Uffington Castle, Dragon Hill, and Wayland’s Smithy

To go along with my post on Friday on the preservation efforts of the White Horse, I thought I might mention other sites along the way in the Berkshire Downs.

First and foremost, one must address the road that traverses the area. Known as “the Ridgeway,” it is considered the oldest road in England. The Ridgeway covers some 87 miles (140 km beginning at the circle at Avebury to Ivinghoe Beacon in the Chilterns. The Ridgeway was likely first traveled by foot some 4000 years ago. In recent years, “crop circles” have been discovered along the Ridgeway.

Uffington Castle – https://www.visitfaringdon.co.uk/uffington-castle-dragon-hill.html
Trig point on Whitehorse Hill The trig point on Whtiehorse Hill is located beside the earthworks of Uffington Castle, at 261m this is the highest point in Oxfordshire. ~ https://en.wikipedia.org/wiki/Uffington_Castle#/media/File:Trig_point_on_Whitehorse_Hill_-geograph.org.uk-_1370581.jpg ~ CC BY-SA 2.0

Uffington Castle is an Iron Act hillfort on the summit of Whitehorse Hill. It measures about 220 metres by 160 metres and has a white chalk-stone bank/inner rampart, which measures 12 metres wide and about 2.5 metres high. It covers 8 acres (3.2 ha) At one time, it had been lined with sandstone stones, known as “sarsen.” It is one of a chain of hill forts along the Ridgeway. “It is a univalate hillfort, ie of single ditch, single rampart design, with an interior area of approximately 8 acres. Originally there were two entrances, the western (remaining) one and an eastern one filled in during the Roman period. NE and SE entrances are probably Roman.

“Built approximately around 500 BC, it had ramparts topped with a wooden palisade, replaced by a sarsen stone wall around 300 BC. The ditch , originally 10 ft deeper than at present, has been partly filled with stones from the wall which was pushed down during the Roman period. The fort was only used temporarily or seasonally, and probably a meeting place, animal corral, ritual centre, or Ridgeway travellers’ stop. Artefacts discovered during archaeological digs in the 1990s suggest that usage increased during the Roman period. There is no water on the hill, although it is possible that clay lined ponds were constructed, but have all been ploughed out.

“The white 4ft obelisk on the eastern outer bank of the fort is a trig point, which marks the highest point in Oxfordshire, – 858 ft. It is one of 25,000 used before the advent of satellite surveying, to map the country. This trig point is one of a small number still in use by the Ordnance Survey, and is a known trig point from which GPS can be tracked. The distance between this trig point and the one at Liddington Castle formed the standard distance from which imperial Ordnance Survey maps were scaled.” [Places to Visit in Faringdon

Large Iron Age hillforts are rare. Most are located on the high chalklands of the southern counties of England, and Uffington Castle is regarded as an outstanding example.

Dragon Hill – Third Eye Traveller ~ https://thirdeyetraveller.com/legends-dragon-hill-england-st-george-dragon/

The mysterious Dragon Hill sits above The Manger and directly below Uffington White Horse in Oxfordshire (transferred from Berkshire in 1974). It is a small flat-topped hill sporting a bare patch, where no grass will grow. It is a natural chalk hill that was flattened by man instead of being so naturally. What makes this hill so special, you may ask? According to the local legend, Dragon Hill is so named for this was the spot where St George killed the fire-breathing dragon plaguing the land. Where the dragon’s blood fell is the spot where no grass will grow. Is that not a wonderful tale???

Dragon Hill was also mentioned in the Arthurian Tales and is even thought to have been the inspiration for Weathertop in Tolkien’s Lord of the Rings

Some people go so far as to say the White Horse (See Friday’s post) is not a horse, at all. Rather it represents the dragon killed by St George.

One of Britains best examples of a neolithic long barrow, located on the Ridgeway, close to the Uffington white horse in Oxfordshire. ~ https://en.wikipedia.org/wiki/Wayland%27s_Smithy#/media/File:Wayland_Smithy_Long_barrow.jpg ~ CC BY-SA 3.0

Wayland’s Smithy is west of Uffington Castle. It is a neolithic burial chamber surrounded by beech trees. It is a chambered long barrow and can be found near the village of Ashbury in Oxfordshire. It was likely built in the 36th Century B.C. It has been partially reconstructed over the years.

Believed to have been built by one or more pastoralist communities in early Britain, Wayland Smithy is unique in that it differs from the long barrow building common in Neolithic Europe. It has a more localized version of the barrows, generally found in southwest Britain, now known as the Severn-Cotswold Group. It is a prime example of this structures.

It is some 185 feet (56 m) in length and 43 feet (13 m) wide. Restoration efforts have assisted in establishing how it must have looked. An oval barrow timber-chamber is estimated to have been built around 3590 to 3550 B.C. Later, a stone-chambered long barrow was added, likely between 3460 and 3400 B.C. [“Archaeological history and research”. English Heritage.]

The Middle Ages saw the site being associated with the Saxon god of smiths, Wayland. Wayland is said to be able to forge armor with the magical abilities of give the wearer wings like an eagle. He was also known to create invincible swords. In fact, it was Wayland the Smith who supposed forged Excalibur for King Arthur.

Posted in British history, buildings and structures, Great Britain, history, legends, legends and myths | Tagged , , , , , , | Comments Off on Uffington Castle, Dragon Hill, and Wayland’s Smithy

The Uffington White Horse

Near the village of Uffington in Oxfordshire, England, one can find a most miraculous symbol, the oldest of the English hill figures. Some 3000 years old, the Uffington White Horse is a stick figure-style horse nearly the size of a football field and visible from 20 miles away.

It is roughly 365 feet (111 m) long and 120 feet (37 m) high. It was created in the late Bronze Age, when horses were revered. “Chalking Day” is conducted by the National Trust. The event is also referred to as “Scouring of the White Horse.” It is a cleaning ritual that has been written about since 1736 when Francis Wise described it, but it has occurred since around 1200 B.C.

The practice has been called the “world’s largest coloring between the lines.” The vegetation around the “horse” is weeded and edged to keep the shape’s distinct lines. Then, chalk is smashed into a paste and painstakingly added by hand to keep the shape true to the original. Inch by inch, the stony pathways in the grass are whitened.

In the past, thousands of people would have come for the scouring, holding a fair in the circle of a prehistoric fort nearby. It occurred every seven years and was a time of great celebration and merrymaking. Feasts occurred, and the hill itself hosted games of all kinds, as did the Manger, a deep valley scooped out of the hillside beneath the horse. The fair is no longer part of the ritual, but it is no less a grand experience. Without the scouring, the area would have long ago become overgrown, and a bit of history would have been lost.

These days it’s a quieter event.

“National Trust ranger Andy Foley hands out hammers. ‘It must have happened in this way since it was put on the hillside,” he says. “If people didn’t look after it the horse would be gone within 20 to 30 years; overgrown and eroded. We’re following in the footsteps of the ancients, doing exactly what they did 3,000 years ago.’ The trenches would have been dug out using antler picks and wooden spades: tough, labor-intensive work. How the builders planned and executed such a large figure when the full effect can only be taken in from several miles away is still a mystery.”  (Smithsonian Magazine)

Posted in British history, buildings and structures, history, medieval | Tagged , , , , | Comments Off on The Uffington White Horse

Esperanto, the Language of Peace

What do you know about the universal language Esperanto? Some of you may have come across it in a low-budget horror movie staring a 33-year-old actor by the name of William Shatner, who later became Captain James T. Kirk of Star Trek fame. The film, Incubus was filmed in Esperanto, not to support the idea of a language of peace, as the language was originally designed, but to provide the film an eerie overtone. The idea bombed.

Developed by one Lazarus Ludwig (Ludwik) Zamenhof, Esperanto was to become a common language, one which permit nations at war to trust each other. Zamenhof was an ophthalmologist by trade, but, more importantly, he was a linguist. His father and his grandfather had been foreign language teachers.

His family lived in Warsaw. He loved languages and spoke many of them. He even wrote a five-act tragedy based on the tale of the Tower of Babel. It was called The Tower of Babel, or the Białystok Tragedy in Five Acts. Zamenhof envisioned a world without either linguistic barriers and the hatred of one religion for another. He wished to present the world with an international language that would be easy to learn and accessible to all.

The first version of Esperanto arrived in 1873. However, the original copybook containing the first version of the language was burned by Ludwik’s father. According to the family legend, he wanted his son to pay more attention to his studies.

Ludwik Zamenhof at the Esperanto congress in Antwerp, 1911, source: Forum ~ https://culture.pl/en/article/9-things-you-need-to-know-about-esperanto-its-creator

In 1879, Zamenhof went to Moscow to study medicine. He became a Zionist as he faced more and more antisemitism during his Russian stay. His thoughts on Zionism had a change when he returned to Warsaw to establish his residency as an ophthomologist.

He published the book Lingvo internacia under the pseudonym Dr. Esperanto (Dr. One Who Hopes) on July 14, 1887. His “hope” was that the language would lead to international peace. Unfortunately, his “hope” was an expensive endeavor, and Zamenhof suffered many financial setbacks. “The book contained the 16 cardinal grammatical rules of Esperanto as well as 917 word roots taken mostly from existing European languages: Romance, Germanic and Slavic languages. Leo Tolstoy reportedly learned Esperanto in 3-4 hours. The language spread massively in the early 20th century and the first International Esperanto Congress was organized in 1905. Following WWI, Esperanto was often conceived as a quasi-revolutionary instrument of the emancipation of the proletariat, endorsed by Socialists and called by them ‘Latin of the workers’.” (9 Things You Need to Know About Esperanto and Its Creator) The idea was to create the easiest possible language which could be learned in a shortest possible time-span.

The First Esperanto Textbook ~ https://zamenhof.info/en/biografio

Eventually, he moved toward Grodno, where he revisited the idea of Zionism. He also began working on the foundations of a new religion, called Hillelism. Rabbi Hillel was known for his gentleness and tolerance, and Zamenhof used him as the basis for the religion. He wished to connect people religiously as well as having a common language. “He later modified Hellelism, renaming it Homaranism (the meaning of which in Esperanto referred to humanity more generally), so that it might serve as the basis for a new, universal, linguistically neutral human culture. However the new religious found few adherents. In 1888, Zamenhof published two new books, Dua libro de lingvo internacia (The Second Book of the International Language) and Aldono al la Dua libro (Supplement to the Second Book). The following year he produced Russian–Esperanto and German–Esperanto dictionaries.

“Returning to Warsaw in 1898, he opened a private medical practice. From 1889, he edited the monthly La Esperantisto, which was published in Nuremberg; he also founded the Universala Esperanto-Asocio (World Society of Esperantists). In the programmatic declaration of its first congress, held in 1905 in the French city of Boulogne-sur-Mer, Zamenhof abjured all the benefits of authorship of the new language, turning it over to the entire world. He translated many works into Esperanto, including the Torah, which he finished shortly before his death.” (Zamenhof, Ludwik)

World War I and his declining health saw an end to his hopes of bringing people together under one language and one religion. His daughter Lidia took up his cause and widely lectured on the merits of Esperanto throughout Europe and the United States, but she was arrested by the Germans and confined to the Warsaw ghetto during Hitler’s reign over Europe. Adolf Hitler considered Esperanto an instrument of an international Jewish conspiracy. Eventually, along with her sister Zofia, she was transported to Treblinka, where she was murdered by the Nazis. Their brother Adam was murdered in the mass executions in Palmiry forest in 1940.

Other Sources:

9 Things You Need to Know About Esperanto and Its Creator

Birth of Ludwig Zamenhof, Creator of Esperanto

A Short Biography of Zamenhof

The Yivo Encyclopedia of Jews in Eastern Europe

Posted in etymology, history, language choices, word choices | Tagged , , , , | Comments Off on Esperanto, the Language of Peace

What Exactly Did It Mean for A Clergyman to Have a “Living” Bestowed Upon Him During the Regency Period?

Henry Singleton: “The Curate of the Parish Returned From Duty.” London, circa 1800. Engraved by T. Burke.

We often read in a Regency era book something to the effect of the master of the estate bestowing a “living” upon a clergyman. Exactly, what did that entail? Once the living was bestowed, could the owner of the estate take it away if he thought someone else would serve him better? Was the living considered a for-life appointment? 

First, let’s have a look at the differences between those stations available for a living. 

The way someone quite some time ago explained it to me, a rector did not necessarily have to be ordained. He did receive the greater tithes, meaning 10% of the cereal crops grown in the parish in compensation for the freehold land set aside for church use. He served not only the church but also some administrative duties for the parish: registration of births, marriages, deaths and serving on the magistrate bench.

Vicar is the title given to certain parish priests in the Church of England. It has played a significant role in Anglican Church organisation in ways that are different from other Christian denominations. The title is very old and arises from the medieval situation where priests were appointed either by a secular lord, by a bishop or by a religious foundation. Wherever there is a vicar he shares the benefice with a rector (usually non-resident) to whom the great tithes were paid. Vicar derives from the Latin “vicarius” meaning a substitute. Historically, Anglican parish priests were divided into rectors, vicars and (rarely) perpetual curates. These were distinguished according to the way in which they were appointed and remunerated. The church was supported by tithes: taxes (traditionally of ten percent) levied on the personal and agricultural output of the parish.

A vicar was the most common title used for those overseeing a parish. Unfortunately, not all vicars were men of faith. We customarily think of the third son of an aristocratic family joining the clergy. All it took to be ordained was the right connections and enough money.

During the Regency, a living was established for the leader of the parish church. This was customarily a rector or vicar. Once installed into a living, those chosen were there for life. Only a bishop could remove the fellow and the cause had to be of public notice. If a holder of a living thought himself too old or too feeble to continue, he could hire a curate to take over his parish duties, that is, assuming he could afford to do so. In Jane Austen’s Persuasion, Charles Hayter serves as a curate. 

“And, pray, who is Charles Hayter? Nothing but a country curate. A most improper match for Miss Musgrove of Uppercross.”—Mary Musgrove, Persuasion

Random Bits of Fascination tells us: “Whether or not a vicar had the resources for hiring a curate depended on the parish itself. His portion would be the lesser tithes, 10% of the parish’s produce and livestock. In some vicarages this might be as little as £50 a year. (For reference, this is roughly the equivalent of a minimum wage job.) In other parishes, the lesser tithes could amount to a considerable sum. Some hints in Pride and Prejudice suggest the Kympton living might have amounted to £500 -£600 a year. A vicar could resign his duties to a curate once he obtained the permission of his bishop. Many hired a curate, who would be paid out of the vicar’s own pocket, from the beginning of their incumbency. Others only did so when they had to retire. A vicar did not have to give up the parsonage house to the curate. He might continue to live in it himself and leave the curate to find his own living quarters somewhere within an easy distance of the church.”  

Meanwhile, author Brenda S. Cox reveals: “A rector, like Mr. Collins in Pride and Prejudice, received all the tithes. This included the ‘great tithes,’ about three-fourths of the total: usually the tithes of grain, hay, etc. The rector also got the ‘small tithes’: tithes of animals, eggs, poultry, etc. Austen’s rector characters received between 200 and 1000 pounds from their parishes (200 for Edward Ferrars in Sense and Sensibility, close to 1000 for the Grants in Mansfield Park).

“A vicar only got the ‘small tithes.’ In a parish with a vicar rather than a rector, the local squire or someone else got the great tithes. Mr. Elton of Emma was a vicar, so he needed a wealthy wife. We know his living was not a large one, since Mrs. Bates, the widow of the former vicar, lived in poverty. (Emma, of course, was clueless about Mr. Elton’s financial needs.) Mr. Elton’s income was probably about a quarter of what a rector’s income would have been for the parish.”

A curate is a person who is invested with the care or cure (cura) of souls of a parish.  In this sense, “curate” correctly means a parish priest; but in English-speaking countries the term curate is commonly used to describe clergy who are assistants to the parish priest. The duties or office of a curate are called a curacy. Again, from Random Bits of Fascination, we learn, “A curate was usually a young man just recently ordained, who assisted or sometimes performed the duties of a clergyman. Though they might do all the work of the parish, their salaries were often meager, perhaps as little as £50 per year, not enough to afford a maid. Even at trifling wages, a curacy was not easy to obtain. In the early 1800’s curates made up close to half of the clergymen. Even with a position, their future was not secure. The death of the incumbent did not imply the curate would ascend to the living. Moreover, there was no guarantee that the successor would even continue to employ the curate.  A curate did not retire unless he had private means of support because the church offered no pensions. As members of the clergy, curates were regarded as gentlemen. Despite their official standing, the subservient nature of their position and their paltry incomes caused some of the gentry and peers to hold them in disregard.”

“The curate was far down the financial and social scale from both the rector and the vicar.  He got a salary, which was generally half (or less) of what a vicar might receive. In 1813, the median income of a curate was only £55 per year. Some received as little as £4 a year!  A few received over £200, though.  £55 was Henry Austen’s income (Jane Austen’s brother) when he took his first curacy, at Chawton, in 1816.” (Brenda S. Cox)

“Most parishes in England and Wales retain the historical title for their parish priest—rector or vicar—with vicar being more common in the urban areas, because of an expansion of new Parishes being created in the Victorian years, and the incumbents being styled ‘vicar’ after 1868. The distinction between the titles is now only historical. In the late 20th century, a shortage of clergy and the disparity of workload between parish clergy led to the development of a number of new forms of parish ministry. In Wales prior to Disestablishment most parishes in the southern dioceses (St. Davids and Llandaff) were vicarages subject to lay patronage, whereas in the north rectors predominated largely nominated by the bishops of Bangor and St. Asaph.” (Vicar)

Okay, back to my original question. 

If the man was read in as a vicar or rector, as mentioned above, he could only be removed by death or by the bishop for crimes or when he was translated to another position. However, if the man who had the advowson wanted it for his son or nephew or cousin or anyone else, he could hire a man as a curate to hold the position for how many years it was until his relation could assume the position.

However, a curate who was given a living to hold it until a man’s relation turns 24 and was  ordained could be dismissed. Also, if a rector had several churches and so appointed one to be curate at  of them, he could be dismissed by the one who appointed him.

So the one who hired a curate to cover a second or third parish  or one hired to hold the position until a child was old enough to take the living could be dismissed by the man who gave him the job. Otherwise, the man was in there for life. 

Now, taking all that is listed above, please note that when I first learned about the difference between rectors and vicars, I accepted the definition as rectors received the great tithes, vicars received the small tithes and curates received wages.
However, I recently read an essay in Persuasion 16 of Jane Austen Society of North America that says often the documents setting up each living set out who received what.

“The tenth part of all profits or fruits, both praedial, personal, and mixed, allotted to the clergy for their maintenance. Of tithes there are three kinds, viz., personal, predial, and mixed. Personal tithes are those duo or accruing from the profits of labour, art, trade, navigation, and industry of man. Pradial tithes, those which arise either from the fruits of the ground, as corn, hay, underwood, flax, hemp, &c.; or from the fruits of trees, as apples, pears, plums, cherries ; or from the produce of the garden. Mixed tithes arc such as arise from beasts, and other animals fed with the fruits of the earth, as cheese, milk, wool, lambs, calves, fowls, &c . Preadial tithes, again, are either great or small. Great tithes are those of corn, hay, and wood. Small tithes are those of flax, &c., which are prsedial; and those of wool, milk, cheese, lambs, ferrets, &c., which are mixed . The tithes of grounds newly broken up and cultivated are called decimce novates, and always belong to the vicar, as well as the small tithes. ”  Dictionary of the English Church Ancient and Modern.

“A Companion to the English Parish Church says of tithes: There are three types of tithes : praedial tithes (calculated on income produce), mixed tithes (calculated on income from stock and labour), and personal tithes (based on income derived entirely from labour).
Where a rector wasn’t the incumbent, the tithes were divided between the rector and the vicar. They were the Great or Rectorial and small or Vicarial tithes. Vicarial tithes were generally those raised from labour and minor produce and as such were most difficult to raise.”

“Nothing about the tithe system, however, was simple. There were many exemptions, and customary usage could change the interpretation of the laws. Generally, products which were part of the ground itself were exempt from tithe: coal, minerals, limestone, etc. But in some areas it was customary to pay tithes on these materials, tin in Devon and Cornwall, for instance, and lead in Derbyshire. In the early years of the Industrial Revolution, new agricultural and industrial products changed the picture. Tithe owners stood to gain large amounts when new methods of husbandry resulted in improved yields or new crops if they could collect ten per cent of the produce. Vegetable gardens had been usually exempt from tithe, but with the tremendous growth of cities in the seventeenth and eighteenth centuries, large market gardens were developed on their outskirts, and the parish clergy naturally wanted to collect tithes on them. Some crops considered particularly important to the trade and industry of the country were given special consideration: the cloth industry employed thousands of people-hemp and flax were accordingly tithed at a maximum of five shillings an acre in perpetuity; madder, an essential ingredient in dyeing and calico printing, was given similar protection (Thirske 403). Wild animals – feroe naturae – were traditionally exempt from tithes. The courts helped the rich by deciding that deer, even if kept in parks, were wild animals. Crown forests and waste lands were traditionally exempt. Jane Austen would have become acutely aware of the problems which could be caused by the Enclosure Acts, when the Austen ladies visited her cousin, Edward Cooper, at his rectory at Hamstall Ridware in Staffordshire in 1806. Edward was in the process of petitioning the Exchequer Court against the enclosure of Needwood Forest. The proposal was that the forest lands be enclosed and divided among the three adjacent parishes, Hamstall Ridware, Rolleston and Scropton. According to law, these new lands would be exempt from tithe for the first seven years of cultivation (to help defray the capital costs involved), and Edward Cooper and the other tithe owners were concerned that the farmers would sow them with wheat or cereal crops (usually subject to a high rate of tithe) and leave their original lands to grass (paying little or no tithe) (Salt Library).” (Sutherland)

Other sources: 

Collins, Irene. (1998)  Jane Austen, The Parson’s DaughterHambledon Press.

Collins,Irene. (2002)  Jane Austen & the Clergy.  Hambledon Press.

Cox, Brenda S. “Nothing But a Country Curate.” 

Day, Malcom. (2006) Voices from the World of Jane. Austen David & Charles.

Knight, Jude. “Serving God, the Parish, or possible Mammon in late Georgian England.”

Savage, William. “The Georgian Clergy.”

Sullivan, Margaret C. (2007) The Jane Austen Handbook. Quirk Books.

Sutherland, Eileen.“Tithes and the Rural Clergyman in Jane Austen’s England.” Persuasion 16, 1994. 

“Vicar vs Curate? What’s the Difference?” 

Posted in British history, Church of England, Georgian England, Georgian Era, Jane Austen, Living in the Regency, Mansfield Park, Persuasion, Pride and Prejudice, Regency era, religion, research | Tagged , , , , , , | 6 Comments

When Bad Things Come in Pairs: Siblings Who Wreaked Havoc in Austen’s Novels, a Guest Post from Amanda Kai

This post originally appeared on the Austen Authors’ blog on 28 May 2021. Enjoy!

“Prepare for trouble. And make it double!”  While fans of the Pokemon cartoon show might associate this famous line with Team Rocket’s most inept members Jessie and James, this line could easily apply to several of the sibling pairs in Austen’s novels.  The world of Jane Austen seems rife with difficult duos that make life harder for the heroines and heroes.  Let’s take a look at some of the most notorious pairs that gave our heroines a dose of double-trouble.

Isabella and John Thorpe

It’s hard to picture a more loathsome brother and sister.  They are both name-droppers and gold-diggers.  Isabella is as inconstant a friend as the weather, and her actions seldom line up with the words from her mouth. John swears like a sailor and is about as selfish as can be.  Both siblings are rude, inconsiderate, and care more about their own interests than in respecting others.  The pinnacle of their bad behavior is in Isabella’s dumping her engagement to James Moreland in favor of Frederick Tilney, only to beg Catherine’s help to win James back when she herself gets thrown over by Frederick. Good job, Catherine, for turning her down!

Henry and Mary Crawford

They are both openly selfish and make no apologies for it.  Mary clearly has an agenda to land the richest husband she can, and though she likes Edmund better, she makes no secret of her disdain for his choice of profession and even rejoices when his elder brother falls ill, thinking that now her preferred man might inherit!  Henry is no better; a known player, he admits to his sister that he wants to make Fanny fall in love with him for the fun of it.  Meanwhile, he flirts with both of the Bertram sisters, eventually wrecking Maria’s marriage.  Mary shows no remorse for his bad behaviour, even trying to pin the blame on Fanny for not having accepted his proposal.  Lucky for Fanny and Edmund, they both escaped the charm of these terrible siblings.

Caroline Bingley and Louisa Hurst

If you thought these two reminded you of the ugly stepsisters from Cinderella, you wouldn’t be too far off. These ladies have no scruples about abusing their so-called friends behind their back and gossiping about others at every turn.  They even go so far as to assist Darcy in separating their brother from the woman he loves.  How Charles Bingley turned out so nice with sisters such as these is a mystery to me.

Maria and Julia Bertram

They may have older brothers who are kinder, but these two sisters were anything but nice to their cousin Fanny when she arrived. They constantly made fun of her for her lack of education and finery, and they only deigned to play with her when they needed an extra playmate.  As adults, they shunned her the majority of the time, neither one of them really coming to appreciate Fanny in the way that her aunt and uncle Bertram and cousin Edmund did. 

Lucy and Anne Steele

Okay, so Lucy definitely gave the most trouble between these two.  Her nastiness seems to know no bounds!  From forcing Elinor to be her confidante in order to stake a claim on Edward, making veiled threats, maneuvering to be Mrs. Ferrars’ favorite, and even throwing a last-minute barb at Elinor by letting the Dashwoods’ servant assume she had married Edward instead of Robert, Lucy is a real piece of work!  But her sister Anne (also called Nancy) doesn’t get off the hook so easily.  She is a Grade A eavesdropper whose loose lips got Edward disowned and he almost had to go through with marrying Lucy thanks to her.  Besides being fairly stupid, she does nothing to help Elinor or Marianne or be a friend to them, either.

Who would you rank as the worst among these nasty siblings?  Are there any other pairs you would categorize as a difficult duo?

To Learn More of Amanda Kai, visit her website.

Posted in Austen Authors, British history, family, Regency era, writing | Tagged , , , , , , , | 1 Comment

Rodean School, a Victorian School for Young Girls

https://www.dickinsonboardingschools.com/roedean-school

Last week when I was writing the piece on the Brighton and Rottingdean Seashore Electric Railroad, I came across a short piece on another Rottingdean (East Sussex) landmark that caught my interest. It is Roedean School, a famous private school for young girls.

https://en.wikipedia.org/wiki/Roedean_School#/media/File:Roedean_school.jpg

Originally founded at 25 Lewes Crescent, Brighton, in 1885 by the Misses Dorothy, Millicent, and Penelope Lawrence, Roedean School was designed to provide young girls a “well-rounded” education. Roedean School is an independent day and boarding school, which is governed by Royal Charter. It is for girls aged 11 to 18. The school incorporates dance studios, music classrooms, a 320-seat theatre, a heated indoor swimming pool, a golf course, a private tunnel to the beach, a farm and a chapel, as well as a range of workshops, studios, laboratories and sports pitches.

The school was originally called “Wimbledon House,” for the Lawrence sisters’ brother, Sir Paul Lawrence, assisted them greatly in setting up the school, and Sir Paul resided in Wimbleton. The school’s curriculum was such to assist young girls into earning entrance in the newly opened women’s colleges at Cambridge, Girton, and Newnham Colleges. [Note: Girton is now co-ed, but was not so at the time of Roedean’s founding.

The school motto, Honneur aulx dignes, is in Norman French, and means “Honour the worthy”. When pronounced, it sounds like “Honour Roedean”.

In 1899, the school moved to its present site. The beautiful institution is located by a cliff, offering a magnificent panoramic view overlooking the alluring Brighton Marina and the English Channel. It is a striking white-washed Victorian pile replete with towers, turrets, and cloisters, set at the heart of a stunning, 120-acre clifftop Brighton campus. The buildings were designed by the architect Sir John Simpson.

The students and staff were sent north to Keswick during the Second World War, for the buildings and the tremendous view of the coast were occupied by the Admiralty. The facility was adapted for the use of Navy cadets attending the Mining and Torpedo School, which was known as HMS Vernon.

HMS Vernon was a shore establishment or “stone frigate” of the Royal Navy in Portsmouth. Vernon was established on 26 April 1876 as the Royal Navy’s Torpedo Branch also known as the Torpedo School, named after the ship HMS Vernon which served as part of its floating base. After the First World War, HMS Vernon moved ashore, taking over the Gunwharf site, where it continued to operate until 1 April 1996, when the various elements comprising the establishment were split up and moved to different commands. Portsmouth suffered heavy air raids during the war, with Vernon being hit several times. One bomb demolished Dido Building and killed 100 people. Subsequently, sections of Vernon were dispersed to quieter areas. On 3 May 1941 most departments of Vernon were moved to Roedean School at Brighton, which was known as HMS Vernon(R), whilst other elements were relocated elsewhere on the south coast and further away.

https://whichschooladvisor.com/uk/school-review/roedean-school

Currently, Rodean school is listed as one of the top schools in the United Kingdom.

It is a selective school. In 2019, 68% of GCSE grades were A*/A and 55% at A-Levels. 52% of the students are boarders.

Other Sources:

Britannia Study

Dickinson English School Consulting

Rodean School

SMAPSE Education

Von Bülow Education

Which School Advisor

Posted in British history, British Navy, buildings and structures, history, Living in the UK, real life tales, research, war | Tagged , , , , , , , | 3 Comments

Dogs in Jane Austen’s Novels, a Guest Post from Eliza Shearer

The post originally appeared on the Austen Authors’ blog on 25 May 2021. Enjoy!

Although (just like servants) they are often little remarked upon, dogs are everywhere in Jane Austen’s novels.

In the Regency, dogs were an essential feature of countryside living: we might as well imagine their incessant barking in the background when we read Austen’s stories, particularly during hunting season or when the men head outside.

Most dogs were seen as working animals, such as aids to hunting or shepherding, although sensibilities were rapidly changing. Here’s what Jane Austen’s stories tell us about pooches and their owners two hundred years ago.

Efficient Workers

In Persuasion, Anne Elliot’s brother-in-law Charles Musgrove owns several hounds. We are even told that one of Musgrove’s hunting sessions with Captain Wentworth is spoilt by a young dog, presumably because it was too excited or tired to keep up with the sportsmen.

A good hound was invaluable to huntsmen. In Sense and Sensibility, Sir John Middleton is incensed when he discovers Willoughby’s true nature, perhaps even more so because he has just given Willoughby a precious present: a puppy by Folly, his favourite hound.

“Such a scoundrel of a fellow! such a deceitful dog! It was only the last time they met that he had offered him one of Folly’s puppies! and this was the end of it!”

Sense and Sensibility, Chapter 32

Later, when Willoughby is unhappily married to a rich woman, we learn that he breeds hounds for pleasure, and he sees them as one of the few consolations of life. (I wonder if one of the dams or sires he keeps is Folly’s baby?).

Loyal Companions

Sir John’s tender words towards Folly suggest that, beyond valuing their hunting prowess, some dog owners were particularly attached to their furry friends, something Jane Austen reflects in her novels.

In Northanger Abbey, Henry Tilney keeps “a large Newfoundland puppy and two or three terriers” in the parsonage. They are “the friends of his solitude”, the companions he shares his single life with.

And of course, there’s Pug, the most spoilt pooch in Austen’s works. Mansfield Park’s Lady Bertram is extremely fond of the dog, and Jane Austen cleverly uses the relationship between the two to convey Lady Bertram’s newfound interest in her niece. The woman sees Fanny so much improved that she makes her an unthinkable offer, one that corroborates her affection:

“And I will tell you what, Fanny, which is more than I did for Maria: the next time Pug has a litter you shall have a puppy.”

Mansfield Park, Chapter 33

Lady Bertram’s attachment to Pug always stood out to me when reading Mansfield Park. What if Lady Bertram had paid less attention to her pet and more to her daughters? And, alas, dogs have shorter lives than humans. What would the woman do when Pug was no longer there? (My musings made it to Miss Price’s Decisionand spoiler alert: Pug is getting on…).

So What did Jane Think ?

We have little evidence of Jane’s actual thoughts regarding dogs. We know that, ten years after Jane’s death, Cassandra got a dog to keep her company, but we have no indication that the sisters owned a dog during their life together.

Jane Austen was a busy woman. She had to fit in her novel writing around housework and childcare for her brothers, and she also travelled a fair bit. Perhaps a dog wasn’t the ideal pet for her (I can sympathise! As much as I’d love a pooch, now it’s not the right time).

However, I do wonder what Jane would think of our relationship with dogs. I imagine she would find the industry built around catering to their every need highly amusing!

What other dogs do you remember noticing in Jane Austen’s novels? Would you say you are a dog person, and if so, do you have/have had any pooches you’d like to tell us about? 

Posted in Austen Authors, Georgian England, Georgian Era, Guest Post, Jane Austen, Living in the Regency, Regency era, writing | Tagged , , , , , , , | Comments Off on Dogs in Jane Austen’s Novels, a Guest Post from Eliza Shearer

Releasing July 20! Regency Mid-Summer Mischief: A Regency Summer Romance Anthology + a Giveaway

Available on Amazon for only $0.99 or read for FREE on Kindle Unlimited.

Seven stories of Regency heroines and heroes finding love in the face of obstructions: mayhem, malice, and mischief.
Varying heat levels, both in the text and during the English summertime.
Seven best-selling and award-winning authors team up to delight your summer holiday reading.

***** FREE ON KINDLE UNLIMITED *****

A Maiden for a Marquess by Arietta Richmond – Scandal, marriage, dark secrets – is love possible?

Saracen’s Gift by Janis Susan May – From heiress to prisoner – will love save her?

Seaside Summer by Victoria Hinshaw – A wounded warrior fights for love against the odds

The Jewel Thief and the Earl by Regina Jeffers – Both find more than a missing necklace.

Wildflowers and Wiles by Summer Hanford – Is impersonating a peer wrong if you’re family?

The Journey by Becca St. John – Batten down the hatches, hidden hearts on board!

Weekend at Baron E’s by Ebony Oaten – Newly wed to newly dead – don’t tell the in-laws!

Grab your summer reading now!

GIVEAWAY: I have 5 eBook copies of Regency Mid-Summer Mischief available to those who comment below. The giveaway will end a midnight EDST on Friday, July 23, 2021. I will contact winners directly for the delivery of the prizes.

Posted in Uncategorized | Comments Off on Releasing July 20! Regency Mid-Summer Mischief: A Regency Summer Romance Anthology + a Giveaway

The Amazing “Daddy Long Legs” and Brighton’s History

Many of us who write Regency Romance have our tales connected to Brighton, a seaside resort some 50 miles removed from London, in East Sussex. Brighton’s popularity with the rich, famous, and royal continued in the 19th century, and saw the building of a number of imposing seafront hotels. The city’s popularity among the wealthy rose with the decision of the Prince Regent to build a seaside palace, the Royal Pavilion. Construction began in 1787, but it is the expansion by John Nash beginning in 1811 that created the fantastical Orientalist pavilion that draws the eye and made Brighton a center of Regency Era society.

The Royal Pavilion was created at the beginning of the 19th Century, whereas, “Daddy Long Legs” came about at the end. “Daddy Long Legs” connected Rottingdean to Brighton. Nowadays, Rottingdean is a village in the city of Brighton and Hove, on the south coast of England. It borders the villages of Saltdean, Ovingdean and Woodingdean, and has a historic centre, which is often the subject of picture postcards.

Magnus Volk was a British inventor and pioneering electrical engineer. He is most notable for having built Volk’s Electric Railway, the world’s oldest operating electric railway, but that achievement is not the subject of this piece. Volk built another train line that was short-lived, but memorable, nonetheless.

Magnus Volk

He also built the unique, but short lived, Brighton and Rottingdean Seashore Electric Railway, together with its unusual Daddy Long Legs vehicle. In 1887 he attracted attention in Brighton by building a three-wheeled electric carriage powered by an Immisch motor.

What made this railway so unusual was the fact its tracks were not on land, but rather upon the sea floor, some 100 yards (90 m) offshore. It had but one passenger car, mounted on tubes that were some 23 feet high — a boat-like passenger car built on stilts. At high tide, up to 30 riders at a time could enjoy a speed of 6 MPH. There was some protection against the elements, though some people chose to sit on the deck, rather than the central “enclosure.” The transport was named the “Pioneer” by its builder, but people affectionately called it “Daddy Long Legs,” because of how it looked when making its journey.

It met up with Volk’s land-based railroad on the sea-front at Brighton, which opened in 1883 and considered as the world’s first publicly operated electric railway. Because the trek was over water, the railroad employed a licensed sea captain aboard each journey. In fact, a flag was flown from the “ship’s” stern, and the company had lifeboats available in case of emergency.

Two sets of rails had been laid in a parallel fashion upon concrete block, which were spaced out some eighteen feet apart. “The parallel rails on either side accommodated four-wheeled trucks, or bogies, that, in turn, supported each of the long tubes keeping the train car above the water. To prevent seaweed and other debris from clogging up the axles or otherwise gumming up the works, each bogie wore a sort of full fender over the top that prevented such contaminants from entering it. Supplied by an overhead electric wire that was supported by a line of power poles adjacent to the line, the Brighton and Rottingdean used a pair of 25-hp General Electric motors to power its drive wheels. Starting from a pier at Brighton, the railway traveled the 2.8-mile distance to Rottindean before returning to Brighton.” (Hemmings Motor News)

Even today, lengths of the track bed can be spotted at low tide, along with the stumps of some of the post that carried the power lines high above the water.

After a little over three years, the Brighton and Rottingdean Seashore Railway shut down. Brighton had decided to build groynes out into the water to increase their sea defenses against attack. It was briefly suggested that the railway move further out in the sea, but as “Daddy Long Legs” had never proven a solid business idea — never making money — the idea investing more hard earned funds into it did not prove viable.

Other Sources:

Amusing Planet

Brighton’s Daddy Long Legs

Daily Mail

Engadget

Hemmings Motor News

My Brighton and Hove

Volk’s Electric Sea Train, 1897

Posted in British history, commerce, England, Great Britain, history, inventions, Living in the UK, real life tales, research, travel | Tagged , , , , , , , , , , | Comments Off on The Amazing “Daddy Long Legs” and Brighton’s History

James and Henry Austen and “The Loiterer” ~ Literary Influences on Jane Austen

Many of those around her influenced Jane Austen, but Henry Austen’s and James Austen’s influences were profound. Most of Austen’s biographers believe that Henry was Austen’s favorite brother and James her least favorite.

jamesausten

Jane Austen’s Brothers http://www.janeausten.co.uk James (1765-1819)

James Austen was the eldest of the Austen clan, a youth with a quick mind and a love of the classics. Matriculating to Oxford at age 14, James remained at the school for eleven years. James enjoyed writing poetry, and the Austen family encouraged him to do so.  As entertainment, the Austen family often acted out amateur theatricals. Reportedly, James composed metrical prologues and epilogues for these “family” plays. Many believe these efforts by the eldest Austen had a profound effect on one of the youngest, Jane. 

James’s poetry efforts dwindled as he settled into the life of a country clergyman. As the heir to his wealthy, childless uncle, James Leigh Perrot, James Austen’s future was solid. After leaving Oxford, James became Rector of Steventon (rather than his father’s curate at Deane). He married twice – the second marriage bringing him two children, but gave him a wife with whom he was generally thought to be disappointed. We have no records of James’s poetry from 1789 to 1805.

Six years James’s junior, Henry joined James at Oxford in 1788, and in 1789, the brothers began producing a weekly periodical, called The Loiterer, which contained a series of fashionable essays. James and his friends provided the majority of the essays; however, Henry became quite adept at the occasional piece of fiction. Henry used “stock” characters and situations – those commonly found in the fiction of the day. The brothers continued their efforts for 60 consecutive weeks – quite an undertaking for the time.

Henry Austen

Rev Henry Thomas Austen (1771 – 1850) – Find A Grave Memorial http://www.findagrave.com

Henry is well known among Austen scholars as Jane’s “man of business,” acting as her agent in arranging the publication of Austen’s novels. He managed to convince Thomas Egerton, who coincidentally had published the Austen brothers’ efforts with The Loiterer, to take a chance on a piece of fiction. Egerton specialized in pieces of military history, so this was a different track for the publisher. In 1811, Egerton published Sense and Sensibility, by a Lady. Henry likely advanced the £180 upfront fees for printing and advertising for the novel.

Despite these particular influences on Jane Austen, her brothers exercised other effects upon her career. One of those was their involvement in student periodicals. In the late 1700s several examples of student journalism sprang up. Eton College had its Microcosmopolitan, Westminster School had The Flagellant, St. Mary Magdalen College had Olla Podrida, St. John’s College had the Loiterer, etc. Three of these efforts were later collected into volumes: Microcosmopolitan, Olla Podrida, and the Loiterer (which was edited by James Austen). These periodicals covered a wide variety of topics: manners, drinking, epitaphs, superstition, fashion, entertainment, etc. Some serious topics appeared as well. There were pieces on Parliament, the war, education, religion, poetry, fiction, etc.

8854cc_41c0badd668d4c709f15bf9ae6085585

The Loiterer janeausteninfo.wix.com

Literary criticism was a staple of these periodicals. One often finds criticism of the novel as a literary form. There were serious discussions regarding the change in style = movement from the epistolary novel – the rise of sentimental fiction – the use of irony and satire. These young journalists were well read men. James Austen, for example, took offense at the predominance of sentimental fiction in the circulating libraries of the time. Henry Austen spoke out against the French influence upon the genre. “What I here allude to, Sir, is that excess of sentiment and  susceptibility, which the works of the great Rousseau chiefly introduced, which every subsequent Novel has since foster’d and which the voluptuous manners of the present age but too eagerly embrace.” (The Loiterer, No. 47

Some biographers suggest that Jane Austen wrote one of the letters published in The Loiterer. The letter expressed an objection to the lack of a female perspective in the articles published in the weekly periodical. It was signed “Sophia Sentiment.” It is said that the issue containing the letter supposedly written by Jane Austen (issue 9) was the only one to be advertised for sale in North Hampshire, where the Austen’s lived. The other issues were for sale at Oxford and in London. In the Cambridge University Press collection of Austen’s Juvenilia, Peter Sabor (2006, pages 356-362) suggests that the letter may have been inspired by Jane’s voice in her brothers’ ears rather than her actually writing the letter. The letter turns sentimental fiction upon its head. “Sophia Sentiment” encourages the editor (James Austen) to publish more sentimental fiction. 

“Let us hear no more of your Oxford Journals, your Homelys and Cockney: but send them about their business, and get a new set of correspondents, from among the young of both sexes, but particularly ours; and let us see some nice affecting stories, relating the misfortunes of two lovers, who died suddenly, just as they were going to church. Let the lover be killed in a duel, or lost at sea, or you may make him shoot himself, just as you please, and as for his mistress, she will of course go mad; or if you will, you may kill the lady, and let the lover run mad; only remember, whatever you do, that your hero and heroine must possess a great deal of feeling, and have very pretty names.” (The Loiterer, No. 9)

Ironically, in Henry evaluation of sentimental fiction he writes a tongue-in-cheek response: Let her avoid love and friendship as she wishes to be admired and distinguished. (The Loiterer, No. 27) Li-Ping Geng says in Persuasions, No. 31 (pages 167-168), “Sophia (meaning “wisdom” in Greek) is a pretty name but also an ironic one. Further, it si the name given to a protagonist, in Jane Austen’s “Love and Freindship,” who is “all Sensibility and Feeling,” a heroine who is recognized as “most truly worthy of the Name” by the equally sentimental Laura, herself possessed of “[a] sensibility too tremblingly alive.

“The spirited playfulness and the cheeky style, consistent with what we see in Juvenilia, seem to exclude James from the authorship. The letter’s somewhat crude irony resembles very much that seen in Henry Austen’s satirical contributions, but the charming temperament and feminine tone seem to point to the hand of Jane, who was more than capable of it at the precocious age of thirteen and who was at the time actively engaged elsewhere in mocking the rampant literary bias.”

 

Posted in British history, Georgian England, Georgian Era, history, Jane Austen, Living in the Regency, Living in the UK | Tagged , , , , , | 3 Comments