Austen’s Publishing History

austen460Today is the 200th Anniversary of the publication of Jane Austen’s “Pride and Prejudice.” I thought in honor of the date we would take a quick look at the process of having her works published. Most of Austen’s story lines went through several revisions before the lady knew fruition. She reportedly made extensive changes in both “Sense and Sensibility” and “Pride and Prejudice.”

Sense and Sensibility was completed in 1795, but it did not know publication until 1811. (That is a sixteen year span. For authors who think they will write the next best seller and have it immediately caught up by an agent and publisher, this is a very sobering fact.)

Mansfield Park was finished in 1812 and was published two years later in 1814. (This appears to be Austen’s attempt at sentimentality. “Mansfield Park” does not enjoy the same level of popularity as Austen’s other novels.)

 

Pride and Prejudice knew a similar fate. Austen wrote the original manuscript in 1796. It was published in 1813. (Seventeen years of rejection. It makes me admire Austen more.)

Austen  began Northanger Abbey in 1798. The book was published posthumously in 1817.  (That time period is nearly two decades!)

Emma was finished in 1814 and published in 1815. Obviously, the success of Sense and Sensibility and Pride and Prejudice aided Austen in this process.

Finally, Persuasion was completed in 1815 and published posthumously in 1817.

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Living in Regency London – Lighting the House

Today, I have have dealt with three power outages in my area, and with each, I have privately cursed how dark is my home without the power of electricity. I have had to go without lights, TV, the internet, phone service, etc., and this modern-day “deprivation” has set me to thinking about the days of the Regency era when the almighty CANDLE ruled the home.

Until the Victorian Era, candles, lanterns, and rush-lights served as the principal means of lighting the Georgian styled home, and like every other aspect of Regency life, the use of the these sources of light adhered to their own “hierarchy” of use.

At the top of the Candle Hierarchy was the beeswax candle. These candles were more expensive than the others and could be left unattended for longer periods than could tallow or rush lights. However, they did melt faster than tallow candles. Wax candles were used by the very rich to prove their superiority to others. Wax candles were used in chandeliers because they burned themselves out rather than having to be snuffed out by the servants.Candles

IMG_3004-e1272244558721-200x300Tallow candles, usually made from mutton fat, were the main source of light in middle class homes and the lower gentry. They left behind a most annoying odor and did not burn evenly. Generally, the flame had to be snuffed out to prevent the charred wick falling into the tallow. If this happened, a “gutter” formed and melted wax would flow over everything. The tallow candle offered poor lighting and did not last for long.

 

 

Rush-lights were used by the poor. Rush-lights were made by dipping the stripped pith of common rushes into hot animal fat, often bacon fat. Rushes are commonly 2 feet long. They were held in place by a stand with a clip, and they usually burned out in an hour or so. The poor sometimes chose to burn tallow candles, but they were not economical. Eleven rushes would cost a family a farthing.rushlight2

It was commonplace to have only two candlesticks in each room. In some homes, wall sconces with mirrors behind them increased the lights. These sconces were typically mounted on the chimney-breast.

Unlike the homes on the Continent, most homes in Georgian London were slow to accept oil burning lamps. Ami Argand of Geneva demonstrated his improved lamp in 1783 to the French Academy of Sciences. Unfortunately for Argand, the French Academy did not take well to the experiment. So, Argand brought his invention to London. Argand lamps using Colza oil were used in some wealthier London homes, but they were very expensive and were “plagued” by the cumbersome need to mount the oil reservoir above the level of the burner. This mounted reservoir blocked off the light from one side of the lamp. After 1798, a pump was available to force the oil upwards.

Candles were more economical and remained the main source of light until the mid-19th Century.

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Are eBooks Destroying Traditional Publishing?

This article comes from NPR. It addresses the changing role of traditional publishing. This article matches up well with the one from yesterday on the increase in eBook reading among Americans.

E-Books Destroying Traditional Publishing? The Story’s Not That Simple

by ZOE CHACE

December 27, 2012 4:00 PM

What counts as a book these days, in a world of Kindles, Nooks and iPads — and eager talk about new platforms and distribution methods?

Traditional publishers are traveling a long and confusing road into the digital future. To begin with, here’s the conventional wisdom about publishing: E-books are destroying the business model.

People expect them to be cheaper than physical books, and that drives down prices. But the story’s not that simple. For one thing, digital publishers have the same problem that record labels do: piracy. And there’s just not the same stigma attached to pirating an e-book as there is to holding up a Barnes & Noble.

It turns out, though, that some publishers are doing pretty well despite the piracy problem. “We’ve had an incredible year,” says Sourcebooks President Dominique Raccah. “Last year was the best year in the company’s history. This year we beat that, which I didn’t think was even possible.” Raccah adds that her company is doing well because of digital publishing, not in spite of it. “It’s been an amazing ride,” she says.

It turns out there are some huge advantages — at least for publishers. A big one: The price of an e-book isn’t fixed the way it is with physical books. Ten years ago, a publisher would have sent out its books to the bookstore with the price stamped on the cover. After that, it was done — the publisher couldn’t put it on sale to sell more books.

To continue reading, please visit http://www.npr.org/2012/12/27/168068655/e-books-destroying-traditional-publishing-the-storys-not-that-simple One can even listen to the story rather than read it.

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Reading Trends from 2012

This article comes from the Pew Internet & American Life Project. It contains wonderful graphics, which help to analyze the changes in the reading habits of Americans over the age of 16. It is worth the read.

E-book Reading Jumps; Print Book Reading Declines

by Lee Rainie and Maeve Duggan

Findings

The population of e-book readers is growing. In the past year, the number of those who read e-books increased from 16% of all Americans ages 16 and older to 23%. At the same time, the number of those who read printed books in the previous 12 months fell from 72% of the population ages 16 and older to 67%.

Overall, the number of book readers in late 2012 was 75% of the population ages 16 and older, a small and statistically insignificant decline from 78% in late 2011.

The move toward e-book reading coincides with an increase in ownership of electronic book reading devices. In all, the number of owners of either a tablet computer or e-book reading device such as a Kindle or Nook grew from 18% in late 2011 to 33% in late 2012. As of November 2012, some 25% of Americans ages 16 and older own tablet computers such as iPads or Kindle Fires, up from 10% who owned tablets in late 2011. And in late 2012 19% of Americans ages 16 and older own e-book reading devices such as Kindles and Nooks, compared with 10% who owned such devices at the same time last year.

To continue reading please follow this link: http://libraries.pewinternet.org/2012/12/27/e-book-reading-jumps-print-book-reading-declines/

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Oh, Give Me Land Lots of Land (or) the 19th Century Entail

As it had been for centuries, a man’s status in 19th Century British Society rested in the land he held. Land was a symbol of wealth and social rank. Therefore, the need to pass one’s “wealth” to future generations increased with the amount of land owned. Land was “influence,” as well as affluence. To ensure one’s descendants received what had been incurred, a system known as primogeniture was put in place. Primogeniture meant that all the land in each generation’s possession was left to the eldest son in the family rather than being divided equally among off the offspring. Secondly, an entail assured that said “eldest son” could not mortgage or divide or sell said inheritance. It was to be held for his eldest son, etc., etc., etc.

Primogenture developed during Norman times. The concept was by leaving the land to the eldest son, the estate would remain intact for future generations. It would also be economically capable of supporting a military force, which could assist the king. By the 19th Century, the King/Queen had other means to field a military presence, and social status became the basis of the practice. Customarily, primogenture was part of a gentleman’s will or deeds of settlement. This practice remained intact until 1925, when it was changed by law.

The entail prevented a wastrel from selling off the family estate to pay his debts. Do you recall Sir Walter Eliot in Jane Austen’s Persuasion. “There was only a small part of his estate that Sir Walter could dispose of; but had every acre been alienable, it would have made no difference. He had condescended to mortgage as far as he had the power, but he would never condescend to sell. No; he would never disgrace his name so far. The Kellynch estate should be transmitted whole and entire, as he had received it.” An entail was defined by a deed of settlement (or) a strict settlement. The heir normally received the land for his use ONLY in his lifetime. His rights ceased to exist upon his death.

Originally, many attempted to entail their properties until the end of the world, so to speak. However, the law would not permit “infinity” to stand. In practice, an entailed property only remained so until the grandson of the land owner making the settlement became of age at 21 years. Then, the heir could sell or give away the property. So, theoretically, the entail only held the land through the first and second generation of land owners. However, a little coercion often secured the land for future generations.

Most land owners (and their sons) held no other financial employment. If the property owner’s son wished to keep his “allowance,” he agreed to sign a new deed of settlement, which would assure the property remained in the family for another two generations, etc., etc. However, what if no males were born to inherit? A family line could end if a female remained single or even if she married. Single females had no children to inherit, and through married females, the property passed to someone outside the family.

Such a “disaster” was part of the plot of Jane Austen’s Pride and Prejudice. 

“‘Oh! my dear,’ cried his wife, ‘I cannot bear to hear that mentioned. Pray do not talk of that odious man. I do think it is the hardest thing in the world that your estate should be entailed away from your own children; and I am sure if I had been you, I should have tried long ago to do something or other about it.’ Jane and Elizabeth attempted to explain to her the nature of an entail. They had often attempted it before, but it was a subject on which Mrs. Bennet was beyond the reach of reason; and she continued to rail bitterly against the cruelty of settling an estate away from a family of five daughters, in favour of a man whom nobody cared anything about.”

The females, however, often found another means of “retaining” the property. Propriety permitted cousins to marry. A girl could remain in her childhood home when no males were available to inherit by marrying the “heir presumptive.” It was Elizabeth Eliot’s hope to marry William Walter Eliot, Esq., her father’s heir. “She had, while a very young girl, as soon as she had known him to be, in the event of her having no brother, the future baronet, meant to marry him.” And Mrs. Bennet wishes Elizabeth to marry the odious Mr. Collins in order to save Longbourn. In his proposal, Mr. Collins explains why he assumes one of the Bennet sisters would accept him. “Thus much for my general intention in favour of matrimony; it remains to be told why my views were directed to Longbourn instead of my own neighbourhood, where I assure you there are many amiable young women. But the fact is, that being, as I am, to inherit this estate after the death of your honoured father (who, however, may live many years longer), I could not satisfy myself without resolving to chuse a wife from among his daughters, that the loss to them might be as little as possible, when the melancholy event takes place—which, however, as I have already said, may not be for several years. This has been my motive, my fair cousin, and I flatter myself it will not sink me in your esteem. ”

Primogenture also created the concept of second and third sons searching for an heiress to marry so they might establish their own properties. It also sent marriage mad mothers into fits. There were only a limited number of eldest sons for daughters to land. Colonel Fitzwilliam in Pride and Prejudice says “Younger sons cannot marry where they like.” The real irony of this madness was the eldest son also inherited the debt from the previous generation. Even being the heir was not an path to “easy street.”

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The Face of Jack the Ripper

On Friday, I included a post on The Brutality of Jack the Ripper. This is one of favorite sources on the crime. In 2006, BBC News brought us a look at “Jack the Ripper” by using modern day profiling techniques. Below is a short excerpt from the article, which is well worth the read.

Jack the Ripper’s face ‘revealed’
Jack the Ripper e-fit

The case has fascinated people for decades

An e-fit showing what detectives believe serial killer Jack the Ripper looked like has been revealed.Using new profiling techniques, investigators have created a picture of what they believe the 19th Century murderer would have looked like.

The man, who evaded police in the 1880s, is thought to have killed and mutilated five London prostitutes.

The Scotland Yard team describe him as “frighteningly normal” but someone capable of “extraordinary cruelty”.

And investigators have admitted that police at the time were probably searching for the wrong kind of man.

Head of analysis for Scotland Yard’s Violent Crime Command Laura Richards, who has studied serial killer Fred West and Soham murderer Ian Huntley, revisited the case using modern police techniques.

To continue reading go to http://news.bbc.co.uk/2/hi/6164544.stm

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The Brutality of Jack the Ripper

Anyone who knows me, knows that I am a BIG Matthew Macfadyen fan. So, needless to say, I am anticipating the premiere of “Ripper Street” on BBC America on January 19 at 9 P.M. And yes, I do realize “‘Ripper Street’ is a BBC mini-series set in Whitechapel in London’s East End in 1889, six months after the infamous Jack the Ripper murders.”

 

That being said, I thought we could take a look at the definitive serial killer, Jack the Ripper. Many consider “Jack” the most terrifying of killers. The pure ferocity of Jack’s crimes continue to fascinate us over a century later.

 

The killer we know as Jack the Ripper made his first appearance on 31 August 1888 with the murder of a prostitute named Mary ‘Polly’ Nichols. Mary’s was the third killing of a prostitute in London’s East End, and despite its brutality, it did not initially attract attention. However, a week later, another prostitute, Annie Chapman, known as ‘Dark Annie,’ met a similar death. Mary’s throat and torso had been slit open, and there were stab wounds to the genitals. Polly also sported a slit throat, but with Polly, the Ripper  had disemboweled the woman, even going so far as to drape her entrails over Polly’s shoulder and to cut her vagina and ovaries. The precision of the cuts immediately led investigators to believe that the killer had medical training and was familiar with dissecting bodies in a post-mortem room.

 

On September 30, the killer upped the ante when he killed twice in one night. Elizabeth Stride, a seamstress and part-time prostitute, was the first victim. ‘Long Liz’ was done away with by a knife wound to the throat. Unlike Mary and Polly, though, Elizabeth displayed no other markings. Most experts believe the Ripper was interrupted in his mutilation of Elizabeth’s body. Dissatisfied, Jack the Ripper struck a second time in the same evening. He killed prostitute Catherine Eddowes with characteristic brutality. For example, the killer had removed Catherine’s kidney. In addition, someone had written on the wall of the building behind which Catherine was found this cryptic message: ‘The Juwes are not the men that will be blamed for nothing.’ Uncertain what the message meant, an investigating officer had the message removed, claiming he wished to avoid anti-Jewish hysteria.

 

Shortly before the double murder, the Central News Agency had received a letter reportedly from the killer. CNA ignored the first letter, but a second one arrived within hours of the first. In it, the note’s author signed the letter ‘Jack the Ripper.’ The moniker brought the expected sensationalism. Two weeks later, a third letter arrived. This one was directed to the attention of George Lusk, head of the Whitechapel Vigilance Committee. This third letter was, obviously, from a different author. The note showed the writer to be less literate than the first two and more disturbing. The return address simply said “From Hell,” and inside was a slice of human tissue, one the writer claimed to be part of Eddowes’ removed organ.

 

Another three weeks passed before the Ripper struck again. Mary Kelly, like the others, was a prostitute, but a different mode of operation occurred. Mary Kelly was killed indoors, in a room in Miller’s Court. Her body was the most brutalized. The killer had partially skinned Kelly, disemboweled her, and many of her organs, including her uterus and a fetus taken from it, were displayed like trophies about the room.

 

Victorian London held its breath and waited another murder, but none came. A knife murder of a prostitute occurred in 1890 and again in 1892, but neither displayed the characteristic savagery of the Ripper’s murders. As quickly as he appeared, Jack the Ripper was gone.

 

Many theories as to the Ripper’s identity have risen from time to time. Some of the suspects have included Queen Victoria’s grandson, Prince Eddy, who was thought to have taken his revenge on prostitutes because he had “earned” a case of syphilis from a prostitute. Then there is the idea that Sir William Gull, the Queen’s surgeon, had conspired to cover up an illegitimate child that Prince Eddy had conceived with a Whitechapel girl. Crime novelist Patricia Cornwell reportedly spent $8 million of her own money to prove the Victorian painter Walter Sickert was the murderer. We shall likely never know the true identity of the world’s most infamous murderer.

430px-Ripper_cartoon_punch

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Regency and Victorian Eras: Growing Up Female in the Country

Young girls had little control over their lives during the Regency and Victorian eras. Their lives were strictly regulated by nurses and governesses. The girls were expected to practice correct moral and social standards. Responsibilities to family and name were numerous. Young girls learnt the necessity of benevolence. Charitable acts were taught by mothers and other female relatives.

1815

1815

Other than this “insistence” on their daughters showing condescension, parental involvement in their daughters’ educations was very limited. Remaining remote and indifferent was more the mode of the day. Mothers were traditionally active with their own social lives. Children remained at home with nurses/governesses while their mothers lived an active social life. Girls remained under the control of their nannies or governesses until they were old enough to make their debut into Society. Children often knew more affection from the house’s servants than did their parents.

Even when in residence, parents often preferred formal “daily visits” with their children rather than interacting with them informally. During the “children’s hour,” the young ones “performed” for their parents in carefully prepared exhibitions of what they had learned during their studies. The children, essentially, lived in a different world upstairs, and they were at the mercy of their caregivers. Sometimes, children resided in another of the family’s properties, or they were left in the country while their parents saw to their father’s developing political career in London. And Heaven Forbid, a marriage knew its troubles. Female children might be foisted off on other relatives or sent to live abroad under the care of a distant relative or governess. Male children were sent away to school and experienced a different type of isolation.

The segregation from the family extended to all parts of the child’s life: meals, sleeping quarters, and entertainment. Larger houses might have both day and night nurseries, as well as separate rooms for the older children. Food was often monotonous. Separate meals were prepared for the nursery. Furniture inside the nursery was often shabby. Girls often received a doll’s house, a rocking horse, and a painted screen as toys.

1840

1840

During the Victorian era, girls were dressed in numerous petticoats. During the winter, the petticoats were made of flannel. In the summer, they were starched stiff. Black-buttoned shoes, elaborate hats, and pelisses were worn out of doors. The same clothes were not worn for both morning and afternoon activities, and another change of clothes was required for the formal visits with their parents.

 

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“Going Courtin'” in the Regency Era

Society during the Regency era expected strict propriety from its young people. Sometimes the rules were strict and unreasonable, but somehow the youth of Jane Austen’s time managed to come together.

Young men of the time were often older than the women they courted. Men were expected to establish themselves before seeking a wife. They were expected to have sound financial prospects, especially if they were not the eldest son and expected to inherit the family property. Men often sought wives straight from the schoolroom, meaning ages 16 and 17 because childbirth was difficult for a woman of the era. It was thought that a younger wife could withstand those difficulties more easily than a “woman on the shelf” (women of 25+ years of age). An heir and a spare was expected of the marriage. In addition, the woman was expected to secure her financial future with her marriage.

At age 16 a girl of the gentry made her Come Out, which was a formal introduction of the girl to Society. It was the “signal” that she was prepared to become a bride. New dresses and jewelry and riding habits and… were required for the young lady’s debut. She would be “on display” at all times, and people would be evaluating her elegance and manners.  The Season in London involved balls, soirees, the theatre, assemblies, trips to the museum, etc. Finally, the young lady could participate in conversation with adults and her suitors.

In Jane Austen’s Pride and Prejudice, Lady Catherine De Bourgh is flabbergasted by the news that all five Bennet sisters are Out at the same time “The younger ones out before the elder are married!” Of course, Elizabeth Bennet defends her mother’s lax sense of propriety by saying, “I think it would be very hard upon younger sisters, that they shouldn’t have their share of society and amusement because the elder may not have the means or inclination to marry early.” When Charlotte Lucas finally marries at age 27, her sisters her happy because “hopes of coming out a year or two sooner than they might otherwise have done” arise.

A proper young lady was to have a chaperone in tow at all times. Often, a chaperone traveled with the husband and his new bride on their “honeymoon.” Eligible gentlemen were only to give their attentions to the young ladies who had made their Society debut.  A young woman who was Out could engage in conversation with eligible gentlemen, could attend formal dances and social outings, and could walk out with a gentleman, if she was properly chaperoned. Girls, who were not Out, could not engage in conversation until a parent or other familial adult asked her a question. She could only walk out with a male relative (again with a chaperone). Many girls wore what is known as a “close bonnet.” This was a hat with a deep brim, which hid most of the girl’s countenance from view.

Tom Bertram in Austen’s Mansfield Park relates a story of a young lady who did not practice decorum. The girl approached Tom at a party, claiming him an acquaintance and “talked and laughed till [he] did not know which way to look.” In sharp contrast is the novel’s heroine, Fanny Price. At Fanny’s Come Out, the guests note that Fanny is “attractive…modest…Sir Thomas’s niece…and soon to be admired by Mr. Crawford. It was enough to give her general favour.”

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The Governess: Qualified to Teach the Usual Branches of a Good English Education

jane eyre bbc versionA governess’s job was to teach the children of middle and upper class households in 19th Century England. By 1850, there were 21,000 governesses registered in England. In Charlotte Bronte’s Jane Eyre, our heroine places the following advertisement, which eventually lands her the position at Thornhill Hall: A young lady accustomed to tuition is desirous of meeting with a situation in a private home where the children are under fourteen. She is qualified to teach the usual branches of a good English education, together with French, Drawing, and Music.” The governess would remain in the household until the children departed for school or, in the case of young ladies, made her Come Out.

Being a governess was one of the few occupations considered suitable for middle-class girls to earn her a living. A governess was expected to have the education and manners of a genteel lady, but in the household, she held a tenuous situation. She was considered a servant by the master and mistress, but NOT one of their own to those below stairs. In Jane Austen’s Emma, Jane Fairfax bemoans her having to become a governess. She says, “…offices, where inquiry would soon procure something–offices for the sale not quite of human flesh, but of human intellect.”

jane-eyreBeing neither family nor servant, the governess spent a lonely lifestyle. Unfortunately, a large number of governesses had no family of their own to visit when given a rare holiday or from whom to receive a letter to ease the hours of isolation. Of course, in romance novels, the governess often attracts the attentions of the younger sons, or in Jane Eyre’s case, the master’s eye. For every “Jane Eyre,” there were likely many governesses who succumbed to the attentions of the households’ most seductive gentlemen. Affairs were more commonplace than we would like to think.

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Currently available

Currently available

In my A Touch of Grace, the main character, Grace Nelson, is a governess in Viscount Averett’s home. When she meets the Marquis of Godown, Gabriel Crowden, her life changes, but not in a “Jane Eyre” sort of plot.

A Touch of Grace placed third in historical romance in 2012’s SOLA Seventh Annual Dixie Kane Memorial Awards.

“The first fully original series from Austen pastiche author Jeffers is a knockout.”
– Publishers Weekly

“Jeffers’s close look at the dark secrets of Regency society instills a sense of realism.”
– Publishers Weekly

After years away from England, members of the Realm return home to claim the titles and the lives they had previously abandoned. Each man holds onto the fleeting dream of finally know love and home. For now, all any of them can hope is the resolution of his earlier difficulties before Shaheed Mir, their old enemy, finds them and exacts his revenge. Mir seeks a mysterious emerald, and he believes one of the Realm has it.

GABRIEL CROWDEN, the Marquis of Godown, can easily recall the night that he made a vow to know love before he met his Maker. Of course, that was before Lady Gardenia Templeton’s duplicity had driven Godown from his home and before his father’s will had changed everything. Godown requires a wife to meet the unusual demands of the former marquis’s stipulations. Preferably one either already carrying his child or one who would tolerate his constant attentions to secure the Crowden line before the deadline.

GRACE NELSON dreams of family died with her brother’s ascension to the title. Yet, when she meets the injured Marquis of Godown at a Scottish inn, her dreams have a new name. However, hope never has an easy path. Grace is but a lowly governess with ordinary features. She believes she can never earn the regard of the “Adonis” known as Gabriel Crowden. Besides, the man has a well-earned skepticism when it comes to the women in his life. How can she prove that she is the one woman who will never betray him? The Regency era has never been hotter.

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