Nicholas Hawksmoor (probably 1661 – 25 March 1736) was a British architect born in Nottinghamshire, probably in East Drayton or Ragnall.

Life
Hawksmoor was born in Nottinghamshire in 1661, into a yeoman farming family, almost certainly in East Drayton or Ragnall, Nottinghamshire. On his death he was to leave property at nearby Ragnall, Dunham and a house and land at Great Drayton. It is not known where he received his schooling, but it was probably in more than basic literacy. George Vertue, whose family had property in Hawksmoor’s part of Nottingham shire, wrote in 1731 that he was taken as a youth to act as clerk by ‘Justice Mellust in Yorkshire, where Mr Gouge senior did some fretwork ceilings afterwards Mr. Haukesmore [sic] came to London, became clerk to Sr. Christopher Wren & thence became an Architect.’

Wren who hearing of his ‘early skill and genius’ for architecture, took him as his clerk at about the age of 18. His early drawings in a sketch-book, containing sketches and notes some dated 1680 and 1683, of buildings in Nottingham, Coventry, Warwick, Bath, Bristol, Oxford and Northampton. His somewhat amateur drawings, now in the Royal Institute of British Architects Drawings Collection, shows that he was still learning the techniques of his new profession at the age of 22. His first official post was as Deputy Surveyor to Wren at the Winchester Palace from 1683 until February 1685. Hawksmoor’s signature appears on a brickmaker’s contract for Winchester Palace in November 1684. Wren was paying him 2 shillings a day in 1685 as assistant in his office in Whitehall.

From about 1684 to about 1700, Hawksmoor worked with Christopher Wren on projects, including Chelsea Hospital, St. Paul’s Cathedral, Hampton Court Palace and Greenwich Hospital. Thanks to Wren’s influence as Surveyor-General, Hawksmoor was named Clerk of the Works at Kensington Palace (1689) and Deputy Surveyor of Works at Greenwich (1705). In 1718, when Wren was superseded by the new, amateur Surveyor, William Benson, Hawksmoor was deprived of his double post to provide places for Benson’s brother. “Poor Hawksmoor,” wrote Vanbrugh in 1721. “What a Barbarous Age have his fine, ingenious Parts fallen into. What wou’d Monsr: Colbert in France have given for such a man?” Only in 1726 after William Benson’s successor Hewett died, Hawksmoor was restored to secretaryship, though not the Clerkship of the works – this post was given to Filtcroft. In 1696, Hawksmoor was appointed surveyor to the Commissioners of Sewers for Westminster, but was dismissed in 1700, “‘having neglected’ to attend the Court several days last past.”

He then worked for a time with Sir John Vanbrugh, helping him build Blenheim Palace for John Churchill, 1st Duke of Marlborough, where he took charge from 1705, after Vanbrugh’s final break with the demanding Duchess of Marlborough, and Castle Howard for Charles Howard, later the 3rd Earl of Carlisle. In July 1721 John Vanbrugh made Hawksmoor his deputy as Comptroller of the Works. There is no doubt that Hawksmoor brought to the brilliant amateur the professional grounding he had received from Wren, but it is also arguable that Wren’s architectural development was from the persuasion of his formal pupil, Hawksmoor.

By 1700, Hawksmoor emerged with a major architectural personality, and in the next 20 years he proved himself to be one of the great masters of the English Baroque. His baroque, but somewhat classical and gothic architectural form was derived from his exploration of Antiquity, the Renaissance, the English Middle Ages and contemporary Italian baroque. Unlike many of his wealthier contemporaries, Hawksmoor never travelled to Italy on a Grand Tour, where he might have been influenced by the style of architecture there. Instead he studied engravings especially monuments of ancient Rome and reconstructions of the Temple of Solomon.

In 1702, Hawksmoor designed the baroque country house of Easton Neston in Northamptonshire for Sir William Fermor. This is the only country house for which he was the sole architect, though he extensively remodelled Ockham House, now mostly destroyed, for the Lord Chief Justice King). Easton Neston was not completed as he intended, the symmetrical flanking wings and entrance colonnade, very much in the style of John Vanbrugh, remaining unexecuted.

As he neared the age of 50, his creativeness was received by two universities, Oxford and Cambridge. In 1713, Hawksmoor was commissioned to complete King’s College, Cambridge: the scheme consisted of a Fellows’ Building along King’s Parade, and opposite the Chapel a monumental range of buildings containing the Great Hall, kitchens and to the south of that the library and Provost’s Lodge. Wooden models and plans of the scheme survive, but it proved too expensive and Hawksmoor produced a second scaled down design. But the college that had invested heavily in the South Sea Company lost their money when the ‘bubble’ burst in 1720. The result was that Hawksmoor’s scheme would never be executed, the college was finished later in the 18th century by James Gibbs and early in the 19th century by William Wilkins. In 1690s, Hawksmoor gave proposals for the library of the Queen’s College, Oxford. However like many of his proposals for both universities, such as All Souls College, The Radcliffe Library, Brasenose College, Magdalen College Oxford, was not executed.

After the death of Wren in 1723, Hawksmoor was appointed Surveyor to Westminster Abbey. This post received 100 pounds voted by Parliament for the repair and completion of the Abbey in 1698. The west towers of the Abbey were designed by Hawksmoor but was not completed until after his death.

Hawksmoor conceived grand rebuilding schemes for central Oxford, most of which were not realised. The idea was for a round library for the Radcliffe Camera but that commission went to James Gibbs. He did design the Clarendon Building at Oxford; the Codrington Library and new buildings at All Souls College, Oxford; parts of Worcester College, Oxford with Sir George Clarke; the High Street screen at The Queen’s College, Oxford and six new churches in London.

Hawksmoor’s six London churches
In 1711, parliament passed an Act for the building of Fifty New Churches in the Cities of London and Westminster or the Suburbs thereof, which established a commission which included Christopher Wren, John Vanburgh, Thomas Archer, and a number of churchmen. It appointed Hawksmoor and William Dickinson as its surveyors. As supervising architects, they were not necessarily expected to design all the churches themselves. Dickinson left his post in 1713 and was replaced by James Gibbs. Gibbs was removed from his post in 1716 and replaced by John James. James and Hawksmoor remained in office until the commission was wound up in 1733. The declining enthusiasm of the Commission, and the expense of the buildings, meant that only twelve churches were completed, six designed by Hawksmoor, and two by James in collaboration with Hawksmoor. The two collaborations were St Luke Old Street (1727–33) and St John Horsleydown (1727–33), to which Hawksmoor’s contribution seems to have been largely confined to the towers with their extraordinary steeples. The six churches wholly designed by Hawksmoor are his best-known independent works of architecture. They compare in their complexity of interpenetrating internal spaces with contemporaneous work in Italy by Francesco Borromini. Their spires, are essentially Gothic outlines executed in innovative and imaginative Classical detail. Although Hawksmoor and John James terminated the commission by 1733, they were still being paid “for carrying on and finishing the works under their care” until James’s death.
St Alfege’s Church, Greenwich
St George’s Church, Bloomsbury
Christ Church, Spitalfields
St George in the East, Wapping
St Mary Woolnoth

Garden Buildings and Monuments

Hawksmoor also designed a number of structures for the gardens at Castle Howard these are:
The Pyramid (1728)
The Mausoleum (1729–40) built on the same scale as his London churches, it is almost certainly the first free-standing mausoleum built in Western Europe since the fall of the Roman empire.
The Carrmire Gate, (c.1730)
The Temple of Venus (1731-5) demolished
At Blenheim Palace he designed the Woodstock Gate (1723) in the form of a Triumphal arch. He also designed the obelisk in Ripon market place, erected in 1702, at 80 feet in height it was the first large scale obelisk to be erected in Britain.

Death and obituary
Hawksmoor died on 25 March 1736 in his house at Millbank from ‘Gout of the stomach.’ He had suffered poor health for the last twenty years of his life and was often confined to bed hardly able to sign his name. His will instructed that he be buried at the church at Shenley, Hertfordshire. This has been deconsecrated and his tomb stone there is now in a private garden. It has this inscription:
P M S
L
Hic J[acet]
NICHOLAUS HAWKSMOOR Armr
ARCHITECTUS
obijt vicesimo quin[t]o die [Martii]
Anno Domini 1736
Aetatis 75

Hawksmoor’s only child was a daughter, Elizabeth, whose second husband, Nathanial Blackerby, who wrote the obituary of his father-in-law.
His obituary appeared in Read’s Weekly Journal, no. 603. 27 March 1736.
: Thursday morning died, at this house on Mill-Bank, Westminster, in a very advanced age, the learned and ingenious Nicholas Hawksmoor, Esq, one of the greatest Architects this or the preceeding (sic) Century has produc’d. His early skill in, and Genius for this noble science recommended him, when about 18 years of age, to the favour and esteem of his great master and predecessor, Sir Christopher Wren, under whom, during his life, and for himself since his death, he was concerned in the erecting more Publick (sic) Edifices, than any one life, among the moderns at least, can boast of. In King Charles II’s reign, he was employ’d under Sir Christopher Wren, in the stately buildings at Winchester; as he was likewise in all the other publick structures, Palaces &c, erected by that great Man, under whom he was assisting, from the Beginning (factually wrong, Hawksmoor was 14 years old then) to the Finishing of that grand and noble Edifice the cathedral of St. Paul’s, and of all the churches rebuilt after the Fire of London. At the building of Chelsea-College he was Deputy-Surveyor, and Clerk of Works, under Sir Christopher Wren. At Greenwich-Hospital he was, from the Beginning ’till a short time before his death, Clerk of Works. In the Reigns of King William and Queen Anne, he was Clerk of their Majesties Works at Kensington, and at Whitehall, St. Jame’s and Westminster. In the reign of King George I, he was first Surveyor of all the new Churches, and Surveyor of Westminster-Abbey, from the death of Sir Christopher Wren. He was chiefly concern’d in designing and building a great number of magnificent Nobleman’s Houses, and particularly (with Sir John Vanbrugh) those of Blenheim and Castle-Howard, at the latter of which he was at his Death, carrying on a Mausoleum in the most elegant and grand Stile (sic), not to mention many others: But one of the most surprising of his undertakings, was the repairing of Beverley Minster, where the stone wall on the north-side was near three Foot out of the perpendicular, which he mov’d at once to its upright by means of a machine of his own invention. In short his numerous Publick Works at Oxford, perfected in his lifetime, and the design and model of Dr. Ratcliff’s Library there, his design of a new Parliament-House, after the thought of Sir Christopher Wren; and, to mention no more, his noble Design for repairing the West-End of Westminster-Abbey, will all stand monuments to his great capacity, inexhaustible fancy, and solid judgement. He was perfectly skill’d in the History of Architecture, and could give exact account of all the famous buildings, both Antient (sic) and Modern, in every part of the world; to which his excellent memory, that never fail’d him to the very last, greatly contributed. Nor was architecture the only science he was master of. He was bred a scholar. and knew as well the learned as the modern tongues. He was a very skilful mathematician, geographer, and geometrician; and in drawing, which he practised to the last, though greatly afflicted with Chiragra, few excelled him. In his private life he was a tender husband, a loving father, a sincere friend, and a most agreeable companion; nor could the most poignant pains of Gout, which he for many years laboured under, ever ruffle or discompose his evenness of temper. And as his memory must always be dear to his Country, so the loss of so great and valuable man in sensibly, and in a more particular manner felt by those who had the pleasure of his personal acquaintance, and enjoy’d the happiness of his conversation.

Upon his death he left a widow, to whom he bequested all his property in Westminster, Highgate, Shenley, and East Drayton, who later married William Theaker; grandchild of this second marriage ultimately inherited Hawksmoor’s properties near Drayton, after the death of the architect’s widow. Hawksmoor’s only child was a daughter, Elizabeth.

Recovering Hawksmoor’s Reputation
Modern scholarship has sought to distinguish Hawksmoor’s work from that of Christopher Wren and the other designers in the Office of Works such as Robert Hooke. Many buildings were previously attributed without distinguishing their designers by name and Hawksmoor’s reputation as an individual designer has been obscured by this fact. Modern re-apraisal began with a study in 1924 by Harry Stuart Goodhart-Rendel. The major breakthrough in Hawksmoor scholarship came with Kerry Downes’s 1979 monograph the examined the numerous documents of Hawksmooor’s work, a happy result of much of his work being for the Office of the King’s Works, who kept their records.

Hawksmoor’s influence by Old Testament descriptions of the Temple of Solomon and lost wonders of the ancient world is explored in Pierre De La Ruffiniere’s du Prey’s 2000 study of Hawksmoor. In 2002, Hawksmoor was the subject of an award-winning monograph by the architectural historian Vaughan Hart, which appraised Hawksmoor in the light of archival discoveries since the work of Kerry Downes.

Hawksmoor in Modern Literature
Hawksmoor’s architecture has influenced several poets and authors of the twentieth century. His church St Mary Woolnoth is mentioned in T. S. Eliot’s poem The Waste Land (1922).

Algernon Stitch lived in a “superb creation by Nicholas Hawksmoor” in London in the novel Scoop by Evelyn Waugh (1938).

Hawksmoor is the subject of a poem by Iain Sinclair called ‘Nicholas Hawksmoor: His Churches,’ which appeared in Sinclair’s collection of poems Lud Heat (1975). Sinclair promoted the poetic interpretation of the architect’s singular style of architectural composition that Hawksmoor’s churches formed a pattern consistent with the forms of Theistic Satanism though there is no documentary or historic evidence for this. This idea was, however, embellished by Peter Ackroyd in his novel Hawksmoor (1985) the historical Hawksmoor is refigured as the fictional Devil-worshiper Nicholas Dyer, while the eponymous Hawksmoor is a twentieth-century detective charged with investigating a series of murders perpertrated on Dyer’s (Hawksmoor’s) churches.

Both Sinclair and Ackroyd’s ideas in turn were further developed by Alan Moore and Eddie Campbell in their graphic novel, From Hell, which speculated that Jack the Ripper used Hawksmoor’s buildings as part of ritual magic, with his victims as human sacrifice. In the appendix, Moore revealed that he had met and spoke with Sinclair on numerous occasions while developing the core ideas of the book. The argument includes the idea that the locations of the churches form a pentagram with ritual significance.