The Knight Family Estate at Chawton, a Guest Post from Antoine Vanner

This guest post from Antoine Vanner in April 2017 on Austen Authors was a huge success. I though perhaps others might wish to view the wonderful pictures of Jane Austen’s “home” that Vanner shared. 

The “Jane Austen House” in the village of Chawton in Hampshire, where she lived with her mother and sister – both called Cassandra – in the later years of her life, is today preserved as a much-visited museum. Of equal interest however, about a quarter-mile distant, is Chawton House, the centre of the splendid Knight Estate, which had been inherited by one of Jane’s brothers, in a manner that would not have seemed out of place in one of her own plots.

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Jane Austen’s House in the village of Chawton, Hampshire

A major concern for Britain’s gentry in the eighteenth and nineteenth centuries – when the words “gentleman” and “lady” referred very specifically to social status – was provision for large families. The rules of primogeniture meant that property and wealth – if there was any – would pass to the eldest son only and his brothers would have to make their own way. For daughters, the only route to avoiding the dreaded fates of spinster or governess was to marry well – a recurrent theme in Jane Austen’s own books. The options for the younger sons were limited, since no gentleman could retain his status as such if he were to participate in “trade”, essentially commercial activity of any kind. The Church, the Army, Medicine and the Law were all however considered appropriate occupations. Particularly popular with families living on the edge of genteel poverty was the Royal Navy since, unlike the Army, it was not necessary for an officer to purchase his commission or to pay for promotion thereafter. The Navy promoted on merit and had the added advantage that, in times of war, substantial fortunes could be made through “prize money” – shares in the value of captured enemy shipping. A boy could be entered into the navy while still a child – often under ten – and his board and lodging would be provided. It would be up to him thereafter to make his own career and fortune. The most notable example was Horatio Nelson, son of a country clergyman, and indeed many officers had fathers had similar backgrounds.

Jane Austen’s father George was, like Nelson’s, a country clergyman, and with her mother faced the familiar challenge of the time – provision for numerous offspring, in their case six sons and two daughters. Though their circumstances were modest, they did however have the advantage of having rich relations, most notably Thomas Knight, the wealthy husband of George’s second cousin, who appointed George to the “living” – the position of parish clergyman – of Steventon in Hampshire. This brought with it accommodation as well as a small income.

Two of the Austen sons – Francis (1774–1865) and Charles (1779–1852) – followed the time-honoured path of clergyman’s sons into the Navy. Both had quite spectacular careers, serving with distinction throughout the Napoleonic Wars and, as hoped, winning prize money that could make them financially independent. A touching mention by Jane tells of how one of her brothers made use of the first money he came into: “Charles has received £30 for his share of the privateer, and expects £10 more; but of what avail is it to take the prizes if he lays out the produce in presents to his sisters? He has been buying gold chains and topaz crosses for us. He must be well scolded.” Two centuries later, the obvious familial affection still moves the reader. These brothers were to rise steadily in their profession in the decades that followed, directing major campaigns in various parts of the world and managing the navy’s transition for sail to steam. Charles died as a Rear-Admiral while Francis attained the highest rank in the Royal Navy, Admiral of the Fleet. They provided the model for the dashing Captain Wentworth in Jane’s last novel, Persuasion.

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Jane Austen’s House in the village of Chawton, Hampshire (Copied, with thanks, from the Chawton House website).

Another of Jane’s brothers, Edward (1768 –1852), was, however, to become the most prosperous of all.  Thomas Knight – the relation who had provided George Austen the living at Steventon – was, with his wife Catherine, childless and therefore lacking an heir to their wealth and their estates, including that at Chawton. Liking Edward, they made him their legal heir and funded his education, including the Grand Tour of Europe, which was obligatory for any cultivated gentleman.

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The entrance to Chawton House – could Pemberly have looked any better?

When Thomas died in 1794 he left one of his estates, Godmersham, to his wife for her lifetime, with the remainder going to Edward immediately.  She in turn left Godmersham to Edward with the stipulation that he change his legal name to Knight. He thus inherited three estates, in Steventon, Chawton and Godmersham, wealth of which Mr. Darcy himself would have been proud.  Attentive of the welfare of this mother and two sisters, Edward provided them with the use of the house which had formally been the residence of the bailiff of the Chawton Estate. It was here that Jane was to live from 1809 until her death in 1817. Her mother and sister, the two Cassandras, remained there until their own deaths in 1827 and 1845 respectively.

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The key feature of the Knight Estate is Chawton House, its home farm and the church of St. Nicholas in its grounds. Magnificently maintained today, one has a strong impression of how self-contained and self-supporting such a community would have been from the middle ages onwards – a church has occupied this location since 1270, though the present structure is more recent. Jane worshipped here and her mother and sisters were buried outside it – she herself having been buried in Winchester Cathedral.

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Chawton House with St. Nicholas Church to the right

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Chawton House with St. Nicholas Church to the right

Chawton House itself started as an Elizabethan manor house and was added to over the years. Today it is home to The Centre for the Study of Early Women’s Writing, 1600-1830, including a collection of over 9,000 books and related original manuscript. The credit for rescue of the building and for establishment of the centre goes to a foundation established by Sandra Lerner and Leonard Bosack, co-founders of Cisco Systems.

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Chawton House – side view

Jane herself not only knew the house but walked extensively in the area – it’s possible to trace some of the walks she mentioned, including one across fields and through a small wood to the nearby village of Farringdon. The greatest interest of all is however the house itself, splendidly restored inside and out.

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The view for Chawton House garden – Jane walked to Farringdon across the field, beyond the daffodils

Mr. & Mrs. Vanner

Mr. and Mrs. Vanner celebrating their wedding at Chawton House

 And here I must declare an interest. It is available for social functions, and it was here that my wife and I held our wedding reception in 2011. Having recalled that “It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife”, we thought of no more appropriate location for the occasion, even though the extent of my fortune might not compare with that of Mr. Darcy, even allowing for inflation!

I’m attaching some further photographs below. I trust that they will give some idea of how the Knight Estate is today. It’s well worth a visit if you are in Britain and more information can be found on https://chawtonhouse.org/

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The estate, including working farm, seen from the roadway outside

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Housing, probably originally build for estate workers

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Altar-piece in St. Nicholas’s Church

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Monument to a Knight ancestor in St. Nicholas’s Church

These were the comments left by Caroline Jane Knight, Edward Austen Knight’s fourth great granddaughter, on the original post. 

I’m glad you enjoyed Chawton, I am the last Austen descendant (Edward Austen Knight’s fourth great granddaughter) to be raised at Chawton House when it was our family home. It was a magical place to grow up, in the cocoon of 400 years of our history, and great Aunt Jane’s legacy. Granny ran a tearoom in the Great Hall and I earned my pocket money serving Jane Austen devotees who had come to see Jane Austen’s cottage in the village before following in Jane’s footsteps and taking the short walk to her brother’s manor for tea – happy days. I was 17 when my grandfather, Edward Knight (EAK great great grandson) died and his heir, Uncle Richard, inherited the depleted estate….Chawton was magnificent when I lived there, but in desperate need of repair. It is wonderful to see the house now, beautifully restored and being enjoyed.

  • The William Wellings silhouette you have shown hung in Granny’s bedroom, I saw it all the time….we were surrounded by such things and I didn’t realise at the time how extraordinary it is – I knew what it was, but you accept your childhood surroundings without much thought!

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img-profile.jpg Meet the Author: Antoine Vanner

Antoine Vanner is the author of the Dawlish Chronicles, centred on the Victorian-era naval officer Nicholas Dawlish RN and his indomitable wife, Florence. Five novels so far feature plots linked to real historical events and the most recent, Britannia’s Amazon, tells of Florence’s unexpected confrontation with the corruption, vice and abuse of power that are the underside complacent Victorian society. Check Antoine’s author page for more details: http://amzn.to/2oklJG8 or join his mailing list on http://eepurl.com/bt5aRn and receive a free copy of the short story Britannia’s Eventide.

51O3qD9+aKL._SY346_ Britannia’s Wolf: The Dawlish Chronicles: September 1877 – February 1878

This is the first volume of the Dawlish Chronicles naval fiction series – action and adventure set in the age of transition from sail to steam in the last decades of the 19th Century.

It’s late 1877 and the Russian and Ottoman-Turkish Empires are locked in a deadly as the war between them is reaching its climax.  A Russian victory will pose a threat to Britain’s strategic interests. To protect them an ambitious British naval officer, Nicholas Dawlish, is assigned to the Ottoman Navy to ravage Russian supply-lines in the Black Sea. In the depths of a savage winter, as Turkish

It’s November 1879 and on a broad river deep in the heart of South America, a flotilla of paddle steamers thrashes slowly upstream. It is laden with troops, horses and artillery, and intent on conquest and revenge. Ahead lies a commercial empire that was wrested from a British consortium in a bloody revolution. Now the investors are determined to recoup their losses and are funding a vicious war to do so. Nicholas Dawlish, on leave of absence from the Royal Navy, is playing a leading role in the expedition and though it could not be much further from the open sea he must face savage naval combat. forces face defeat on all fronts, Dawlish confronts enemy ironclads in naval combat and Cossack lances and merciless Kurdish irregulars in battles ashore. But more than warfare is involved, for Dawlish finds himself a pawn in the rivalry of the Sultan’s half-brothers for control of the collapsing empire. And in the midst of this chaos, unwillingly and unexpectedly, Dawlish finds himself drawn to a woman whom he believes he should not love.

 

51l5b3cnbGL._SY346_.jpg Brittania’s Reach: The Dawlish Chronicles: November 1879 – April-1880

It’s November 1879 and on a broad river deep in the heart of South America, a flotilla of paddle steamers thrashes slowly upstream. It is laden with troops, horses and artillery, and intent on conquest and revenge. Ahead lies a commercial empire that was wrested from a British consortium in a bloody revolution. Now the investors are determined to recoup their losses and are funding a vicious war to do so. Nicholas Dawlish, on leave of absence from the Royal Navy, is playing a leading role in the expedition and though it could not be much further from the open sea he must face savage naval combat.

 

51Aap7r-ihL Britannia’s Shark: The Dawlish Chronicles: April – September 1881

It’s 1881 and the British Empire’s power seems unchallengeable.

But now a group of revolutionaries threaten that power’s economic basis. Their weapon is the invention of a naïve genius, their sense of grievance is implacable and their leader is already proven in the crucible of war. Protected by powerful political and business interests, conventional British military or naval power cannot touch them.

Posted in Austen Authors, British history, buildings and structures, Guest Blog, Guest Post, history, Jane Austen, Living in the Regency, Living in the UK, primogenture, Regency era | Tagged , , , , , | 3 Comments

The Royal Exchange

The Royal Exchange, a trapezoid-shaped structure, was opened by Queen Elizabeth I in 1571. Cornhill and Threadneedle Streets flank the exchange. The original building was destroyed by the Great Fire in 1666. It was rebuilt in 1669 and again destroyed by fire in 1838. The first building was a gift from Sir Thomas Gresham. It was rebuilt by Edward Jerman, a contemporary of Sir Christopher Wren. Jerman’s design rose from the ashes of the Great Fire and were built upon Elizabethan foundations. Statues of the kings of England from Edward I to Charles II graced the interior courtyard. Eventually, those of William and Mary, Anne, George I, George II, George III, and George IV followed.

Info Britain tells us a bit of the background for the original Royal Exchange, “London has always been a trading centre, lying as it does on a river estuary opposite the mouth of the Rhine, which places it ideally for trade with Europe. London also occupies what was once the lowest fordable point of the Thames, which made it a natural place for internal trade. When the Romans arrived after their invasion in 43AD, they found a regular market being held roughly on the site of what is now Southwark Market. This was an obvious place to build a town. By the sixteenth century Richard Gresham, supplier of tapestries to Henry VIII’s palace at Hampton Court decided that London should have a purpose built centre for trade, using the Bourse in Antwerp as a model. Richard was unable to make his vision a reality, but his son Thomas followed his father into the world of trade. Thomas made his home in Antwerp, and gained royal favour by arranging loans for English monarchs. In 1559, one year after the succession of Elizabeth I, Thomas was knighted for his services. Then in 1565, remembering his father’s vision, Thomas offered to build the City of London its own bourse at his own expense if the City would provide suitable land. Work started in 1566 on an arcaded building housing small shops, surrounding a central courtyard used for trading. Thomas Gresham used the rental income from these shops to fund a programme of free public lectures given at what would become known as Gresham College, based at his house in Bishopsgate.”

British History Online provides us a detailed description of the costs for and the look of Gresham’s project. (Old and New London: Volume 1. Originally published by Cassell, Petter & Galpin, London, 1878, pages 494-513.) “Lombard Street had long become too small for the business of London. Men of business were exposed there to all weathers, and had to crowd into small shops, or jostle under the pent-houses. As early as 1534 or 1535 the citizens had deliberated in common council on the necessity of a new place of resort, and Leadenhall Street had been proposed. In the year 1565 certain houses in Cornhill, in the ward of Broad Street, and three alleys—Swan Alley, Cornhill; New Alley, Cornhill, near St. Bartholomew’s Lane; and St. Christopher’s Alley, comprising in all fourscore householders—were purchased for £3,737 6s. 6d., and the materials sold for £478. The amount was subscribed for in small sums by about 750 citizens, the Ironmongers’ Company giving £75. The first brick was laid by Sir Thomas, June 7, 1566. A Flemish architect superintended the sawing of the timber, at Gresham’s estate at Ringshall, near Ipswich, and on Battisford Tye (common) traces of the old sawpits can still be seen. The slates were bought at Dort, the wainscoting and glass at Amsterdam, and other materials in Flanders. The building, pushed on too fast for final solidity, was slated in by November, 1567, and shortly after finished. The Bourse, when erected, was thought to resemble that of Antwerp, but there is also reason to believe that Gresham’s architect closely followed the Bourse of Venice.

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“The new Bourse, Flemish in character, was a long four-storeyed building, with a high double balcony. A bell-tower, crowned by a huge grasshopper, stood on one side of the chief entrance. The bell in this tower summoned merchants to the spot at twelve o’clock at noon and six o’clock in the evening. A lofty Corinthian column, crested with a grasshopper, apparently stood outside the north entrance, overlooking the quadrangle. The brick building was afterwards stuccoed over, to imitate stone. Each corner of the building, and the peak of every dormer window, was crowned by a grasshopper. Within Gresham’s Bourse were piazzas for wet weather, and the covered walks were adorned with statues of English kings. A statue of Gresham stood near the north end of the western piazza. At the Great Fire of 1666 this statue alone remained there uninjured, as Pepys and Evelyn particularly record. The piazzas were supported by marble pillars, and above were 100 small shops. The vaults dug below, for merchandise, proved dark and damp, and were comparatively valueless. Hentzner, a German traveller who visited England in the year 1598, particularly mentions the stateliness of the building, the assemblage of different nations, and the quantities of merchandise.

“Many of the shops in the Bourse remained unlet till Queen Elizabeth’s visit, in 1570, which gave them a lustre that tended to make the new building fashionable. Gresham, anxious to have the Bourse worthy of such a visitor, went round twice in one day to all the shopkeepers in “the upper pawn,” and offered them all the shops they would furnish and light up with wax rent free for a whole year. The result of this liberality was that in two years Gresham was able to raise the rent from 40s. a year to four marks, and a short time after to £4 10s. The milliners’ shops at the Bourse, in Gresham’s time, sold mousetraps, birdcages, shoeing-horns, lanthorns, and Jews’ trumps. There were also sellers of armour, apothecaries, booksellers, goldsmiths, and glass-sellers; but the shops soon grew richer and more fashionable, so that in 1631 the editor of Stow says, ‘Unto which place, on January 23, 1570, Queen Elizabeth came from Somerset House throught Fleet Street past the north side of the Bourse to Sir Thomas Gresham’s house in Bishopsgate Street, and there dined. After the banquet she entered the Bourse on the south side, viewed every part; especially she caused the building, by herald’s trumpet, to be proclaimed ‘the Royal Exchange,’ so to be called from henceforth, and not otherwise.’”

The west side of the building saw extensive repairs at the hands of William Robinson, the surveyor of the Gresham Trustees, in 1767.

Lloyd's Coffee House - Wikipedia, the free encyclopedia en.wikipedia.org

The Royal Exchange quickly became London’s door to international business. In the 17th Century, London’s importance as a trade centre led to an increasing demand for ship and cargo insurance. Edward Lloyd’s coffee house became recognized as the place for obtaining marine insurance, and this became the Lloyd’s of London that we know today. “Lloyd’s Coffee House” moved to the first floor of the Royal Exchange in 1774. The RE was forced to move to South Sea House after the 1838 fire. 

George Smith, architect to the Mercers’ Company, replied Jerman’s wooden tower with a stone one between 1820-1826.

A tower to replace the one designed with the Gresham grasshopper symbol was rebuilt in 1842 under the direction of Sir William Tite in the centre of the facade towards Throgmorton Avenue. “The third Royal Exchange building, which still stands today, was designed by William Tite and adheres to the original layout–consisting of a four-sided structure surrounding a central courtyard where merchants and tradesmen could do business. The internal works, designed by Edward I’Anson in 1837, made use of concrete—an early example of this modern construction method. It features pediment sculptures by Richard Westmacott (the younger), and ornamental cast ironwork by Henry Grissell’s Regent’s Canal Ironworks. It was opened by Queen Victoria on 28 October 1844 though trading did not commence until 1 January 1845.In June 1844, just before the reopening of the Royal Exchange, a statue of Arthur Wellesley, 1st Duke of Wellington, was unveiled outside the building. The bronze used to cast it was sourced from enemy cannons captured during Wellington’s continental campaigns.” (The Royal Exchange)

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People with Disabilities in Jane Austen’s England, a Guest Post by Elaine Owen

York Vs York: Changing Attitudes in Regency England

In April, Elaine Owen shared this piece on Austen Authors. I thought it worthy of a second look. 

Jane Austen did not write about disabled people in any of her books, but people with disabilities were just as common in Regency England as they are today. Whether the disability was physical or cognitive, people back then wanted to care for their loved ones who needed extra assistance or intensive support, just as we do now. How did they do it? The story of the York Lunatic Asylum vs the York Retreat gives us some important insight.

Most disabled people were cared for at home or in their home community if at all possible. Keeping the disabled person in a familiar setting and among people who loved them was undoubtedly the best option for families with enough money to do so. But what did society do with those poor unfortunates whose families did not or could not care for their family member, especially a “lunatic” family member? (“Lunatic” might include anyone with a mental disability or disorder, from severe depression to schizophrenia to autism and the like.) Who took care of them?

In Austen’s day there were a number of “asylums” which took in those who could not care for themselves. Sometimes these were funded by the government and sometimes they were run with private funds. Wealthy families occasionally paid for one of their loved ones to be cared for at these institutions, but most inmates were poor, and naturally, the poorer a patient was, the worse their care was likely to be. The common view was that “lunatics” had the minds of animals, and so they should be confined and controlled. There was little hope given for any improvement.

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The York Lunatic Asylum was founded in 1777 and typified this approach to the disabled. Fortunate patients from wealthy families were relatively well-treated while poor patients suffered through straightjackets, restraining chains, inadequate food, and little supervision or protection. But all patients, even wealthy ones, were subject to such “treatments” as purges and cold baths. Deaths among the poor patients were common but they were not reported. Since the asylum was private there were no government inspections, and so there was no way to evaluate how well “treatment” was working, or if there was any attempt at treatment at all.

In 1792 a young Quaker woman suffering from what we would now call chronic depression was admitted to the York Lunatic Asylum. Six weeks later, she was dead. Her fellow Quakers investigated her death, and when they discovered the horrifying conditions under which she died, they decided to do something about it. They founded their own asylum called the York Retreat.

At the York Retreat, treatment was based on the idea that “lunatics” had souls. Therefore the Quakers believed that the disabled deserved to be treated like human beings, not dumb beasts. Few restraints were used. Patients were encouraged to participate in outdoor activities, to practice simple arts and crafts, and to do productive work in the community. This basic philosophy, so revolutionary in its day, gradually became the operating philosophy for  “lunatic” homes around the world. To this day the York Retreat model drives how we as a society try to treat the mentally disabled.

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Meanwhile the Quakers were not done with the York Asylum. They were not content to allow other patients to suffer under the brutal conditions they had found inside the institution. Instead they managed to get a leading Quaker appointed as one of the patrons of the asylum, and in 1814 they were successful in bringing about a parliamentary inquiry into abuses at the hospital.The leadership and staff of the hospital were completely replaced and the asylum began to follow the kinder, gentler practices of the York Retreat. In following decades the asylum name changed to Bootham Park. Gradually it evolved into a modern psychiatric hospital. It closed in 2016.

The York Retreat continues operating today. It specializes in treating those with complex mental disorders like dementia, PTSD, autism, etc..

It’s interesting to think how Darcy and Elizabeth might have reacted to having a child with a disability, and how they would have viewed the rise of institutions like the York Retreat. I’d like to think that they would have made sure that any disabled child of theirs would enjoy a full, integrated life at Pemberley. And I’d love to see a story where Elizabeth champions the rights of the disabled and perhaps becomes a sponsor of the York Retreat.

As the mother of an autistic woman I am fascinated by how far we have progressed in our treatment of those with mental disabilities, and by how much some things have not changed. We still fight for people with disabilities to be looked at as human and worthy of inclusion in society. Perhaps that is a battle that will always have to be fought.

For further reading: A History of Disability 

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As a footnote, we have an excerpt from a piece on Jane Austen’s brother, George. It comes from Jane Austen’s World

George Austen, Jane’s second oldest brother is an enigma, rarely glimpsed and hardly known to the world. No image exists of him, which is why the image I used for this post has no face to speak of. George Austen was thought to be mentally or physically impaired, or suffering from an infirmity. Nearly ten years older than Jane, Claire Tomalin wrote that he still lived in Steventon village in 1776 (See Boris’s comment in the comment section) and that the very young Jane knew him.

“He could walk, and he was not a Down’s Syndrome child, or he would not have lived so long, lacking modern medication. Because Jane knew deaf and dumb sign language as an adult — she mentioned talking “with my fingers” in a letter of 1808 — it is thought he may have lacked language; it would not have stopped him joining in the village children’s games.” – Claire Tomalin, Jane Austen, A Biography. 

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Elaine-Owen-portfolio-283x435 Meet Elaine Owen: In 2014, Elaine began to write Pride and Prejudice fan fiction and decided to publish her works herself to see if she might possibly sell a few copies. Thousands of books later, the results have been beyond her wildest hopes, and she plans to continue writing fiction for the foreseeable future.

When she’s not writing her next great novel, Elaine relaxes by working full time, raising two children with special needs, and earning a third degree black belt in karate. She can be contacted at elaineowen@writeme.com. Look for her on Facebook!

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Posted in Austen Authors, British history, medicine, real life tales, Regency era | Tagged , , , , , , | 10 Comments

Finalists for the 2017 Daphne Du Maurier Award for Excellence in Mystery/Suspense

I am proud to be among these fabulous writers!!!

Congrats to all!!!! The DAPHNE DU MAURIER AWARD FOR EXCELLENCE IN MYSTERY/SUSPENSE –Published Division Finalists for 2017 are:

CATEGORY (SERIES) ROMANTIC MYSTERY/SUSPENSE
Man of Action by Janie Crouch – Author
Deep Cover Detective by Lena Diaz
Ace in the Hole by Ava Drake Books
Protecting Her Daughter by Lynette Eason
Urgent Pursuit by Beverly Long
Navy Seal Seduction by Bonnie Vanak

HISTORICAL ROMANTIC MYSTERY/SUSPENSE
The Devil May Care by Lara Archer
The Viscount Always Knocks Twice by Grace Callaway Books
Angel Comes to the Devil’s Keep by Regina Jeffers Author Page
Murmuration by Tj Klune
Six Degrees of Scandal by Caroline Linden

INSPIRATIONAL ROMANTIC MYSTERY/SUSPENSE
Rocky Mountain Pursuit by Mary Alford
The Stronghold by Lisa Carter
The Dragon Roars, Book Two of The Seven Trilogy by Sara Davidson
Classified Christmas Mission by Lynette Eason
Deception by Author Elizabeth Goddard
Blindsided by Katy Lee Books

PARANORMAL (PARANORMAL/TIME TRAVEL/FUTURISTIC) ROMANTIC MYSTERY/SUSPENSE
Glisten by Tricia Cerrone
Don’t Let Me Forget You by Cara Crescent
Deader Homes and Gardens by Angie Fox
From This Fae Forward by AE Jones
Mercury Striking by Rebecca Zanetti

SINGLE TITLE ROMANTIC MYSTERY/SUSPENSE
Betrayed by Kaylea Cross
Wanted by Marissa Garner
Hard Silence by Mia Kay
Her Darkest Nightmare by Author Brenda Novak
Killing Game by Chandler Steele

MAINSTREAM MYSTERY/SUSPENSE
Notorious by Carey Baldwin
Death Among the Doilies (A Cora Crafts Mystery) by Mollie Cox Bryan
Elegy in Scarlet by BV Lawson
Say No More by Hank Phillippi Ryan
In the Barren Ground by Loreth Anne White Beswetherick

 

AngelCoverAngel Comes to the Devil’s Keep: Book 1 of the Twins’ Trilogy

Huntington McLaughlin, the Marquess of Malvern, wakes in a farmhouse, with a head injury and being tended by an ethereal “angel,” who claims to be his wife. However, reality is often deceptive, and Angelica Lovelace is far from innocent in Hunt’s difficulties. Yet, there is something about the woman that calls to him as no other ever has. When she attends his mother’s annual summer house party, their lives are intertwined in a series of mistaken identities, assaults, kidnappings, overlapping relations, and murders, which will either bring them together forever or tear them irretrievably apart. As Hunt attempts to right his world from problems caused by the head injury that has robbed him of parts of his memory, his best friend, the Earl of Remmington, makes it clear that he intends to claim Angelica as his wife. Hunt must decide whether to permit her to align herself with the earldom or claim the only woman who stirs his heart–and if he does the latter, can he still serve the dukedom with a hoydenish American heiress at his side?

Taylor Jones

The story is charming, with interesting and realistic characters, a complex plot with plenty of surprises, and a sweet romance woven through it all. The author has a good command of what it was like to be a woman in nineteenth-century England–almost as if she had been there. She really did her research for this one.

Regan Murphy

Angel Comes to Devil’s Keep is a well-written tale of courage and sacrifice and what women went through in order to marry well in Regency England. The author did her homework and it shows in an authenticity that we don’t often see in Regency romances.

Nook

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Kobo

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Smashwords

https://www.smashwords.com/books/view/652912

Amazon

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Kindle

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Black Opal Books

http://www.blackopalbooks.com/shop-our-store/blackopalstore/angel-comes-to-the-devils-keep

Amazon.com: https://www.amazon.com/dp/B01JTK0EJS#nav-subnav

B&N: http://www.barnesandnoble.com/w/angel-comes-to-the-devils-keep-regina-jeffers/1124152083?ean=2940157001612

iTunes: https://itunes.apple.com/us/book/angel-comes-to-the-devils-keep/id1137308424?ls=1&mt=11

 

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Half-Timbered Architectural Elements, a Tudor Construction

One of the most prominent features of Tudor and medieval architecture is what is called “half-timbered houses.” The editors of the Encyclopedia Britannica describes “Half-timber work” as a, “method of building in which external and internal walls are constructed of timber frames and the spaces between the structural members are filled with such materials as brick, plaster, or wattle and daub. Traditionally, a half-timbered building was made of squared oak timbers joined by mortises, tenons, and wooden pegs; the building’s cagelike structural skeleton is often strengthened at the corners with braces. This method of timber framing was adapted to both low, rambling country homes and six- or seven-storied buildings in crowded towns. In England it was popular in regions that lacked stone as a building material. It was used in England in the southern counties and the West Midlands, especially, from about 1450 to 1650.

“The wooden frames of 13th- and 14th-century half-timber structures were often elaborately ornamented. Exposed ground-floor posts were frequently carved with the images of patron saints, whereas other framing elements were enriched with delicate running patterns. In France the latter emphasized the vertical elements, and in England the tendency was to stress the horizontal lines of the structure. During the 15th and 16th centuries, the decorative contrast between the dark timber and the lighter filling was fully exploited. Panels between the studs were made of brick in herringbone patterns or of plaster molded or incised with floral forms or with inlays of slate, tile, or marl. Carved ornament was lavish and fanciful and showed classical motifs. Many wooden members were added without structural necessity. These were often crisscrossed under windows, and in England, where more timberwork was exposed, they were assembled in cusped shapes or chevrons to create the striking patterns of the “black and white” manor houses of Cheshire and Lancashire.”

e0c65a70fe954bd5e52863953ce68ed1.jpg ThoughtCo provides us a look at the history of this method of building. “After 1400 AD, many European houses were masonry on the first floor and half-timbered on the upper floors. This design was originally pragmatic—not only was the first floor seemingly more protected from bands of marauders, but like today’s foundations a masonry base could well support a tall wooden structures. It’s a design model that continues with today’s revival styles. In the United States, colonists brought these European building methods with them, but the harsh winters made half-timbered construction impractical. The wood expanded and contracted dramatically, and the plaster and masonry filling between the timbers could not keep out cold drafts. Colonial builders began to cover exterior walls with wood clapboards or masonry.”

Half-timbered indicates that the logs are halved or cut down to a square. In half-timbered buildings the walls are filled in between the structural timbers. Most commonly this infill was wattle-and-daub (upright branches interwoven by smaller branches and covered by a thick coat of clay mud), laths and plaster, or bricks. 

The 15th century half-timbered Black Swan Public house, Peasholme Green, York, Yorkshire, England, United Kingdom, Europe

http://www.robertharding.com The 15th century half-timbered Black Swan Public house, Peasholme Green, York, Yorkshire, England

To accomplish this, first stone or brick is set to serve as a footing around the perimeter of the house. Into that, a sill beam is placed on the foundation. Then upright beams are set with mortar into the sill beam and tenoned at the top into another horizontal beam. Think of this is like building blocks. One box is set upon another to create multiple floors.  

Britain Express tells us, “Often the upper floors project out over the lower ones. There are several conjectures as to the reasons for this. One is that houses in cities were taxed on the width of street frontage they used. So a high, narrow house saved the owner money, yet to maximize interior space the non-taxed upper floors were lengthened. Also, the projecting upper floors helped protect the lower house from rain and snow in the days before gutters and down-pipes.

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Tudor half-timbered buildings in Exeter Historic 15th century buildings in West Street

 “By the 15th and 16th century timber framing began to be exploited for its decorative qualities. Timbers which had minimal structural importance were added to the frame, to enhance the decorative effect of dark wood set into whitewashed walls. The Jacobean period saw this use carried to extremes.

“The construction methods used in half-timbering allow buildings to be easily dis-assembled and put up again elsewhere. This has helped salvage houses which would otherwise have been destroyed to make way for new development. Many medieval timber-framed houses have been re-erected at open air museums such as the Weald and Downland Museum at Singleton, West Sussex, and the Avoncroft Museum of Buildings at Bromsgrove, Worcestershire.”

Resources: 

“Half Timber Work,” Encyclopedia Britannica 

“Half-Timbered Houses,” Britain Express 

“What Is Half-Timbered Construction,” ThoughtCo

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Jane Austen and the Rise of the Novel, a Guest Post from Victoria Kincaid

Here is another guest post from one of my fellow Austen Authors. Victoria Kincaid takes us on the search for the “novel.” 

regency_era.jpg I remember the moment in college when I realized that the novel was a relatively recent writing form. Novels are so dominant today—pushing all other writing formats to the side—that it’s hard to imagine a time when they didn’t exist. But in fact, the ancient Romans and Greeks had plays and poems (some very long epic poems that seem like novels)—as well as various nonfiction forms—but nothing resembling a novel. It wasn’t until the 1700s that we start seeing something that we would consider a novel today; in fact, the very name “novel” suggests that it is a new form of writing.

The ancestors of today’s novel were Elizabethan prose fiction and French heroic romances, which were long narratives about noble characters (the word for novel in many European language is “roman”—suggesting the form’s connection to medieval romances). What distinguishes these genres from novels is that they tend to focus on larger-than-life characters, epic quests, extraordinary heroes, and unbelievable adventures—which often symbolize primal human hopes and fears. Obviously, some novels share some of these characteristics. But what distinguishes the novel from the romance is its realistic treatment of life and manners. Its heroes are men and women like ourselves, and it primarily examines human character in society (certainly a good description of Austen’s work!).

The question of what was the first English novel is the subject of some debate. Some scholars would give that title to Daniel Defoe’s Robinson Crusoe (1719) (followed by his Moll Flanders in 1722). Both are rather episodic narratives stitched together mainly because they happen to one person. However, these central characters are regular people living in a solid and specific a world. Thus Defoe is often credited with being the first writer of “realistic” fiction.

Other scholars would give the title of first English novel to Pamela, an epistolary novel (told through a series of fictional letters) written in 1741 by Samuel Richardson. Pamela often gets the nod because of its psychological depth and careful examination of emotional states.

fashion-for-a-regency-ball.jpgThere are, however, other contenders for the title of first novel. One is Japanese author Murasaki Shikibu’s Tale of Genji (1010) which demonstrates an interest in character development and psychological observation. Another claimant is Love-Letters Between a Nobleman and His Sister (1687), a collection of fictional letters by Aphra Behn, who was the first woman in England to earn her living as a writer (she was primarily a playwright). Cervantes’ Don Quixote (1605-15) is considered an important progenitor of the modern novel.

All of this is to say that the novel was still a relatively new form of writing when Jane Austen came along. It had not been popular or widespread for even a hundred years when Pride and Prejudice was written. By then a lot of novels were being written, many of them with romantic elements and many of them written by women. Although the history of the novel often credits men with earliest examples of the genre, it is important to understand that many female authors (often forgotten today) were also part of the rise of the novel. Jane Austen did not simply spring spontaneously into being; rather, she was writing in the same tradition as Frances Burney, Maria Edgeworth, and other writers like them.

In fact, many scholars would suggest that there is a particular connection between female writers and the novel form. The history of the rise of the novel also parallels in some ways the rise of the female author. The advent of the novel made possible the publication and popularity of the Bronte sisters, George Eliot, and many other female authors who are not as well known today.

Virginia Woolf notes this confluence in A Room of One’s Own. She writes about how novels allowed women to adapt a new kind of sentence—rather than the kind of writing necessary for poetry or plays—to their own needs. “All the older forms of literature were hardened and set by the time she [womenkind] became a writer. The novel alone was young enough to be soft in her hands.” Woolf describes how women were able to use and shape a genre that did not have rigid traditions: “since freedom and fullness of expression are the essence of the art, such a lack of tradition, such a scarcity and inadequacy of tools, must have told enormously upon the writing of women.”

Throughout the book, Woolf pays tribute to Austen as a progenitor female author, and particularly calls out her the way she shaped the novel’s prose for her purposes: “Jane Austen looked at it [the traditional sentence] and laughed at it, and devised a perfectly natural, shapely sentence for her own use…” I love this image of Austen taking language, laughing at the clumsy tool she has been given, and reshaping it to her own purposes. It makes me think not only of Austen’s genius, but also the fun she must have had while she was writing—as she helped to create not only new stories, but also a new genre.

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Yorkshire’s Legendary “Blind Jack” Metcalf, Extraordinary Road Builder

What do you know of  Yorkshire’s legendary hero, “Blind Jack (John Metcalf)”?

JOHN METCALF was born at Knaresborough, on the 15 August, 1717 in a thatched cottage opposite Knaresborough Castle. Metcalf was considered a a pioneer in road construction. Between 1765 to 1792, Metcalf designed and helped build 180 miles (290 km) of turnpike road mainly in and around Yorkshire, Lancashire and Derbyshire. Many of his routes still survive today, for example as parts of the A59 and the A61. This was made even more remarkable by the fact that Metcalf was blind.

200px-John_Metcalf_1801.JPG

An attack of smallpox left Metcalf permanently blind when he was six years old, but this did not seem to hamper the boy. It is said that after three years of blindness, Jack could find his way to any part of Knaresborough. He became an excellent rider and learned to place an instrument. Stories even tell of how Jack rushed into the River Nidd to rescue a soldier who was drowning, unable to swim due to a sudden bout of cramp. It took Jack four attempts, but eventually the soldier was saved.

At 15, Jack became the in-house fiddler at the Queen’s Head in Harrogate, replacing a 70-year-old fiddler who had apparently come to play the fiddle ‘too slow for country dancing’. Metcalf also became a guide to visitors in the local area, sometimes finding that the only way to receive custom from tourists was to conceal his blindness. In his youth, Metcalf also eloped with Dolly Benson, the daughter of the landlord of the Royal Oak in Knaresborough.

According to Historic UK, Jack joined the ‘Yorkshire Blues’ in 1764. This was a 64-man militia raised in the district by Captain Thornton to fight Bonnie Prince Charlie and the Jacobites. The militia’s uniforms were dark blue with gold lace, providing their name. At the Battle of Falkirk, Jack evaded capture and was present at the Battle of Culloden, which saw the decisive defeat of the Jacobite rising by the Duke of Cumberland.

By 1752, Jack was operating a stagecoach company between York and Knaresborough, exposing him to the appalling condition of local roads. Soon after a new Turnpike Act in 1752, seizing the opportunity to make some money,  Metcalf obtained a contract for building a three-miles’ stretch of road between Ferrensby and Minskip.

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Knaresborough Viaduct via http://www.geograph.org.uk

Metcalf became famous as a builder of roads and bridges, using techniques that in the 18th Century were revolutionary. According to Ancestry.com, he “built roads on the Plain of York, as well as over the much more difficult terrain of the Pennines. His greatest speciality was in laying them across marshy ground, a problem no-one previously had solved. His only instrument was a stout staff. His method for laying foundations was to order his men to pull and bind heather in round bundles and to lay it on the intended road in rows, piling more bundles on top and pressing them down into the bog to soak up the water. He then brought carts loaded with stone and gravel to lay above the bundles of heather [and whin (types of heather and gorse, respectively)]. Living at a time when turnpike roads were being built all over Britain, he was responsible for around 180 miles of road in Yorkshire, Lancashire, Derbyshire and Cheshire, including the roads from Harrogate to Boroughbridge, Wakefield to Dewsbury and Doncaster, Knaresborough to Wetherby and Huddersfield to Halifax.” He advanced a viable mode of building upon marshland by using a combination of ling and whin (types of heather and gorse, respectively). Building a road from Harrogate to Knaresborough, Metcalf encountered a bog, and some saw the task as impossible. Nevertheless, Metcalf built across the bog and received the tidy sum of four hundred pounds for his work.

“Itching to do new things even in old age, Metcalf walked all the way from Spofforth to York to dictate his life story to a publisher, who printed the biography in 1795. E. & R. Pick’s The Life of John Metcalf, Commonly Called Blind Jack of Knaresborough also describes Jack’s exploits in hunting, card-playing, cock-fighting, bridge construction and ‘other undertakings’. Upon death, Blind Jack left behind 4 daughters, 20 grandchildren and a phenomenal 90 great and great-great grandchildren.” (Historic UK)

His headstone, erected in the churchyard of All Saints Church, Spofforth, at the cost of Lord Dundas, bears this epitaph: 

“Here lies John Metcalf, one whose infant sight
Felt the dark pressure of an endless night;
Yet such the fervour of his dauntless mind,
His limbs full strung, his spirits unconfined,
That, long ere yet life’s bolder years began,
The sightless efforts mark’d th’ aspiring man;
Nor mark’d in vain—high deeds his manhood dared,
And commerce, travel, both his ardour shared.
’Twas his a guide’s unerring aid to lend—
O’er trackless wastes to bid new roads extend;
And, when rebellion reared her giant size,
’Twas his to burn with patriot enterprise;
For parting wife and babes, one pang to feel,
Then welcome danger for his country’s weal.
Reader, like him, exert thy utmost talent given!
Reader, like him, adore the bounteous hand of Heaven.

[via Wikipedia as the source from . . .

“Curious Epitaphs, by William Andrews—A Project Gutenberg eBook”http://www.gutenberg.org.]

statue-of-john-blind-jack-metcalf-market-place-knaresborough-north-HT70Y4

“So valued by Knaresborough’s locals is their legendary road-builder that in 2008 they raised £30,000 to have his tall, portly figure immortalized in bronze by Barbara Asquith. Grasping a surveyor’s wheel in his right hand, Jack’s statue sits on a bench in the town centre, just outside the Blind Jack’s Pub. Although divided by over two centuries, present-day locals may sit beside Jack whenever they wish.”

Additional Resources to Extend Your Reading:

Friday Poem: ‘The Ballad of Blind Jack Metcalf’

Ian Duhig’s The Blind Roadmaker is out now.

Fabulous Tales of The Life of John Metcalf can be found HERE.

The Life of John Metcalf  by the man himself. 

“John Metcalf (Civil Engineer),” Wikipedia 

Tales of Metcalf’s Love Life can be found HERE. 

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Sir Walter Scott, the Historical Romance, and the Creation of a National Identity – Part I

 

Sir Walter Scott, 1st Baronet http://www.britannica. com/EBchecked/topic /529629/Sir-Walter-Scott-1st-Baronet

Walter Scott was the first great writer to recognize the potential of historical romance as a “dramatic narration of national history, a modern commercial equivalent of the old national epic. Scott’s Waverley novels started out as the romance of Scotland, but of a Scotland that was now part of the United Kingdom, so that the hero was generally a young adventurer from south of the border. But Scott soon broke with this pattern, and with Ivanhoe (1819), the tenth in the series, her turned the adventure tale into a ‘foundation epic of England.’” [Parrinder, Patrick, Nation and Novel, Oxford University Press, 2006, pg. 151]

In Ivanhoe, Scott addresses what he purports to be the beginnings of the “English identity” with the portrayal of the barriers between the Norman lords and their Saxon serfs. Scott creates “history” with his scenes demonstrating the divide between these two groups: politically, culturally, and linguistically. These depictions influenced later historiography. For a discussion of whether this “creation of history” was a good or a bad thing, read The Isles: A History, by Norman Davies (Macmilliam Press, 2000, pp. 335-337).

ivanhoeScott’s story brings to life the hardships under which the Saxons lived. Ivanhoe is set four generations after the Norman conquest of England. Having been captured on his return to England after the Crusades, King Richard is an Austrian prison. His brother, Prince John, has claimed the throne. Prince John encourages the Norman nobles to claim supremacy over the Saxons, capriciously robbing the Saxons of their lands and turning Saxon landowners into serfs. The Saxon nobility, especially Cedric of Rotherwood, decry the Norman’s highhandedness.  Cedric is so loyal to the Saxon cause that he has disinherited his son Ivanhoe for following King Richard to war.

The epigraph for Chapter 7 comes from John Dryden’s poem “Palamon and Arcite.” This poem is based on Geoffrey Chaucer’s “Knight’s Tale,” one of the Canterbury Tales. In these particular lines, we get a description of knights coming together for a tournament.

Knights, with a long retinue of their squires,
In gaudy liveries march and quaint attires;
One laced the helm, another held the lance,
A third the shining buckler did advance.
The courser paw’d the ground with restless feet,
And snorting foam’d and champ’d the golden bit.
The smiths and armourers on palfreys ride,
Files in their hands, and hammers at their side;
And nails for loosen’d spears, and thongs for shields provide.
The yeomen guard the streets in seemly bands;
And clowns come crowding on, with cudgels in their hands.
Palamon and Arcite

 vmf_vendor_UNN_4278555_1443202370049_527512.jpg Chapter 7 gives the reader a detailed description of the conditions in which the nation suffered. Scott’s uses the suffering of the Saxons as a means to define the ‘state of the nation.’

The condition of the English nation was at this time sufficiently miserable. King Richard was absent a prisoner, and in the power of the perfidious and cruel Duke of Austria. Even the very place of his captivity was uncertain, and his fate but very imperfectly known to the generality of his subjects, who were, in the meantime, a prey to every species of subaltern oppression.

Prince John, in league with Philip of France, Coeur-de-Lion’s mortal enemy, was using every species of influence with the Duke of Austria, to prolong the captivity of his brother Richard, to whom he stood indebted for so many favours. In the meantime, he was strengthening his own faction in the kingdom, of which he proposed to dispute the succession, in case of the King’s death, with the legitimate heir, Arthur Duke of Brittany, son of Geoffrey Plantagenet, the elder brother of John. This usurpation, it is well known, he afterwards effected. His own character being light, profligate, and perfidious, John easily attached to his person and faction, not only all who had reason to dread the resentment of Richard for criminal proceedings during his absence, but also the numerous class of “lawless resolutes,” whom the crusades had turned back on their country, accomplished in the vices of the East, impoverished in substance, and hardened in character, and who placed their hopes of harvest in civil commotion. To these causes of public distress and apprehension, must be added, the multitude of outlaws, who, driven to despair by the oppression of the feudal nobility, and the severe exercise of the forest laws, banded together in large gangs, and, keeping possession of the forests and the wastes, set at defiance the justice and magistracy of the country. The nobles themselves, each fortified within his own castle, and playing the petty sovereign over his own dominions, were the leaders of bands scarce less lawless and oppressive than those of the avowed depredators. 

To maintain these retainers, and to support the extravagance and magnificence which their pride induced them to affect, the nobility borrowed sums of money from the Jews at the most usurious interest, which gnawed into their estates like consuming cankers, scarce to be cured unless when circumstances gave them an opportunity of getting free, by exercising upon their creditors some act of unprincipled violence.

Under the various burdens imposed by this unhappy state of affairs, the people of England suffered deeply for the present, and had yet more dreadful cause to fear for the future. To augment their misery, a contagious disorder of a dangerous nature spread through the land; and, rendered more virulent by the uncleanness, the indifferent food, and the wretched lodging of the lower classes, swept off many whose fate the survivors were tempted to envy, as exempting them from the evils which were to come.

Parrinder says, “In Ivanhoe the King whose banner of Le Noir Faineant, literally, the ‘do-nothing’ black knight – [represents] a medieval anticipation of the nineteenth century doctrine of laissez-faire (155).” Scott’s story creates a crisis of instability and anarchy as the setting. Much of the derision between the Normans and the Saxons occupies the opening chapters of the novel. The “contagious disorder” in the quote above is the suffering of ordinary people. 

Scott follows this description of desolation with a “romantic” scene of a tournament held to entertain Prince John. One of the champions of the displaced Saxons turns out to be Ivanhoe, who fights under the name of the ‘Disinherited Knight.’ Ivanhoe defeats his Norman foes. “The ethic of chivalry is manifestly inadequate to deal with the social injustices Scott has outlined, but, after, all, he is writing an adventure romance and not a historical tract for his times.” (Parrinder, 155)

This “epic” romance is what Scott called the “Big Bow-Wow strain.” In Part II, we will look at the “romance” found in Scott’s Ivanhoe.

Posted in British history, historical fiction, Living in the Regency, publishing, real life tales, romantic verse, writing | Tagged , , | 1 Comment

Princess Louise Marries a Commoner

c859b2290db4f763cf0476aea9fa2912.jpg In March 1871, Princess Louise Carolina Alberta, fourth daughter and sixth child of Queen Victoria married John Douglas Sutherland Campbell, Marquis of Lorne and heir to the dukedom of Argyll , which created quite a stir. In 1870, Lorne was marked by Queen Victoria as a possible groom for Louise, but at first, the princess was undecided upon Lorne.

Louise knew the difficulty her her eldest sister encountered in the royal courts of Europe, where Vicky’s liberal-minded precepts were met with repression. Louise did not believe she could not live such a life of restriction, especially with her growing interest in philanthropy and the advancement of women. She would be labeled as a troublemaker, just as Vicky was. Therefore, she knew she must seek a British husband, which meant a non-royal and a commoner. Her engagement to the Marquis of Lorne in the autumn of 1870 was supported not only by her mother but also by her mother’s Prime Minister, Benjamin Disraeli. Disraeli knew Lorne, a commoner despite his descent from the Kings of Scotland, for a gentle, good-tempered man of ‘bright cultivated intelligence’ who was just right for the artistic Louise. The match also pleased the British public which had feared yet another of the ‘German marriages’ which, in their view, had already occurred too often in the Royal Family. 

“In March 1870, the Marquess of Lorne was told an engagement was not going to take place; Louise had changed her mind. As the Queen wrote to Lord Granville on 13 March, ‘while the Princess thinks Lord Lorne very clever and agreeable, she does not think she could have that feeling for him which would enable her to wish for any nearer acquaintance with a view to a further result. He is too young for her…’

51bSI++o8YL._SX325_BO1,204,203,200_.jpg “The end of her putative engagement to Lorne does not seem to have caused Louise much heartache. Soon afterwards, she was at a breakfast party hosted by the Gladstone [the queen’s longtime bête noire, Prime Minister William Gladstone] family and Lady Lucy Cavendish noted in her diary, ‘Sat by Princess Louise, who looked very pretty and was charming and well-mannered, as usual.’ Rumours now suggested Lord Cowper as the princess’s intended fiancé. At the start of October, however, all mention of Lord Cowper was at an end, and the newspapers were about to get the story they’d been longing for.” (Hawksley, Lucinda. Queen Victoria’s Mysterious Daughter: A Biography of Princess Louise. ©2013, St Martin’s Press, 119) The princess and Lorne’s chance meeting at the Gladstones’ breakfast party at Carlton House Terrace led them to a better understanding. At the time of their engagement, Lorne’s income was a paltry £4,000, but he was eventually to be 9th Duke of Argyll. Although “romantic love” was purported, it was more likely that the pair thought they could like in harmony. 

article-2508123-006E6CA01000044C-645_306x521.jpgObjections to the marriage were expected from the European states, which did not condone marriages between royalty and commoners; however, the Prince of Wales’s objection was not. As the eldest son and Victoria’s assumed heir, Albert Edward (Bertie) not only objected to his sister marrying a commoner, but he also objected to Lorne for the Campbell family were prominent Liberals. Moreover, Lorne sat in the House of Commons as a supporter of Gladstone. According to Jerrold M. Packard in Victoria’s Daughters (©1998, St. Martin’s, 146), “It is likely, however, that Bertie’s most fundamental objection to his sister’s marriage purely concerned Lorne’s rank, a complaint founded on what were at the time rational grounds. In fact, all sorts of problems would inevitably have to be sorted out: Lorne’s precedence, the unedifying specter of Louise and her spouse being distantly separated at official functions, the Argylls’ deep involvement with banking and commerce (which might generate conflicts of interest, not to mention smacking of actually working for a living), even whether Louise herself might have to give up her own royal status.” 

Princess_Louise_and_Lorne_engagement.jpg The royal family did not expect objections from the public sector. By the time of Louise’s marriage, Victoria’s popularity had dipped considerably for she was sore to make public appearances after Prince Albert’s death. However, in order to force Parliament’s agreement to both Louise’s dowry of £30,000 (+ £6,000 a year for life) and £15,000 for life for Prince Arthur (who had come of age at the same time as the wedding), Victoria agreed to open Parliament (a duty she had forgone since Albert’s death). Louise stood on the steps during this duty. 

Princess Louise and Lorne were married in St. George’s Chapel in Windsor Castle in Berkshire. 

Resources and Other Readings: 

“The Mystery of Princess Louise: Queen Victoria’s Rebellious Daughter by Lucinda Hawksley – Review,” The Guardian 

“Queen Victoria’s ravishing daughter, a secret love and a sex scandal the Royal Family’s STILL trying to cover up,” The Daily Mail 

“Princess Louise,” Britannia 

“Princess Louise, Duchess of Argyll,” Wikipedia 

Posted in British history, family, marriage, Scotland, titles of aristocracy, Victorian era | Tagged , , , , , , , | 4 Comments

A Gest of Robyn Hode, a Robin Hood Folk Ballad

In 1560, William Copeland printed the fragments of the various Robin Hood folk dramas. The “plays” were likely performed by mummers and strolling players for a century or more before Copeland printed them.

A Gest of Robyn Hode

Frontispiece to Wynkyn de Worde's 15th c. or early 16th c. edition of the Gest.A Gest of Roby Hode has been known by a variety of of titles. It is one of the earliest Robin Hood stories, likely written in the late 1400s. It is about 14,000 words in length. 

A “gest,” according to Dictionary.com, means a tale of adventures; especially :  a romance in verse; an adventure, exploit, or knightly gests.

Wikipedia provides us a brief overview of the tale. “A Gest of Robyn Hode” is Child Ballad 117; it is also called A Lyttell Geste of Robyn Hode in one of the two oldest books that contain it. It is one of the oldest surviving tales of Robin Hood [and] shows every sign of having been put together from several already-existing tales. It is a lengthy tale, consisting of eight fyttes, or sections. It is a ballad written in Middle English.”  

250px-Here_begynneth_a_gest_of_Robyn_Hode.png Bold Outlaw breaks down the “fyttes” as follows: “The Gest is divided into eight sections, known as Fyttes. Here’s a breakdown of the main action….

“Fytte 1 — Robin wants to have a guest before they eat. Little John finds a poor knight in threadbare clothing. The knight’s son killed someone in a joust and the knight had to borrow 400 pounds from St. Mary’s Abbey, York to pay the bail. Now, the loan is due, and the knight doesn’t have the money and will lose his lands. Finding him to be honest, Robin loans him the money and gives him fine clothing. He sends Little John along with the knight.

“Fytte 2 — The abbot of St. Mary’s and others are eager to seize the knight’s land. The knight shows up and pretends to be broke. They show no mercy. And therefore, when the knight pays up he doesn’t give them a tip. The knight returns home, collects the money, and makes a gift of fine bows and arrows, to repay Robin. On his way to Barnsdale (Robin’s base), he is delayed to help a yeoman in a wrestling match.

“Fytte 3 — Meanwhile, Little John goes to Nottingham and enters an archery contest. The sheriff is impressed and drafts Little John into his service. After spending some months with the sheriff, Little John causes trouble, fights and recruits the sheriff’s cook and they make off with the sheriff’s treasure. Later, they lure the sheriff into meeting Robin Hood. In exchange for his freedom, the sheriff promises not to harm Robin.

“Fytte 4 — Waiting for the knight to return his loan, Robin and his men intercept the high cellarer of St. Mary’s abbey. The monk is rude and dishonest, and so Robin robs him of 800 pounds, claiming the virgin Mary has sent this payment. When the knight does show up, Robin gives him another 400 pounds.

“Fytte 5 — The Sheriff of Nottingham holds an archery contest for a gold and silver arrow. Robin wins the contest. But his men are ambushed, Little John is wounded, and they take refuge at the castle of the knight (now called Sir Richard at the Lee).

“Fytte 6 — The sheriff goes to the king for help, and returns to capture Sir Richard. Sir Richard’s wife goes to Robin for help. Robin rescues the knight, kills the sheriff and flees to the forest.

“Fytte 7 — Planning to deal with Robin personally, the king goes to the forest disguised as an abbot. He makes friends with Robin. They have an archery contest which Robin loses. The knight discovers the king’s true identity. Robin enters the king’s service.

“Fytte 8 — The king and his men disguise themselves as outlaws and go to Nottingham. Robin serves the king for 15 months. Broke and bored, he returns to Barnsdale, reforms the band, and they stay as outlaws for 22 years. Robin is bled by his cruel cousin, the Prioress of Kirklees, and dies.”

As one can easily assume, latter ballads are based on the Gest

 

Bold Outlaw goes on to say, “Historians, such as John Bellamy, continue to focus on the Gest in their attempts to find an original Robin Hood. The description of Robin’s Yorkshire haunts is unusually specific. (Sherwood Forest is never mentioned in the Gest.) There is much debate about when the story is set. 

This woodcut has been used to illustrate both the Gest and the yeoman of Chaucer's Canterbury Tales“And there’s much debate over which Edward the king is meant to be. In the early 19th century, Joseph Hunter found the king’s journey in the Gest is similar to that of Edward II’s. There was even a Robyn Hood serving as a porter in this king’s court. However, other details point to the reign of Edward III. Professor Stephen Knight stated in his 1994 study of Robin Hood that the king may have been Edward IV, who was likely the king at the time of composition.

“But Professor Thomas Ohlgren has recently shown that the Gest may be have performed for the cloth guilds that were founded in the reign of Edward III. Ohlgren shows there are a lots of references which make Robin sound like a cloth merchant of Edward III’s day. Even the food Robin serves his guests is taken from the guild menus where this story may have originally been read. At a 2003 conference, Ohlgren revised his opinion and felt that the king in the Gest may have been a combination of Edwards III and IV, as if asking the current king to act like his famous predecessor.”

 

 

“Some of the incidents in Fouke fitz Waryn and A Gest of Robyn Hode are, for example, too close to be accounted for by ‘common tradition’ or coincidence — the game of truth and consequences by which those who lie are robbed, while those who tell the truth keep their money; the trick of enticing the enemy into a forest trap by promising him a long-horned stag; the captured king or sheriff swearing an oath not to harm the outlaw and then breaking it; and the wounded sidekick begging the hero to kill him by cutting off his head.”
A Book of Medieval Outlaws: Ten Tales in Modern English, edited by Thomas H. Ohlgren, p. 111.

Other Resources: 

The Child Ballads: 117

The Earliest Editions of the Gest

“Gest of Robyn Hode,” University of Rochester Middle English Text Series (Introduction)

“Gest of Robyn Hode,” University of Rochester Middle English Text Series (Actual Text of the Tale)

“Gest of Robyn Hode” in Traditional English You Tube 

The Project Gutenberg eBooks of Ballads of Robin Hood and other Outlaws by Frank Sidgwick

 

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