not think before I speak.

My late mother, literally, placed a book before me when I was no more than a babe propped up against a pillow. Reportedly, she would display a comic book on a makeshift stand, and I would contentedly “coo” my way through the pictures. When I created a fuss, she would turn the page. My mother read voraciously, as do I. Mixed with my choices of historical offerings (was obsessed with George Custer for several years), she suggested many of the classics: Dickens, Hemingway, Faulkner, the Brontës, Flaubert, etc., etc. Enter the incomparable Jane Austen. I was not quite 12 years of age, and I was hooked.

As I said earlier, I grew up during the Sputnik scare, when our educational system placed a premium on pushing U.S. students into advanced classes. Because I was an avid reader and because God saw fit to endow me with a high IQ, I was one of those chosen for the challenging courses. This was a heady experience, but it also increased my negative self image. It was not “cool” to be so smart among my friends. Compound that dilemma with Mother Nature’s cruel trick: I grew to 5’7″ by age 11, head and shoulders above my petite cousins, my 5’1″ mother, and every boy I wanted to meet in junior high school. I was “freaky” smart and terribly tall – too smart and too tall for any young man to seek me out.

Then Jane Austen introduced me to Fitzwilliam Darcy, a man who chose his “unsuitable”mate because she had a face “rendered uncommonly intelligent by the beautiful expression of her dark eyes,” because her figure was “light and pleasing,” because “he was caught” by her playful manners, and because of “the liveliness” of her mind. Austen convinced me that there must be a Darcy for me – someone who would embrace my intelligence and my lithe and majestic figure. (LOL!) Of course, I did not account for Jane’s humor. Miss Austen forgotten to mention how many “George Wickhams” a girl must encounter before Darcy appears. For years, I cursed Jane’s oversight.

Three years ago, my Advanced Placement English class challenged me to write my own book. “If you know all this, do it yourself.” They planted the seed, and I began to wonder if I could tell Pride and Prejudice from Mr. Darcy’s point of view. So, in semi-secret, I began to write a book of my own in the evenings. Three months later, when it was ready, I paid one of my students to draw the cover art, and with the help of a friend in the publishing business, I self-published the book. Darcy’s Passions was a gift to them and to me – a way of announcing, “I accepted your challenge; now you must accept mine.”

Darcy’s Passions rose quickly on the Amazon sales list, and Ulysses Press contacted me about publishing the book. The rest is history, so they say. We followed Passions with a sequel, Darcy’s Temptation (aka Darcy’s Dreams), which was a 2010 Booksellers’ Best Award finalist. Vampire Darcy’s Desire came next – a Gothic twist on the tale with Wickham as the purveyor of a 200-year old curse and Darcy as a dhampir, fighting his desire to possess Elizabeth as both a man and a vampire. Captain’s Wentworth’s Persuasion (aka Wayward Love) tells Austen’s Persuasion from Wentworth’s point of view. This month we released The Phantom of Pemberley: A Pride and Prejudice Murder Mystery. I also have a modern adaptation of P&P, entitled Honor and Hope, set in the North Carolina wine country. Soon I will release my first Regency romance, The Scandal of Lady Eleanor. It is the first in a five-part series about a secret British government unit known as the Realm.

If one examines my writing, he will discover my love of history incorporated in the pieces. In my works, the reader will find the Peterloo massacre, British naval supremacy, Regency era customs, the use of saturation bombing and chemical warfare, toys and games, the Abolitionist movement, the earliest case of DID, the Child ballads, and urban legends. The list goes on and on. Predictably, as a teacher, I make a point of explaining some key ideas within the story lines. I am aware that not everyone who reads my novels knows as much about Jane Austen and the Regency era as do I. One will also note that I use as much of Austen’s original wording as possible. My novels are quite liberally doused with Austen quotes.

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The Price of Beauty

In my latest novel, one of the things I had to research was women’s makeup. I wrote a “cozy” mystery entitled The Phantom of Pemberley: A Pride and Prejudice Murder Mystery. One of the characteristics of a cozy is poison is often used to commit the crime. I used poison in the form of makeup.

Here is some of the facts I discovered in researching makeup:
* Pale skin from the Middle Ages to the early 1900s was a sign of wealth.
* To achieve the look of pale skin, women sometimes actually let blood.
* Lead paint was used to lighten the skin.
* Arsenic was used in face powder during the Italian Renaissance.
* Women during the time of Queen Elizabeth wore egg whites for a “glazed” look on their faces.
* By the time of the French Restoration of the 1700s, red rouge and lipstick were popular.
* However, the “French” ways were not so acceptable with the Napoleonic era, and many other countries shunned the heavier makup.
* In the Regency era (the one I address most often in my books), a little rouge was still acceptable.
* Hair dyes were used. To prevent a low hairline, a forehead bandage dipped in vinegar in which cats dung had been steeped was worn.(“The History of Makeup”)
* White skin was still preferred as an indication of wealth. Women used whiteners and blemish removers.
* These products were made from white lead and mercury.
* Belladonna (a known poison) was used on the eyes.
* Some makeup contained nitric acid, and coal tar was used in hair dye.
* George IV was known to use an extensive number of creams for his skin.

From “The History of Makeup” come these recipes.
Here are some beauty-tip recipes utilized during the late 1800’s:
*For freckle removal: bruise and squeeze the juice out of chick-weed, add three times its quantity of soft water, then bathe the skin for five to ten minutes morning and evening.
*As a wash for the complexion: one teaspoon of flour of sulphur and a wine glassful of lime water, well shaken and mixed with half a wine-glass of glycerine and a wine-glass of rose-water. Rub on the face every night before going to bed.
*To keep hair from turning gray: four ounces of hulls of butternuts were infused with a quart of water, to which half an ounce of copperas was added. This was to be applied with a soft brush every two to three days.
*For wrinkle removal: melt one ounce of white wax, add two ounces of juice of lily-bulbs, two ounces of honey, two drams of rose-water, and a drop or two of ottar of roses and use twice a day.

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The Austen Authors Blog, a source for readers looking for sequels and adaptations

September 14th, 2010 11:30 am ET (by Kelly Yanke Deltenar at www.examiner.com)

AustenAuthors.com
There exists a utopia, a place where all things good happen for good reasons. A world where Pride and Prejudice doesn’t stop when you reach the last page and Jane Austen’s pen never ran out of ink

I’m happy to introduce the wildly anticipated website AustenAuthors.com. A place where twenty published novelists of Jane Austen literary fiction have banded together for the first time in history to share their passion for Jane’s world and celebrate this ever-increasing genre.

The Austen Authors blog is the brainchild of best-selling authors Sharon Lathan, The Darcy Saga sequel to Pride & Prejudice and Abigail Reynolds, The Pemberley Variations. I spoke with Sharon and Abigail about their new website.

Sharon, how did this idea come about?
Sharon Lathan: The concept first occurred to Abigail and me while at the 2009 Romance Writers of America National Conference. It was there that I finally met Abigail in person after years as an online friend. I am part of the Casablanca Authors blog – all writers for Sourcebooks – and somewhere in the midst of general conversation about blogs and marketing, one of us piped in with the idea of starting our own blog for Austen writers. I think we were both serious to a degree and saw the potential, but it was also a random thought without great weight behind it.

We honestly thought we would be lucky to round up 8 or maybe 10 interested authors, which would not be enough, and then the whole idea would go belly up. I think we both had our private moments of wishing that would happen! LOL! It has been an incredible amount of work, but seeing the finished product and observing the amazing response has made it worthwhile.

Abigail, do you think this will make it easier for readers to find sequels and
adaptations?

Abigail Reynolds: Definitely. I’ve already heard from readers who say they had no idea all those books were out there. Since Austen-related fiction doesn’t have its own section in bookstores, Austen lovers have to rely on chance to find the books. Amazon.com helps a little by suggesting similar books to people who buy one, but it’s limited. Now readers only have to find one of us to get to Austen Authors, and they have the world of Austen fiction spread out before them.

Abigail, what sort of announcements, news and information do you see going up on the site?
Abigail Reynolds: We post upcoming new releases on the home page, so it’s easy to keep up to date with what’s out there. Eventually we’re hoping to add a news-in-brief section where authors can announce a signing, or that they’ve sold a book, or point out some interesting link, but we haven’t figured out the best format for that yet. It might be a separate page at Austen Authors, or we might end up using Twitter or our Austen Authors page on Facebook. We’re very open to ideas from readers about what they’d like to hear more about!

I spoke with Regina Jeffers, author of The Phantom of Pemberley, about her involvement in the new group.
Regina, do you find Austen authors have an interesting camaraderie?

Regina Jeffers: As with Darcy and Elizabeth in Pride and Prejudice the authors on this site have journeyed through a dynamic and reciprocal enlightenment in regards to their fellow writers. It seems to me that we have learned to recognize in one another unique individualities – no doubt, important distinctions. Yet, despite our differences, we have experienced a common process – a process of self-exploration and self-realization. So, whether we identify our writing style as romantic fiction, suspense, contemporary, paranormal, science fiction, or a retelling, we are all reinterpreting familiar texts.

Jane Austen mastered the cognitive and literary capacity of her characters, allowing us to imagine the inner lives of those characters. In fact, Austen said it best when Elizabeth Bennet declared, ‘People themselves alter so much, that there is something new to be observed in them forever.’ As writers, we are aware of minute differences in the interpretations, but the central patterns have much in common. We believe at Austen Authors that opportunities exist for new approaches in the Austen adaptation oeuvre, and that the union of styles can be accomplished without injury to egos.

The Austen Authors blog cordially invites you to join the entire month of September for numerous contests, quizzes, a scavenger hunt, oodles of information, spotlight guests, three new release parties, author introductions and so much more.

Current authors listed on the site are: Kara Louise, Lynn Shepherd, Marilyn Brant, C. Allyn Pierson, Victoria Connelly, Skylar Burris, Kathryn L. Nelson, Monica Fairview, Jane Odiwe, Susan Adriani, Mary Simonsen, Cindy Jones, J. Marie Croft, Marsha Altman, Regina Jeffers, Jack Caldwell, Carolyn Eberhart, and Heather Lynn Rigaud.

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